Putinism's Soft Power
That no good former KGB colonel Vladimir Putin is at it again. This time the wolf in sheep's clothing is appropriating the biggest scam in history holocaust to threaten Ukraine's freedom.
Is Ukraine’s New Holocaust Memorial Also an Instrument of Kremlin Propaganda?
When finished, the total cost of the controversial project is expected to reach $100 million, making it the world’s most ambitious effort to memorialize the Holocaust in at least a generation
time.com
How utterly disgusting!
There's no telling how low the neo-Soviet dictator might stoop if he's willing to force this buffoonery upon those he claims are part of his Russian World.
Several monuments have been built over the years to commemorate these events. But Fridman’s project is far grander. Comprising art installations, a museum, and an archive and research center, the memorial complex spans around 370 acres. The project has already produced numerous memorials, including an ornate synagogue in the shape of a book, a “mirror field” of reflective columns riddled with bullet holes, and an elaborate “sound sculpture” that murmurs the names of the dead in a perpetual loop. The sensory barrage has led some critics to call the project a “Holocaust Disneyland.” When finished, its total cost is expected to reach $100 million, making it the world’s most ambitious effort to memorialize the Holocaust in at least a generation.
Will the suffering ever end? Why is that brute in the Kremlin stirring the shit pot in the schizophrenic eternally prosecuted globalist establishment using his own gay puppets oligarchs?
As a child growing up in a Jewish family in western Ukraine, Fridman learned about Babyn Yar from his grandmother, whose native village was decimated in the German blitzkrieg of 1941. “Nothing was left,” he told me. “Not even the graves.” For years after the war, the subject of the Holocaust was taboo in the Soviet Union, absent from official histories. Among Fridman’s generation, many people learned about the massacre only through a poem that appeared in 1961 in a state-controlled literary journal. Its first lines read:
At Babyn Yar there are no memorials
Just a steep drop, rough as a tombstone
Yevtushenko suffered from bipolar disorder due to repressed homosexuality too!
The journal’s editor was fired for publishing the poem, which caused such a scandal that Soviet leader Nikita Khrushchev personally denounced it. The author, Evgeny Yevtushenko, wrote it after visiting Babyn Yar and finding that Soviet authorities had turned the site into a landfill. “They were unloading stinking garbage on the tens of thousands of people who were killed,” the poet told the BBC. The Soviets finally agreed to build a memorial at the site in the early 1970s. In line with the state’s semiofficial policy of anti-Semitism, the inscription on that monument made no mention of the Jews who had died there.
If according to eyewitnesses the massacre of Jewish civilians by the banderites and krauts in Babi Yar is an established fact, why did the antisemitic bolshevik bastards hide it? Were the witnesses full of shit? Or was it covered up to appease the fragile, collaborationist ukrainian ego to counterbalance the ever dangerous threat of revanchist Great Russian chauvinism?
Fridman recalls his family discussing these events at their kitchen table. They reserved particular scorn, he told me, for the Ukrainian militias and other locals who helped the Nazis persecute the Jews. When we first spoke last spring, he brought up an old photograph that still colors his understanding of the tragedy. Taken in the city of Lviv, where he grew up, it shows a group of Jewish women early in the Nazi occupation. “They are fully naked,” Fridman remembered, “being forced to clean the streets. And there are people standing around, shoving them, laughing.” He took a deep breath and measured his words. “These were not Germans,” he told me. “These were local people, my countrymen, people who might have lived in my neighborhood.”
To be fair, less than two years passed since Soviet forces walked into Lvov when the krauts occupied the city. Not nearly enough time passed for the locals to forget and forgive their scumbag neighbors who collaborated with the NKVD by snitching on anti-bolshevik activists and helping appropriate collectivize private property. In late June of 1941 the tables turned, with the Germans inciting the wretched masses to scare noncommie observant, g-d fearing Jews into gated communities ghettos.
So the townsfolk got a chance to vent and beat up some reds, is that such a big deal? When you make an Israel omelet eggs have to break, right? Gathering Jews for the Zionist project was no easy task, but der fuhrer's orders were orders, yo.
While eyewitnesses are still alive, someone should go ask that effeminate con artist philanthropist George Schwartz Soros how Jews were forcibly evacuated deported from Budapest in 1944 to get them out of harm's way the largest death camp before the inevitable bloodbath.
Knowing the Zionist banking cartel and their faggot Nazi servants, I doubt they left all that property behind without meticulously documenting what was to go into the Swiss holocaust restitution fund.
