"The Tick" Season One Reviews (Spoilers)
Also reviews for the latest episodes of Harley Quinn, Batwoman, The Flash, DC's Legends Of Tomorrow, DuckTales, The Simpsons, Bob's Burgers, Family Guy, American Dad!, Transformers: Rescue Bots Academy, and Power Rangers Beast Morphers, the new Parks And Recreation Special, and the latest episodes of Brooklyn Nine-Nine, and The Blacklist.
The Tick "Pilot"
This is a serious take on the comic book parody premise which automatically means it's my least favorite.
I'll say one thing it has over the last live-action series: It's not a sitcom. We get to witness the actual adventures.
Tick laughing at he is riddled with bullets was the only truly funny thing in the episode.
The Terror is genuinely scary.
Patrick Warburton has a producing credit.
Warburton is a WAY better Tick than Peter Serafinowicz. But Griffin Newman is a pretty amazing Arthur, especially as the series goes on.
Why is Dot hot?
A bit of a disappointment. **1/2.
The Tick "Where's My Mind"
I don't like the f bombs or the gut-splattering violence. Inappropriate for this franchise.
Chum is also a word for the meat they feed sharks. Good observation from Arthur there.
I love that Ms. Lint puts the glass eye in her mouth to moisten it.
"You don't kill people for calling you names. You kill people because it's fun." The Terror sucks.
I actually like the idea that perhaps the Tick is a figment of Arthur's imagination, and I could have stood to have seen that mystery last a little longer.
I don't love this show. **1/2.
The Tick "Secret / Identity"
Overkill is a good name for him.
Does the Tick have amnesia or is he simply stupid and crazy? I think it's the second thing. It's touching Arthur wants to help him with that and all, but I don't think that's the actual problem.
Still not digging this show. **1/2.
The Tick "Party Crashers"
Alan Tudyk as Dangerboat? Sold on that.
There is a definite flirtatious aspect between Arthur and Ms. Lint.
Tick not recognizing Ms. Lint suggests it's not amnesia. He's just super dumb.
I love Derek's "This is what a feminist looks like" shirt.
So-so. ***.
The Tick "Fear Of Flying"
Solid episode with a good cliffhanger.
Townsend Coleman as the talking dog, huh? Neat.
The look on Ms. Lint's face as Derek asks if she'd like a towel is priceless.
The Tick can't tell Ramses what to say. "Destroy them!" So there.
This was the first episode I liked. ***1/2.
The Tick "Rising"
Cliffhanger! AAAHH!
I think the bus rescue was outright great. I found it the first emotionally effecting thing in the entire franchise. I'm not sure that it actually belongs in this franchise, to be honest, but it was cool as far as emotionally effecting stuff goes.
The Terror killed all the bees. Total d-word move.
Another solid episode. ***1/2.
The Tick "Tales From The Crypt"
Dangerboat's gay? And in love with Arthur? Okay.
Arthur carrying the shrunken scientist out of the lair was funny. But the special effects there weren't altogether convincing.
The more I see of the Terror, the less impressed I am with him.
Meh. ***.
The Tick "After Midnight"
I like that the Tick likes Midnight's voice. Midnight doesn't actually sound much like the cartoon Tick though.
I didn't predict that Overkill was Sharpshooter. I like that he and Midnight fight over who is the extraneous member of the group.
I love that Overkill calls an Uber. Tick doesn't know what that is.
Dog fight! Loved it.
Pretty good episode. ***1/2.
The Tick "My Dinner With Android"
So that's Superian.... Uh oh.
First Spoon incident. Hasn't become a catchphrase yet. But he's thinking about it.
Honestly, I was bored by this. I felt like the series was spinning its wheels in place a bit. **.
The Tick "Risky Bismuth"
If Arthur hadn't called the Terror's plan stupid, I would have.
Am I nuts or is Ms. Lint sexy as heck? I don't think I'm nuts.
Speaking of which Dot and Overkill need to get a room.
Laughed at Terror and the pig. Also liked pondering the worths of maniacal laughs versus maniacal chuckles.
All right. ***.
The Tick "The Beginning Of The End"
Goat's reaction to Superian says how everyone in this Universe reacts to him. He is just as well-loved and famous as Superman.
Superian's psychology is interesting. He seems to like adulation and doesn't want to work hard for it. Yet he claims the reason he helps people is because he wants to be a good person. And it's the fact that I can't tell whether he IS a good person or not which is why those facets interest me so much. I wish they had been explored further. It was the most fascinating thing the show has done so far.
Before escaping Dot makes sure to tell Overkill and Lint they need therapy. You think?
I'm still not fully on-board this show. ***.
The Tick "The End Of The Beginning (Of The Start Of The Dawn Of The Age Of Superheroes)"
Reasonably satisfying finale.
I not only liked the questions raised by Big Brother. But what did Terror mean when he wanted to take back the world? And how does Walter know all those sick Kung Fu moves? Is he lying about not remembering doing them to keep undercover for whatever reason? Or has he been brainwashed / programmed not to remember that stuff after he's been activated? Very interesting questions. Knowing there isn't a season three makes me cynical of how good of answers we'll get for them.
Arthur's "Why You Suck" moment against the Terror mattered to me. He's been terrified of this guy his entire life, and he realizes the dude is stupid, his plans make no sense, and the damage he inflicted on Arthur and the city is so far from what he planned and intended that it could almost be classified as accidental. Him getting a chance to save a father from the falling flying headquarters was also a meaningful moment.
If I have a gripe, it's that the series, or at least the season, doesn't actually seem to be about the Tick. I understand that's because the show is part drama, but it's very unusual that the Tick plays such a supporting role in the finale and the climax. I'm not saying it's wrong exactly. But it's definitely odd.
First "Not in the face! Not in the face!" Hopefully not the last.
This was the best episode so far. That may not be saying much but I think it wrapped things up pretty well. ****.
Harley Quinn "Thawing Hearts"
I like that Mr. Freeze seems like a creep to outside observers, but in reality, he's exactly as sympathetic and good as he claims to be. Frankly, I find his actions far more sympathetic than Batman: The Animated Series's Freeze if only because that version went off the rails by the end of everything. But yeah, that was a nice love story.
