Игры путти.
Путти и обезьянка.
Вот что бывает с непослушными детками.
По "играм путти" Рафаэля, начало 16 века.
Two Putti Trying To Stop a Monkey Abducting a Child from a set of the Giochi di Putti
ca. 1635
Design attributed to Giovanni da Udine (Giovanni dei Ricamatori) (Italian, Udine 1487-1564 Rome)
Designer:
Adapted from a design by Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome)
Artist:
Cartoon by Tommaso Vincidor
Музей Метрополитен об этой серии:
This tapestry is one of eight that reproduce, in part, a set of twenty ordered in 1520 by Pope Leo X for the Hall of the Consistory in the Vatican. The design was conceived as an allegorical celebration of the golden age under the Medicis and under Leo X in particular. The theme and format of the set may have been conceived by Raphael (both of the putti in this tapestry derive from lost paintings by him), but the designs were executed by his pupils. Several of the preparatory sketches are in the hand of Giovanni de Udine, while the cartoons were painted in Brussels by Tommaso Vincidor, who traveled there for that purpose in 1520.
http://www.metmuseum.org/
Вот что бывает с непослушными детками.
По "играм путти" Рафаэля, начало 16 века.
Two Putti Trying To Stop a Monkey Abducting a Child from a set of the Giochi di Putti
ca. 1635
Design attributed to Giovanni da Udine (Giovanni dei Ricamatori) (Italian, Udine 1487-1564 Rome)
Designer:
Adapted from a design by Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome)
Artist:
Cartoon by Tommaso Vincidor
Музей Метрополитен об этой серии:
This tapestry is one of eight that reproduce, in part, a set of twenty ordered in 1520 by Pope Leo X for the Hall of the Consistory in the Vatican. The design was conceived as an allegorical celebration of the golden age under the Medicis and under Leo X in particular. The theme and format of the set may have been conceived by Raphael (both of the putti in this tapestry derive from lost paintings by him), but the designs were executed by his pupils. Several of the preparatory sketches are in the hand of Giovanni de Udine, while the cartoons were painted in Brussels by Tommaso Vincidor, who traveled there for that purpose in 1520.
http://www.metmuseum.org/