In the absence of honest histories of the war, many Soviet Jews pieced together their awareness of the Holocaust from such scraps and artifacts-whispers in the kitchen, an old photo glimpsed in a book. The young Fridman was no exception. To this day, he believes the family lore that his great-grandparents may have been killed not by the Nazis but by their Ukrainian collaborators. “Nobody knows how they died,” he acknowledges. But his suspicion lingers, faint yet inescapable in his vision for the monument he wants to build.
Fridman kvetches like a pro, but luckily a representative for the good guys stepped up to the Seder plate to challenge the narrative. Meet the wise Mr. Zissels, a grizzled homosexual dissident and expert on everything - from shoah business to folklore ukrainian history. Let the spittle fly!
As a young man in the 1970s and ’80s, Zissels was twice sentenced to prison for opposing the Soviet regime. He now serves as vice president of the Ukrainian chapter of the World Jewish Congress, a powerful advocacy group. In an awkward twist for Zissels, the group’s longtime president, Ronald Lauder, a Republican stalwart and former U.S. ambassador to Austria, sits on the board of the Babyn Yar memorial project alongside Fridman. Among the other board members are Joe Lieberman, the former U.S. Senator and the first Jewish vice-presidential candidate, and Joschka Fischer, a former German Foreign Minister. “They must think it’s prestigious,” Zissels remarked when I asked him how the memorial had assembled such an illustrious board. “They don’t understand that it’s part of a hybrid war.” As for the motivations of its sponsors, he swatted away the notion that Fridman has some personal connection to Babyn Yar. “I don’t believe in the sentimentality of people with $20 billion.” (Fridman’s current fortune, according to Forbes, is $16 billion.)
Has Putin no shame? Obviously some of those moneygrubbing shysters are easy to hoodwink, but using poor Mr. Fridman as a pawn? Not cool, Vladimir! Unlike the other reptilian board members who are prescribed some of the best psychotropic drugs to suppress the inner fag amalek, this one is seriously unhinged.
As we finished the tour at Babyn Yar, Fridman stopped to explain how the locals had, in his view, neglected or mistreated the site of the massacre. A private shooting range stood at the edge of the park, and the sound of gunfire carried to the part of the ravine where victims had been forced to undress. Near the subway station, a sign identified a small house as a “volunteer center” for honoring the memory of these victims, but most of the house was being used as a shawarma grill. “We’ve found skulls here, human skulls on the ground,” Fridman told me, looking down as though he half-expected to find more human remains under his feet.
More human remains? Holy crap Fridman, get your shit together!
Yet Putin keeps manipulating them to further "his agenda." Let them sort out their problems on their own, bruh! The younger, hip generation of kike has a better idea of how to scam the goy nowadays - by making holocaust indoctrination education fun!
The Shoah Must Go On
For those who have an iron stomach, sadomasochistic tendencies, and a sick sense of humor, queers and feminists artistic folk have you covered:
Just a moment...
www.tabletmag.com
Many moons ago, I had the great pleasure of knowing and occasionally drinking with the philosopher Arthur Danto, who was unambiguously the greatest figure of 20th-century aesthetics. With literary flair and philosophical rigor Danto explained why Duchamp’s readymades and Warhol’s Brillo Boxes were philosophically important; he codified the contemporary conceptual definition of art. One spring, I was in attendance at one of Danto’s packed lectures when an even more earnest philosophy student than myself stood up to deliver a probing question. The young adept wanted Danto to opine definitively on where the borders lay between the new art and the old morality. Could morally atrocious actions and forms constitute good art?
"Many moons?" Cultural appropriation is really hip, gives off that empath aesthetic of being down with the prairie nigger downtrodden or whatever. Reading musings of the clinically insane is educational too, Mr. Klimov's study of degenerology lives!
Without missing a beat, Danto replied in his lilting and inimitably ironical voice: “Look, surely you can kidnap a bunch of babies and boil them, and that would be art, but you shouldn’t do it!” It is a pity that Danto is no longer with us to add a necessary coda: One should probably also not “appoint baby kidnapping, megalomaniacal architects of fantastical theaters of cruelty to helm Holocaust memorials.”
In the name of artistic expression, why the fuck not? Whoever the old faggot Danto was, he was right - the banality whole point of modern art is to sacrifice ethics at the altar of aesthetics.
What better way to celebrate their gift that keeps on giving holocaust than building gaudy, hi-tech interactive venues? Hollywood films made them gorillions of dollars by using shock and awe to bring awareness to their mythical tragedy. Why change the script if you can just change the medium?