Unfortunately I don't think the right message got through to Harley. She believes that love can actually be good and not as bad as it was with the Joker. My problem is that she still confuses her time with the Joker with love. She's strongly resisting the moral here and I wish her crew would set her straight.
I am unhappy about King Shark. He's by turns sweet and lovable, and then rips people apart with his teeth. The morality of this show is completely inconsistent. I'm not saying the show needs to draw moral lines. But it should acknowledge those lines exist as long as Harley and her crew are killing people by charging through an ice vagina.
Condiment King sucks. I hate this because he sucked on Batman: The Animated Series too, but the reason he was interesting there was because of how embarrassed he made Batman feel about his chosen profession of masked vigilante. If made him dressing up as a bat look as silly as it actually was. "It's going to be one of those nights..." The character does not have the same resonance with Kiteman (Kiteman is equally silly), especially since he seems to be getting the better of Kiteman. There should be no villain in existence on the receiving end of any sort of actual punishment from this specific loser. And it's weird the show brings the character back without understanding why he made the impression he did. Instead of the guy who make Batman look dumb, he's just a random guy with a silly costume and gimmick. Without Batman for contrast, the character doesn't work.
In fact, I'd argue Batman is the ONLY DC hero with which he'd work. Although I could see him doing a number on John Constantine too. That's an episode right there.
I liked the stuff between Mr. Freeze and Nora. ****.
Harley Quinn "Batman's Back Man"
The toxic incel fan at the beginning and end is interesting because he's attacking the show for being too Woke. I think the actual problem is that the show is too crass. If it pandered more to female viewers we'd be better off. Don't get wrong: It's nice a Woke show is targeting crass fans because they don't ordinarily see those messages. But I'm not sure why the show is targeting them to begin with.
And an episode focused on Batman helps. There is no crassness going on in Wayne Manor, and I genuinely enjoyed the playful way Bruce and Alfred were playing mind games with each other.
But Alfred being the Macaroni is the lamest twist ever.
That shadow is Bane. Because he was born in a shadow. Ever notice how many supervillain catchphrases ultimately mean nothing? That also describes the subtext of comic book Bane.
That was solid. ****.
Batwoman "A Narrow Escape"
I liked the concept of the Detonator better in The Dark Knight, because it showed off our better angels and proved the Joker actually knows nothing about humanity.
My favorite thing in the episode is Mary's speech to Kate about why she matters, and how much she and Batwoman means to her and the city. Honestly, at this point, Mary has become my favorite character on the show. And it's not even close with anyone else.
Interesting Mouse digs and feels safe in Arkham on some level. Just for the record, based on those shock treatments, somebody needs to look into that place. But he and Alice are still running it by the end.
Who is the person who dressing like a cat in group therapy?
At first I thought it was terrible Kate refused to tell Luke about Cartwright a couple of weeks ago, but now I see they saved it for the right moment. I love her telling him when she did so that he doesn't make the same mistake. That's brilliant storytelling, if you ask me.
There is a lot of Batwing in Luke this episode.
I like his denial over Mary learning the truth.
Interesting to learn the reason Bruce is in exile: He killed the Joker. That actually makes perfect sense.
Solid week. ****.
The Flash "Liberation"
That was competently written and emotionally effective. I'm not going to lie to you and say it was great. But unlike many critics I don't demand greatness from my television. I just want to enjoy something. And I did this. I especially like the fact that it's the type of sad ending and tragedy I DO enjoy and respond to. And even if the episode isn't great, there are a ton of great shows out there who don't know how to write a proper sad ending. A LOT of critically acclaimed series believe a good sad ending is killing off a bunch of series regulars in the last sixty seconds. In reality, that never passes muster for me. To be fair, The Arrowverse and this show have had their share of pointless and cheap deaths. But I like that the show gave us a sad ending I could enjoy without being completely bummed out and feeling like things are completely hopeless. Sue me, that's rare, I enjoy it, and I respond positively to it always.
So Singh is a mirror double. Eva probably should not have outed him and Kamilla to Barry.
My favorite part of the episode is simply the premise: Barry looked deep into the double's eyes, the one with all her memories who looks exactly like her, and acts a lot like her at times too... and said, "You're not her." How refreshing is that? How deep is the depths of their love that Barry could possibly be correct about a theory that crazy? I freaking love that.
If mirror Iris HAS had sex with Barry, it's good Iris knows about it. What's especially good is that it's clear Iris doesn't blame him at all. Because he knew it wasn't her when it mattered.
I also love that Cecile believes in Barry. I have to say it's refreshing they were using her power properly in this episode.
The notions of true love, and fighting to get back together despite all odds was operatic this episode and something I always am a sucker for. I suspect plenty of people will badmouth the episode simply because it isn't great. All I really ask from my TV is to enjoy what I watch. And I did this. Big time. ****.
DC's Legends Of Tomorrow "The Great British Fake Off"
I'll tell you why I like this season. It's actually about Constantine, which last season should have been about if the writers weren't so obsessed with the dud character of Mona. Jeez, it's about time.
The end of the episode poses an interesting question: All throughout John's own self-titled series, his biggest unfulfilled goal that the series was canceled before he could fix was bringing Astra back from Hell. The last moment raised the question of whether or not he even wants that anymore. I like exploring those kinds of questions.
Do you know why I like Gary? When Rory says that he wants to go to his daughter's soccer game, the first thing he asks is what position she plays. Gary is cool because he genuinely cares about the other characters and their lives. Another reason last season sucked was because they made the bone-headed decision to make Gary evil. There is no evil involved in a person who asks a friend what soccer position their daughter plays.
I thought the Cleopatra disguise was bad simply because I can't think of a good reason for Cleopatra to have gone to Hell. What am I missing?
Man, this season is everything last season should have been, but wasn't. ****.
DuckTales "Louie's Eleven!"
Where do I begin?
I suspect many people will assume I outright hated that. I don't. I feel a lot of it was wrong for the Duck franchise but there were certain aspects I decided I can live with.
I tend to give this show bad reviews so I'll start out commenting on the bad stuff first, and work my way up to the good stuff to leave a more positive impression than usual.
But the stuff with the nephews continues to be infuriating. I not only disagree with the writers that the nephews need distinct personalities, but I especially disagree that those personalities need to be repellent for contrast. It's something I am very unhappy about.
Donald making a reference to John McClane's mothereffer line from Die Hard also strikes me as utterly wrong for this franchise.
Now the biggie: The first appearance of Daisy Duck in DuckTales ever. I have been very clear how much I think ships hurt the Duck franchise. And yet for some reason the idea that Daisy is the only person who can perfectly understand Donald and finds his voice beautiful, is an incredibly wonderful and powerful notion. To be clear, this is completely inconsistent with her comic book portrayal, not the least of which because Donald has a normal voice there and everyone can understand him. But if Donald has an ugly voice, the notion that Daisy thinks it is lovely IS romantic and beautiful. If they HAD to do a ship with these specific characters, I am glad they gave it a unique twist that the audience could enjoy and appreciate.
Random notes:
Robin Atkin Downes is credited as Robin Atkin Downer in the end credits which is a bit embarrassing.
And Falcon looked from Beaks to Glamour and Glamour to Beaks and could no longer tell the difference.
Gizmoduck should have been the Eleventh, not Manny. Am I crazy for being disappointed by that?
I had reservations going in, and to be clear there are a few things I didn't like. But I liked it more than I thought I would. ***1/2.
The Simpsons "Warrin' Priests"
Ooh, another two-parter. Interesting.
I liked it, I think, (Pete Holmes did a fantastic performance as Bodie) but I'm kind of ambivalent over Lovejoy's flock turning against him. On the one hand, I resent the fact that it's mostly superficial things that have won them over. I will concede Bodie's sermon was a bit refreshing, but I object to the fact that his solutions are so easy, and encourage the flock to not put in any actual work to fix their real problems. It's sort of a con to convince these flawed people that they are already all right.
On the other hand, it felt really good to see Reverend Lovejoy getting that amount of deserved shade from the town. He is a loathsome character, and has been since the Krusty merchandise burning in season 1. It's been broached in previous episodes that the Church merely tolerates him, but he is about as virtuous and helpful as preacher as Moe is a bartender, and they both seem to have the same desperate customer base. He is just awful at his job, has never been shown to ever care about the parishioners, and Springfield just goes along with it. I've noticed that about many Churches. Many Churches have sucky preachers and aren't aware good ones exist and their minds are blown when they attend a different service. As far as Church goes, because there is so little turnover in that profession, a given Church can be mired in mediocrity for decades on end, and not even be aware of it. I don't find Brodie a great pastor. But he's good, and has potential to do better as he grows older. I think the town is giving him more credit for his ministrations than he deserves. But he's getting that credit because the faithful of Springfield are starving for a pastor who actually seems to give a d*mn about the Church and them.
It's a mark against Ned Flanders and shows why he sucks, and why Homer's resentment of his is no longer irrational, that he's actually on Lovejoy's side. For real, Ned? Brodie is actually packing people into Church. Flanders should love that. But because of Flanderization, Flanders has to be portrayed as having the worst aspects of conservatives, including tolerating awful people in positions of power. Flanders was a far more likable and relatable character when his contrast with Homer didn't have to go so far to read in the current climate. But in case you wonder if Stupid Flanders is actually stupid, know that he's the only person in the flock who objects to the Church being well-attended and popular. The Church actually helping people raises the Old Flander Dander. Him envisioning Brodie as a devil for wanting to relate to and help the parishioners is a very good allegory for where the current political climate stands. Trump is far worse than Lovejoy. But it's probably more disturbing that people who are supposed to be morally virtuous stand by him. And that's why I strongly dislike Ned Flanders. Good God, I understand Al Jean's reasons for altering his characterization over the years. But I'm not even going to blame him for it. I'm going to blame a society that made it necessary for Flanders to suck so much. That's not actually Al Jean's fault.
My favorite moment is the annoyed and realistic performance Holmes gives as Lovejoy is trying to annoy Brodie with the crane from his toy trains. That was a great bit.
I am tentatively giving that a positive grade, but I think my actual opinion about it will be determined next week. ****.
Bob's Burgers "The Handyman Can"
I don't feel the framing story had either a good enough hook, or a consistent theme to tie the trilogy of stories together. I also am really mad at Bob for thinking about taking away the trampoline park outing. Really, the kids get almost no toys or treats. And he's willing to take that away from them just because Teddy is having an off day? Bob is usually a good parent. Right there he is not being one.
The thing I like is the thing I like about all Bob's Burger's trilogy episodes. The stories do not live and die by the commercial break. In fact, having a minicliffhanger in each story is kind of fun. I'm think maybe The Simpsons has been doing it wrong all this time, at least for their non-Halloween themed trilogies.
But I dunno. I don't think that entirely worked. ***.
Family Guy "Coma Guy"
I really liked the jokes in that, but I have to say, by the end, the plot sort of got away from itself. But those were some great jokes. I think Family Guy won the night because of them.
Let's briefly go over the worst part of the plot. Peter's family feeling the need to bend over backwards for him because they pulled the plug. Considering all he has put them through, he should consider himself lucky they simply hadn't shot him to death several seasons ago. After his antics, pulling the plug is what is know as the light touch.
Let's talk about them jokes. Some goodies.
Love the Simpsons meme one.
I have never even heard of the Timothy Olyphant Netflix show referenced here. It lasting three seasons tells me there are too many scripted series on television.
Truth or Dare with present day Madonna? I don't think present day Madonna is as insufferable as she used to be. But she was such a pop culture chore to tolerate back in the day (along with Roseanne Barr) that I'll consider it a penalty earned in hindsight. Unlike Barr, Madonna has cleaned up her act. But I do not object to cheap shots against her the way I do most of this show's cheap shots at aging female celebrities.
The show has been trying and fighting a losing battle to create a non-verbal sight gag as realistic and funny as Frog In A Shoebox. They've done Whale And A Forklift, and Park Bench And A Cherry Picker. But aside from the whale one being super gross, they don't land because they don't depict something that would ever happen. Frog In A Shoebox is relatable to anyone who has tried to pick up a dead animal without touching it. The comic timing is quick and perfect too. I don't think Peter In A Shoebox is as effective (probably because it's understandably shorter) but it's actually funny for the same reasons. Life Cereal has been spending decades trying to recapture the magic with their "New Mikey" campaigns, and the closest they ever got was a shot for shot remake of the classic commercial using adults winking at the camera. This is funny for the same reason that was. It's the same beloved idea with a funny twist. But I suspect it's the only time they will ever find a way to make s similar silent sight gag funny.