Without these goofy theatrics, dumb goyim will forget to never forget, and that just isn't profitable cool.
Over the last month, the Ukrainian intelligentsia and opinion-forging classes have become engulfed in a never-ending debate over the proper usage of art and history. The event that triggered this deluge of philosophical wrangling was the improbable appointment at the end of last year of the wildly inventive and megalomaniacal Russian filmmaker Ilya Khrzhanovsky to the post of “artistic director” of the Babyn Yar Memorial Center in Kyiv-the most important Holocaust project currently in development anywhere in the world.
Jewish intelligentsia, never ending debates, and philosophical wrangling?
Oh boy, who could've imagined?! This being "the most important holocaust project in the world", it must be an honor for the residents of Kiev to host this thing. I'll tell you what, that kike ukrainian with the DSL's is really excited!
Khrzanovsky projecting that effete, old lesbian "Michael Moore vibe." Is this zhid on hormone pills? Is it transitioning?
The arrival of Khrzhanovsky, who had spent the previous decade working on his scandal-ridden film cycle DAU, has led to a cascading series of events-including the ouster of the center’s staff, a veritable uprising of Ukrainian civil society and intelligentsia, and a political backlash-that threaten to keep the Babyn Yar museum from being completed at all.
Now that would be a real tragedy! End the discussion already, g-d forbid this blight on the landscape holocaust museum isn't built, the excitement shouldn't end until every public square is turned into a safe space for crazed homosexuals littered with degenerate art dedicated to imaginary holocaust victims.
There's already a schizoid-friendly Field of Talking Mirrors, so one could experience what it's like to be Jewish insane. Then there's a Crystal Wall of Crying, where fruit flies and queers art connoisseurs can pick out a height-appropriate phallus shaped quartz protruding from an anthracite wall and post pics on Faceberg to prove their fealty to the satanic LGBTQ agenda.
It's supposed to symbolize the Western Wall intruding into foreign territory and the invasive nature of the overbearing Jewish spirit holocaust.
They're suffering, so everyone has to suffer. It's only fair!
The satanic fag hag Marina Abramovic gets paid to suffer publicly. Stop spreading your misery lady, go suffer at home!
Seriously? The "Serbian" artist Marina Abramovic is about as Serbian as those poor Vietnamese in Israel are Jewish, but people aren't supposed to notice the hypocrisy.
Anyways, come ride Khrzhanovsky's "Holocauster of Love Hate!"
The process for entering the Babyn Yar memorial-a veritable labyrinth-would be the same as that for entering DAU. Visitors would first submit to an invasive and humiliating questionnaire, based on the answers to which, one’s experiences would be assembled by a computer program-merely be the first of a series of power moves and minor cruelties to be inflicted in the course of providing a bespoke Holocaust reenactment experience. Just as in the Stanford experiment, visitors would be assigned either the role of “guards” or “prisoners”: Some would play act at being Nazis, others taking on the role of Jews or local (collaborationist) auxiliary police. Cutting-edge technology would be used to create the innovative experience, as visitors would wear reality glasses and would move through the exhibition making decisions that would open up new storytelling arcs. One’s own face might be projected by “deep fake” or hologram technology onto a Nazi camp guard as he committed acts of torture. Depending on one’s choices, one might arrive at a cafeteria that fed one the luxurious food reserved for Nazi officials, or the rotten gruel ladled out to prisoners. It was as if Alice had fallen down the rabbit hole and arrived in Sobibor.
The rabbit hole of unfathomable fabrications? Fairy tales the current generation of hebe has a hard time selling without over the top theatrics? This may sound crazy if you're subhuman, but perhaps these passive aggressive ethnic empaths should act out their homoerotic guard-prisoner fantasies away from normal people? Israel is a wonderful place for that sort of faggotry, the wacky Izzies love playing Cowboys and Indians with fellow semites in the West Bank and Gaza anyway.
Another Abramovich who fills the empty space where a soul would normally be with wealth so he can project his tribe's collective neuroses upon humans. This miserable zhid can supposedly fit a fleet of mega yachts into his "yad vashem."
Too bad death metal granny is no longer around. She had real street holocaust cred, and could've shown these snot nosed zhids kids how to get their freak on!
Click to viewP.S. Nope, nothing reptilian about these art people at all, they're just like us.
Marina Abramovic: Performance artist turns 75 - DW - 11/30/2021
www.dw.com