"It insists upon itself." Fun fact: The "I did not care for The Godfather" scene is one of my absolute favorite moments from Family Guy ever, at least from that specific era of the show. I don't care about the dirty jokes or the sitcom satire. Where Family Guy excels is observational humor using realistic dialogue. I loved that scene because it sounded like a conversation real people would have. The "It insists upon itself" thing hits me as so perfect because it's something a regular person would say and think they were being insightful and deep without understanding that phrase is essentially meaningless and not as clever as they intended. Which describes the way most real people talk, and the way most real people offer strong contrary opinions. I was very happy to see that moment returned to in this episode.
I also love that the Chicken Fight has been turned into a Chicken Street Race. You always figure the show can never find a new angle for that, and they always do. And no, I still don't find the Giant Chicken feud particularly funny. Sue me.
For the record, just to state where I stand, it's actually Family Guy that owes Joaquin Phoenix the apology, not the other way around. And it always was.
That was a really funny episode. The story was a mess, and couldn't decide what it wanted to be about, but like in many Family Guy episodes, that's almost besides the point. I think it was funny. ****.
American Dad! "Cheek To Cheek: A Stripper's Story"
Roger has the dumbest obsessions. I had never even heard of Chivalric Cabaret until tonight and I automatically think it's the stupidest thing ever.
Linda Mamari died? For some reason that bums me out.
Klaus is talking to Toshi on the phone? So does Klaus understand Japanese? Or can Toshi secretly speak English and never does around Steve's clique because he hates them all? The fact that I'm not sure is why I like that joke.
I love that Klaus' new girlfriend actually gets into the plastic doghouse. Because that's the class of woman Klaus dates.
Francine hates Jeff? That is played wildly inconsistently from episode to episode. The writers need to get their stories straight.
Honestly, some of that was funny (specifically the Klaus stuff) but the main premise was simply awful. The show is running out of ideas. Clearly. **1/2.
Transformers: Rescue Bots Academy "Trouble Cubed"
That was boring. *.
Transformers: Rescue Bots Academy "My Favorite Rescue"
That was also boring but it was stupid too.
I'm conflicted. That was so awful part of me wants to spend some time methodically tearing that to shreds point by point. On the other hand, I don't want my review life to suddenly become all about why this show sucks. That is giving an 11 minute cartoon more power over me than it deserves. That's the same mistake I made with Riverdale. Then again I stopped watching that show, and I'm better off for it. Hence me being conflicted.
That was a bad week all around. This show is the worst. I can say that much. 0.
Power Rangers Beast Morphers "Secret Struggle"
That was nice.
I like that the climax was character based and not much to do with that Zord nonsense. Plus Zoey doing those backflips through the air was pretty sweet.
The cliffhanger was good too and sort of clarified what had happened to the Mayor. I guess I hadn't understood that bit.
A solid week. ****.
A Parks And Recreation Special
I needed that. We all needed that. Just to return briefly to a group of public servants and politicians who care about each other and the greater good despite their ideological differences. I don't suspect the show would resonate on a regular basis in the Trump era while we have all been so disillusioned by the people in charge of our government. But lord, a half hour special during a real crisis does the trick.
I'm almost positive the Dennis Feinstein thing was done before Trump suggested we all ingest bleach, but Trump is the reason nothing is actually funny anymore.
I was surprised at the supporting characters they got back and how the special seemed geared towards actual fans of the shows, rather than newbies. I mean nobody but else will understand the Cones of Dunshire, Tammy II, Johnny Karate, or the Lil' Sebastian Song. And as a fan I like whenever a one-off project targets me. It doesn't happen very often. It's why the X-Files and Star Trek: The Next Generation movies tended to suck. They dumbed things down for general audiences instead of making something fans themselves would enjoy. This was great.
They got back all of the main cast save Paul Schneider. So basically they got back everybody except the one character the audience legitimately hated. I'm glad.
In fact this was the first main title theme song with the entire regular cast credited. I went back and recorded that for posterity. I was hoping they'd do that and they didn't disappoint.
And Jerry's still going by Gary and he is still the Mayor of Pawnee. Good for him.
Do you know how much I've missed Ron Swanson? So-called Libertarians are currently storming Capital buildings in protest over their right to die and take the rest of us with them. Meanwhile, Ron Swanson gives us the correct Libertarian viewpoint: "I've been social distancing since I was four-years-old." Give it up, fake Libertarians. Nobody is confusing your whining and neediness for rugged individualism. At least not when we have Ron Swanson for actual contrast to your sniveling.
I don't want the show to be relaunched while the country is the way it is. But I really needed those characters back during this half-hour. I miss and love this show. *****.
Brooklyn Nine-Nine "Lights Out"
I think Andre Braugher lacks vanity for doing the hip hop dance. But do you know what? He lacks TOO much vanity. The producers should never have asked him to do that.
Him making fun of the uselessness of Terry's muscles is something that I believe he's done before but it never gets old.
But yeah, Jake needs to put down his son to see the footage.
Dottie is the worst but Charles is surprisingly sucky too. He is just so creepy and weird, and I loved Rosa calling him on it. And he doesn't recognize which McClane it is? Why is Jake his best friend again?
Naming the baby Mac is great. It's a stupid name, and I assume it will start trends. That's how stupid baby names on TV work. There were a ton of Sevens after that dumb Seinfeld episode.
I am really starting to love how much Hitchcock and Scully love each other. Do you know why that's smart? Because the abuse heaped on them by the rest of the cast doesn't actually matter if each of them feels loved and happy with each other. Which is something I never got from Meg on Family Guy, and Jerry from Parks and Rec was only granted it when we saw his home life. But it's kind of cool that Hitchcock and Scully don't need to focus and feed on how much everyone else hates them as long as they have each other.
Sweet ending too. I loved Amy telling Jake not to call their baby hot. For some reason it doesn't strike me as creepy as long as it's a parent and the kid's a baby. Instead I think Jake is like the coolest dad ever.
Nice episode. ****.
The Blacklist "Nyle Hatcher"
I don't like that. I don't like whenever the show has the bad guys do horrific crimes that no real-world person would ever conceive of, much less do. It's the show saying the world is sicker than it is, but it's the thing putting the sickness out there. I hate that about this show and the high-concept criminals. Because of that, when there's a bad week, it's REALLY bad.
That was a REALLY bad week. *.
The Tick "Pilot"
This is a serious take on the comic book parody premise which automatically means it's my least favorite.
I'll say one thing it has over the last live-action series: It's not a sitcom. We get to witness the actual adventures.
Tick laughing at he is riddled with bullets was the only truly funny thing in the episode.
The Terror is genuinely scary.
Patrick Warburton has a producing credit.
Warburton is a WAY better Tick than Peter Serafinowicz. But Griffin Newman is a pretty amazing Arthur, especially as the series goes on.
Why is Dot hot?
A bit of a disappointment. **1/2.
The Tick "Where's My Mind"
I don't like the f bombs or the gut-splattering violence. Inappropriate for this franchise.
Chum is also a word for the meat they feed sharks. Good observation from Arthur there.
I love that Ms. Lint puts the glass eye in her mouth to moisten it.
"You don't kill people for calling you names. You kill people because it's fun." The Terror sucks.
I actually like the idea that perhaps the Tick is a figment of Arthur's imagination, and I could have stood to have seen that mystery last a little longer.
I don't love this show. **1/2.
The Tick "Secret / Identity"
Overkill is a good name for him.
Does the Tick have amnesia or is he simply stupid and crazy? I think it's the second thing. It's touching Arthur wants to help him with that and all, but I don't think that's the actual problem.
Still not digging this show. **1/2.
The Tick "Party Crashers"
Alan Tudyk as Dangerboat? Sold on that.
There is a definite flirtatious aspect between Arthur and Ms. Lint.
Tick not recognizing Ms. Lint suggests it's not amnesia. He's just super dumb.
I love Derek's "This is what a feminist looks like" shirt.
So-so. ***.
The Tick "Fear Of Flying"
Solid episode with a good cliffhanger.
Townsend Coleman as the talking dog, huh? Neat.
The look on Ms. Lint's face as Derek asks if she'd like a towel is priceless.
The Tick can't tell Ramses what to say. "Destroy them!" So there.
This was the first episode I liked. ***1/2.
The Tick "Rising"
Cliffhanger! AAAHH!
I think the bus rescue was outright great. I found it the first emotionally effecting thing in the entire franchise. I'm not sure that it actually belongs in this franchise, to be honest, but it was cool as far as emotionally effecting stuff goes.
The Terror killed all the bees. Total d-word move.
Another solid episode. ***1/2.
The Tick "Tales From The Crypt"
Dangerboat's gay? And in love with Arthur? Okay.
Arthur carrying the shrunken scientist out of the lair was funny. But the special effects there weren't altogether convincing.
The more I see of the Terror, the less impressed I am with him.
Meh. ***.
The Tick "After Midnight"
I like that the Tick likes Midnight's voice. Midnight doesn't actually sound much like the cartoon Tick though.
I didn't predict that Overkill was Sharpshooter. I like that he and Midnight fight over who is the extraneous member of the group.
I love that Overkill calls an Uber. Tick doesn't know what that is.
Dog fight! Loved it.
Pretty good episode. ***1/2.
The Tick "My Dinner With Android"
So that's Superian.... Uh oh.
First Spoon incident. Hasn't become a catchphrase yet. But he's thinking about it.
Honestly, I was bored by this. I felt like the series was spinning its wheels in place a bit. **.
The Tick "Risky Bismuth"
If Arthur hadn't called the Terror's plan stupid, I would have.
Am I nuts or is Ms. Lint sexy as heck? I don't think I'm nuts.
Speaking of which Dot and Overkill need to get a room.
Laughed at Terror and the pig. Also liked pondering the worths of maniacal laughs versus maniacal chuckles.
All right. ***.
The Tick "The Beginning Of The End"
Goat's reaction to Superian says how everyone in this Universe reacts to him. He is just as well-loved and famous as Superman.
Superian's psychology is interesting. He seems to like adulation and doesn't want to work hard for it. Yet he claims the reason he helps people is because he wants to be a good person. And it's the fact that I can't tell whether he IS a good person or not which is why those facets interest me so much. I wish they had been explored further. It was the most fascinating thing the show has done so far.
Before escaping Dot makes sure to tell Overkill and Lint they need therapy. You think?
I'm still not fully on-board this show. ***.
The Tick "The End Of The Beginning (Of The Start Of The Dawn Of The Age Of Superheroes)"
Reasonably satisfying finale.
I not only liked the questions raised by Big Brother. But what did Terror mean when he wanted to take back the world? And how does Walter know all those sick Kung Fu moves? Is he lying about not remembering doing them to keep undercover for whatever reason? Or has he been brainwashed / programmed not to remember that stuff after he's been activated? Very interesting questions. Knowing there isn't a season three makes me cynical of how good of answers we'll get for them.
Arthur's "Why You Suck" moment against the Terror mattered to me. He's been terrified of this guy his entire life, and he realizes the dude is stupid, his plans make no sense, and the damage he inflicted on Arthur and the city is so far from what he planned and intended that it could almost be classified as accidental. Him getting a chance to save a father from the falling flying headquarters was also a meaningful moment.
If I have a gripe, it's that the series, or at least the season, doesn't actually seem to be about the Tick. I understand that's because the show is part drama, but it's very unusual that the Tick plays such a supporting role in the finale and the climax. I'm not saying it's wrong exactly. But it's definitely odd.
First "Not in the face! Not in the face!" Hopefully not the last.
This was the best episode so far. That may not be saying much but I think it wrapped things up pretty well. ****.
Harley Quinn "Thawing Hearts"
I like that Mr. Freeze seems like a creep to outside observers, but in reality, he's exactly as sympathetic and good as he claims to be. Frankly, I find his actions far more sympathetic than Batman: The Animated Series's Freeze if only because that version went off the rails by the end of everything. But yeah, that was a nice love story.
Unfortunately I don't think the right message got through to Harley. She believes that love can actually be good and not as bad as it was with the Joker. My problem is that she still confuses her time with the Joker with love. She's strongly resisting the moral here and I wish her crew would set her straight.
I am unhappy about King Shark. He's by turns sweet and lovable, and then rips people apart with his teeth. The morality of this show is completely inconsistent. I'm not saying the show needs to draw moral lines. But it should acknowledge those lines exist as long as Harley and her crew are killing people by charging through an ice vagina.
Condiment King sucks. I hate this because he sucked on Batman: The Animated Series too, but the reason he was interesting there was because of how embarrassed he made Batman feel about his chosen profession of masked vigilante. If made him dressing up as a bat look as silly as it actually was. "It's going to be one of those nights..." The character does not have the same resonance with Kiteman (Kiteman is equally silly), especially since he seems to be getting the better of Kiteman. There should be no villain in existence on the receiving end of any sort of actual punishment from this specific loser. And it's weird the show brings the character back without understanding why he made the impression he did. Instead of the guy who make Batman look dumb, he's just a random guy with a silly costume and gimmick. Without Batman for contrast, the character doesn't work.
In fact, I'd argue Batman is the ONLY DC hero with which he'd work. Although I could see him doing a number on John Constantine too. That's an episode right there.
I liked the stuff between Mr. Freeze and Nora. ****.
Harley Quinn "Batman's Back Man"
The toxic incel fan at the beginning and end is interesting because he's attacking the show for being too Woke. I think the actual problem is that the show is too crass. If it pandered more to female viewers we'd be better off. Don't get wrong: It's nice a Woke show is targeting crass fans because they don't ordinarily see those messages. But I'm not sure why the show is targeting them to begin with.
And an episode focused on Batman helps. There is no crassness going on in Wayne Manor, and I genuinely enjoyed the playful way Bruce and Alfred were playing mind games with each other.
But Alfred being the Macaroni is the lamest twist ever.
That shadow is Bane. Because he was born in a shadow. Ever notice how many supervillain catchphrases ultimately mean nothing? That also describes the subtext of comic book Bane.
That was solid. ****.
Batwoman "A Narrow Escape"
I liked the concept of the Detonator better in The Dark Knight, because it showed off our better angels and proved the Joker actually knows nothing about humanity.
My favorite thing in the episode is Mary's speech to Kate about why she matters, and how much she and Batwoman means to her and the city. Honestly, at this point, Mary has become my favorite character on the show. And it's not even close with anyone else.
Interesting Mouse digs and feels safe in Arkham on some level. Just for the record, based on those shock treatments, somebody needs to look into that place. But he and Alice are still running it by the end.
Who is the person who dressing like a cat in group therapy?
At first I thought it was terrible Kate refused to tell Luke about Cartwright a couple of weeks ago, but now I see they saved it for the right moment. I love her telling him when she did so that he doesn't make the same mistake. That's brilliant storytelling, if you ask me.
There is a lot of Batwing in Luke this episode.
I like his denial over Mary learning the truth.
Interesting to learn the reason Bruce is in exile: He killed the Joker. That actually makes perfect sense.
Solid week. ****.
The Flash "Liberation"
That was competently written and emotionally effective. I'm not going to lie to you and say it was great. But unlike many critics I don't demand greatness from my television. I just want to enjoy something. And I did this. I especially like the fact that it's the type of sad ending and tragedy I DO enjoy and respond to. And even if the episode isn't great, there are a ton of great shows out there who don't know how to write a proper sad ending. A LOT of critically acclaimed series believe a good sad ending is killing off a bunch of series regulars in the last sixty seconds. In reality, that never passes muster for me. To be fair, The Arrowverse and this show have had their share of pointless and cheap deaths. But I like that the show gave us a sad ending I could enjoy without being completely bummed out and feeling like things are completely hopeless. Sue me, that's rare, I enjoy it, and I respond positively to it always.
So Singh is a mirror double. Eva probably should not have outed him and Kamilla to Barry.
My favorite part of the episode is simply the premise: Barry looked deep into the double's eyes, the one with all her memories who looks exactly like her, and acts a lot like her at times too... and said, "You're not her." How refreshing is that? How deep is the depths of their love that Barry could possibly be correct about a theory that crazy? I freaking love that.
If mirror Iris HAS had sex with Barry, it's good Iris knows about it. What's especially good is that it's clear Iris doesn't blame him at all. Because he knew it wasn't her when it mattered.
I also love that Cecile believes in Barry. I have to say it's refreshing they were using her power properly in this episode.
The notions of true love, and fighting to get back together despite all odds was operatic this episode and something I always am a sucker for. I suspect plenty of people will badmouth the episode simply because it isn't great. All I really ask from my TV is to enjoy what I watch. And I did this. Big time. ****.
DC's Legends Of Tomorrow "The Great British Fake Off"
I'll tell you why I like this season. It's actually about Constantine, which last season should have been about if the writers weren't so obsessed with the dud character of Mona. Jeez, it's about time.
The end of the episode poses an interesting question: All throughout John's own self-titled series, his biggest unfulfilled goal that the series was canceled before he could fix was bringing Astra back from Hell. The last moment raised the question of whether or not he even wants that anymore. I like exploring those kinds of questions.
Do you know why I like Gary? When Rory says that he wants to go to his daughter's soccer game, the first thing he asks is what position she plays. Gary is cool because he genuinely cares about the other characters and their lives. Another reason last season sucked was because they made the bone-headed decision to make Gary evil. There is no evil involved in a person who asks a friend what soccer position their daughter plays.
I thought the Cleopatra disguise was bad simply because I can't think of a good reason for Cleopatra to have gone to Hell. What am I missing?
Man, this season is everything last season should have been, but wasn't. ****.
DuckTales "Louie's Eleven!"
Where do I begin?
I suspect many people will assume I outright hated that. I don't. I feel a lot of it was wrong for the Duck franchise but there were certain aspects I decided I can live with.
I tend to give this show bad reviews so I'll start out commenting on the bad stuff first, and work my way up to the good stuff to leave a more positive impression than usual.
But the stuff with the nephews continues to be infuriating. I not only disagree with the writers that the nephews need distinct personalities, but I especially disagree that those personalities need to be repellent for contrast. It's something I am very unhappy about.
Donald making a reference to John McClane's mothereffer line from Die Hard also strikes me as utterly wrong for this franchise.
Now the biggie: The first appearance of Daisy Duck in DuckTales ever. I have been very clear how much I think ships hurt the Duck franchise. And yet for some reason the idea that Daisy is the only person who can perfectly understand Donald and finds his voice beautiful, is an incredibly wonderful and powerful notion. To be clear, this is completely inconsistent with her comic book portrayal, not the least of which because Donald has a normal voice there and everyone can understand him. But if Donald has an ugly voice, the notion that Daisy thinks it is lovely IS romantic and beautiful. If they HAD to do a ship with these specific characters, I am glad they gave it a unique twist that the audience could enjoy and appreciate.
Random notes:
Robin Atkin Downes is credited as Robin Atkin Downer in the end credits which is a bit embarrassing.
And Falcon looked from Beaks to Glamour and Glamour to Beaks and could no longer tell the difference.
Gizmoduck should have been the Eleventh, not Manny. Am I crazy for being disappointed by that?
I had reservations going in, and to be clear there are a few things I didn't like. But I liked it more than I thought I would. ***1/2.
The Simpsons "Warrin' Priests"
Ooh, another two-parter. Interesting.
I liked it, I think, (Pete Holmes did a fantastic performance as Bodie) but I'm kind of ambivalent over Lovejoy's flock turning against him. On the one hand, I resent the fact that it's mostly superficial things that have won them over. I will concede Bodie's sermon was a bit refreshing, but I object to the fact that his solutions are so easy, and encourage the flock to not put in any actual work to fix their real problems. It's sort of a con to convince these flawed people that they are already all right.
On the other hand, it felt really good to see Reverend Lovejoy getting that amount of deserved shade from the town. He is a loathsome character, and has been since the Krusty merchandise burning in season 1. It's been broached in previous episodes that the Church merely tolerates him, but he is about as virtuous and helpful as preacher as Moe is a bartender, and they both seem to have the same desperate customer base. He is just awful at his job, has never been shown to ever care about the parishioners, and Springfield just goes along with it. I've noticed that about many Churches. Many Churches have sucky preachers and aren't aware good ones exist and their minds are blown when they attend a different service. As far as Church goes, because there is so little turnover in that profession, a given Church can be mired in mediocrity for decades on end, and not even be aware of it. I don't find Brodie a great pastor. But he's good, and has potential to do better as he grows older. I think the town is giving him more credit for his ministrations than he deserves. But he's getting that credit because the faithful of Springfield are starving for a pastor who actually seems to give a d*mn about the Church and them.
It's a mark against Ned Flanders and shows why he sucks, and why Homer's resentment of his is no longer irrational, that he's actually on Lovejoy's side. For real, Ned? Brodie is actually packing people into Church. Flanders should love that. But because of Flanderization, Flanders has to be portrayed as having the worst aspects of conservatives, including tolerating awful people in positions of power. Flanders was a far more likable and relatable character when his contrast with Homer didn't have to go so far to read in the current climate. But in case you wonder if Stupid Flanders is actually stupid, know that he's the only person in the flock who objects to the Church being well-attended and popular. The Church actually helping people raises the Old Flander Dander. Him envisioning Brodie as a devil for wanting to relate to and help the parishioners is a very good allegory for where the current political climate stands. Trump is far worse than Lovejoy. But it's probably more disturbing that people who are supposed to be morally virtuous stand by him. And that's why I strongly dislike Ned Flanders. Good God, I understand Al Jean's reasons for altering his characterization over the years. But I'm not even going to blame him for it. I'm going to blame a society that made it necessary for Flanders to suck so much. That's not actually Al Jean's fault.
My favorite moment is the annoyed and realistic performance Holmes gives as Lovejoy is trying to annoy Brodie with the crane from his toy trains. That was a great bit.
I am tentatively giving that a positive grade, but I think my actual opinion about it will be determined next week. ****.
Bob's Burgers "The Handyman Can"
I don't feel the framing story had either a good enough hook, or a consistent theme to tie the trilogy of stories together. I also am really mad at Bob for thinking about taking away the trampoline park outing. Really, the kids get almost no toys or treats. And he's willing to take that away from them just because Teddy is having an off day? Bob is usually a good parent. Right there he is not being one.
The thing I like is the thing I like about all Bob's Burger's trilogy episodes. The stories do not live and die by the commercial break. In fact, having a minicliffhanger in each story is kind of fun. I'm think maybe The Simpsons has been doing it wrong all this time, at least for their non-Halloween themed trilogies.
But I dunno. I don't think that entirely worked. ***.
Family Guy "Coma Guy"
I really liked the jokes in that, but I have to say, by the end, the plot sort of got away from itself. But those were some great jokes. I think Family Guy won the night because of them.
Let's briefly go over the worst part of the plot. Peter's family feeling the need to bend over backwards for him because they pulled the plug. Considering all he has put them through, he should consider himself lucky they simply hadn't shot him to death several seasons ago. After his antics, pulling the plug is what is know as the light touch.
Let's talk about them jokes. Some goodies.
Love the Simpsons meme one.
I have never even heard of the Timothy Olyphant Netflix show referenced here. It lasting three seasons tells me there are too many scripted series on television.
Truth or Dare with present day Madonna? I don't think present day Madonna is as insufferable as she used to be. But she was such a pop culture chore to tolerate back in the day (along with Roseanne Barr) that I'll consider it a penalty earned in hindsight. Unlike Barr, Madonna has cleaned up her act. But I do not object to cheap shots against her the way I do most of this show's cheap shots at aging female celebrities.
The show has been trying and fighting a losing battle to create a non-verbal sight gag as realistic and funny as Frog In A Shoebox. They've done Whale And A Forklift, and Park Bench And A Cherry Picker. But aside from the whale one being super gross, they don't land because they don't depict something that would ever happen. Frog In A Shoebox is relatable to anyone who has tried to pick up a dead animal without touching it. The comic timing is quick and perfect too. I don't think Peter In A Shoebox is as effective (probably because it's understandably shorter) but it's actually funny for the same reasons. Life Cereal has been spending decades trying to recapture the magic with their "New Mikey" campaigns, and the closest they ever got was a shot for shot remake of the classic commercial using adults winking at the camera. This is funny for the same reason that was. It's the same beloved idea with a funny twist. But I suspect it's the only time they will ever find a way to make s similar silent sight gag funny.
"It insists upon itself." Fun fact: The "I did not care for The Godfather" scene is one of my absolute favorite moments from Family Guy ever, at least from that specific era of the show. I don't care about the dirty jokes or the sitcom satire. Where Family Guy excels is observational humor using realistic dialogue. I loved that scene because it sounded like a conversation real people would have. The "It insists upon itself" thing hits me as so perfect because it's something a regular person would say and think they were being insightful and deep without understanding that phrase is essentially meaningless and not as clever as they intended. Which describes the way most real people talk, and the way most real people offer strong contrary opinions. I was very happy to see that moment returned to in this episode.
I also love that the Chicken Fight has been turned into a Chicken Street Race. You always figure the show can never find a new angle for that, and they always do. And no, I still don't find the Giant Chicken feud particularly funny. Sue me.
For the record, just to state where I stand, it's actually Family Guy that owes Joaquin Phoenix the apology, not the other way around. And it always was.
That was a really funny episode. The story was a mess, and couldn't decide what it wanted to be about, but like in many Family Guy episodes, that's almost besides the point. I think it was funny. ****.
American Dad! "Cheek To Cheek: A Stripper's Story"
Roger has the dumbest obsessions. I had never even heard of Chivalric Cabaret until tonight and I automatically think it's the stupidest thing ever.
Linda Mamari died? For some reason that bums me out.
Klaus is talking to Toshi on the phone? So does Klaus understand Japanese? Or can Toshi secretly speak English and never does around Steve's clique because he hates them all? The fact that I'm not sure is why I like that joke.
I love that Klaus' new girlfriend actually gets into the plastic doghouse. Because that's the class of woman Klaus dates.
Francine hates Jeff? That is played wildly inconsistently from episode to episode. The writers need to get their stories straight.
Honestly, some of that was funny (specifically the Klaus stuff) but the main premise was simply awful. The show is running out of ideas. Clearly. **1/2.
Transformers: Rescue Bots Academy "Trouble Cubed"
That was boring. *.
Transformers: Rescue Bots Academy "My Favorite Rescue"
That was also boring but it was stupid too.
I'm conflicted. That was so awful part of me wants to spend some time methodically tearing that to shreds point by point. On the other hand, I don't want my review life to suddenly become all about why this show sucks. That is giving an 11 minute cartoon more power over me than it deserves. That's the same mistake I made with Riverdale. Then again I stopped watching that show, and I'm better off for it. Hence me being conflicted.
That was a bad week all around. This show is the worst. I can say that much. 0.
Power Rangers Beast Morphers "Secret Struggle"
That was nice.
I like that the climax was character based and not much to do with that Zord nonsense. Plus Zoey doing those backflips through the air was pretty sweet.
The cliffhanger was good too and sort of clarified what had happened to the Mayor. I guess I hadn't understood that bit.
A solid week. ****.
A Parks And Recreation Special
I needed that. We all needed that. Just to return briefly to a group of public servants and politicians who care about each other and the greater good despite their ideological differences. I don't suspect the show would resonate on a regular basis in the Trump era while we have all been so disillusioned by the people in charge of our government. But lord, a half hour special during a real crisis does the trick.
I'm almost positive the Dennis Feinstein thing was done before Trump suggested we all ingest bleach, but Trump is the reason nothing is actually funny anymore.
I was surprised at the supporting characters they got back and how the special seemed geared towards actual fans of the shows, rather than newbies. I mean nobody but else will understand the Cones of Dunshire, Tammy II, Johnny Karate, or the Lil' Sebastian Song. And as a fan I like whenever a one-off project targets me. It doesn't happen very often. It's why the X-Files and Star Trek: The Next Generation movies tended to suck. They dumbed things down for general audiences instead of making something fans themselves would enjoy. This was great.
They got back all of the main cast save Paul Schneider. So basically they got back everybody except the one character the audience legitimately hated. I'm glad.
In fact this was the first main title theme song with the entire regular cast credited. I went back and recorded that for posterity. I was hoping they'd do that and they didn't disappoint.
And Jerry's still going by Gary and he is still the Mayor of Pawnee. Good for him.
Do you know how much I've missed Ron Swanson? So-called Libertarians are currently storming Capital buildings in protest over their right to die and take the rest of us with them. Meanwhile, Ron Swanson gives us the correct Libertarian viewpoint: "I've been social distancing since I was four-years-old." Give it up, fake Libertarians. Nobody is confusing your whining and neediness for rugged individualism. At least not when we have Ron Swanson for actual contrast to your sniveling.
I don't want the show to be relaunched while the country is the way it is. But I really needed those characters back during this half-hour. I miss and love this show. *****.
Brooklyn Nine-Nine "Lights Out"
I think Andre Braugher lacks vanity for doing the hip hop dance. But do you know what? He lacks TOO much vanity. The producers should never have asked him to do that.
Him making fun of the uselessness of Terry's muscles is something that I believe he's done before but it never gets old.
But yeah, Jake needs to put down his son to see the footage.
Dottie is the worst but Charles is surprisingly sucky too. He is just so creepy and weird, and I loved Rosa calling him on it. And he doesn't recognize which McClane it is? Why is Jake his best friend again?
Naming the baby Mac is great. It's a stupid name, and I assume it will start trends. That's how stupid baby names on TV work. There were a ton of Sevens after that dumb Seinfeld episode.
I am really starting to love how much Hitchcock and Scully love each other. Do you know why that's smart? Because the abuse heaped on them by the rest of the cast doesn't actually matter if each of them feels loved and happy with each other. Which is something I never got from Meg on Family Guy, and Jerry from Parks and Rec was only granted it when we saw his home life. But it's kind of cool that Hitchcock and Scully don't need to focus and feed on how much everyone else hates them as long as they have each other.
Sweet ending too. I loved Amy telling Jake not to call their baby hot. For some reason it doesn't strike me as creepy as long as it's a parent and the kid's a baby. Instead I think Jake is like the coolest dad ever.
Nice episode. ****.
The Blacklist "Nyle Hatcher"
I don't like that. I don't like whenever the show has the bad guys do horrific crimes that no real-world person would ever conceive of, much less do. It's the show saying the world is sicker than it is, but it's the thing putting the sickness out there. I hate that about this show and the high-concept criminals. Because of that, when there's a bad week, it's REALLY bad.
That was a REALLY bad week. *.