Хрусталь эпохи Возрождения.16-17 век.
Горный хрусталь был одним из самых драгоценных и дорогих материалов, используемых в декоративном искусстве. В музеях есть вещи, которым почти две тысячи лет.
Поражает реалистичность ренессансных изображений на стекле-иллюзия обьема за счет тончайшей гравировки.
Здесь редкие вещи из музеев Метрополитен и "Зеленые Своды", а также хрустальные черепа из Британского Музея.
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Statuette of a Dolphin, 3rd-5th century
Roman or Byzantine; Found in Carthage (now in Tunisia, North Africa)
Rock crystal
Emperor Vitellius (15-69 CE). Head of rock-crystal, from Caesarea
Israel Museum(IDAM), Jerusalem, Israel
Кувшин, которому тысяча лет, продан за 3 миллиона.
A 1000-year old ewer, carved from flawless rock crystal and decorated with cheetahs and link chains, was sold by Christie’s in London for more than Ј3 million on October 7, 2008. The ewer from the Fatimid royal treasury in Egypt was earlier mistaken for a French claret jug. Christie’s described the ewer as “one of the rarest and most desirable works of art from the Islamic world”
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MEDIEVAL ROCK-CRYSTAL 9TH
0310000246 The Lothar, or Susanna Crystal, c855-c869. The rock crystal is engraved with scenes of the story of Susanna as recorded in the Apocrypha.
Печать императора Карла
Rock-crystal plaque from the seal of Emperor Karl V. Battle of Pavia 1525 between the Holy Roman Empire and France.
Kunsthistorisches Museum, Kunstkammer, Vienna, Austria
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Christ Child, second half of the 16th century
Carved rock crystal; gold mounts set with rubies and sapphires.
Height 13.7 cm
For almost two centuries, this reliquary fooled the experts. Its provenance included Count Renesse-Breidbach and J.P. Morgan. In 1980, technical investigation showed the rock crystal at the center to be authentic but the rest is of Nineteenth Century craftsmanship. Collection of the Metropolitan Museum of Art.
Reliquary
Date:
ca. 1175-1200 (rock crystal) with early 19th century setting
Geography:
Made in, France
RENAISSANCE ARTS & CRAFTS 16TH
Rock-crystal reliquary - Goblet with gold lid.
Church San Lorenzo,Sagrestia Vecchia, Florence, Italy
Rock-crystal reliquary with two handles. Detail of Lid closed with a seal.
Church San Lorenzo,Sagrestia Vecchia, Florence, Italy
----------Музей «Грюнес Гевёльбе» - «Зелёные Своды»------------------
Кубки из горного хрусталя в оправах сделанных во Фрайбурге (Брейсгау), Нюрнберге и Аугсбурге. От 1560 г. до начала XVII в
Werkstatt der Saracchi: Galeere mit Darstellungen aus der antiken Mythologie, Ende 16. Jh.
Mit Fortuna übers Meer. Sachsen und Dänemark - Ehen und Allianzen im Spiegel der Kunst
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В Богемию приезжали мастера из Саксонии и Италии. В 16 веке уже насчитывалось более 90 предприятий, в которых трудились сотни мастеров-стеклодувов.
Rudolf II as Vertumnus, Roman God of the seasons
Source: ca. 1590-1591 painting by Giuseppe Arcimboldo (ca. 1527-July 11, 1593)
Caspar Lehmann Tafel Engel
Bohemian Baroque-era glass. In 1601, Caspar Lehmann von Lewenwaldt (ca. 1563-before June 27, 1623)
Jug of rock-crystal From Bohemia.
Staatliche Kunstsammlungen, Gruenes Gewoelbe, Dresden, Germany
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Bohemian Crystal - The Residenz, Munich
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Plaque: Hercules Overcoming the Centaur Nessus, ca. 1570-80
Annibale Fontana (Italian, Milanese, 1504-1587)
Rock crystal in enameled gold frame of later date
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A GOLD-MOUNTED ROCK CRYSTAL COFFRET, PROBABLY GERMAN, 16TH CENTURY
Italian
Rock Crystal Casket, first half of the 16th century
Plaques: rock crystal; mount: enamel and gold
http://www.artic.edu/aic/collections/artwork/119971?search_id=1-------------------------------
Bernardi,Giovanni dei
Cofanetto Farnese. Gilded box of Cardinal A. Farnese (ca. 1547-1561).
Detail: close-up of two rock crystal plaques with battle scenes by Giovanni dei Bernardi (ca. 1543-1544).
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RENAISSANCE ARTS & CRAFTS 16TH
Sbarri,Manno di S.(Sebastiano)
Cofanetto Farnese, gilded box of Cardinal Alessandro Farnese with rock crystal plaques by Giovanni dei Bernardi (between 1543-1544) Side view with Hercules (top),Force (left) and Minerva. See also: 40-09-01/13-22
Galleria Nazionale di Capodimonte, Naples, Italy
RENAISSANCE ARTS & CRAFTS 16TH
Sbarri,Manno di S.(Sebastiano)
Cofanetto Farnese, gilded box of Cardinal Alessandro Farnese with rock crystal plaques by Giovanni dei Bernardi (between 1543-1544) Detail: theatrical mask See also: 40-09-01/13-22
Galleria Nazionale di Capodimonte, Naples, Italy
RENAISSANCE ARTS & CRAFTS 16TH
Sbarri,Manno di S.(Sebastiano)
Cofanetto Farnese, gilded box of Cardinal Alessandro Farnese with rock crystal plaques by Giovanni dei Bernardi (between 1543-1544) Detail: Crystal plaque,triumph of Bacchus See also: 40-09-01/13-22
Galleria Nazionale di Capodimonte, Naples, Italy
Bernardi,Giovanni dei
Cofanetto Farnese. Gilded box of Cardinal A. Farnese. Detail: Rock-crystal plaque (ca. 1547-1561). Plaques by Giovanni dei Bernardi (1543-1544).
Galleria Nazionale di Capodimonte, Naples, Italy
Bernardi,Giovanni dei
Cofanetto Farnese. Gilded box of Cardinal A. Farnese. Detail: Rock-crystal plaque with battle scene (ca. 1547-61). Plaques by Giovanni dei Bernardi (ca. 1543-1544).
Galleria Nazionale di Capodimonte, Naples, Italy
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RENAISSANCE ARTS & CRAFTS 16TH
Sbarri,Manno di S.(Sebastiano)
Cofanetto Farnese, gilded box of Cardinal Alessandro Farnese with rock crystal plaques by Giovanni dei Bernardi (between 1543-1544) Detail: Crystal plaque,naval battle See also: 40-09-01/13-22
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--------------Кубки и вазы--------
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17th century with later additions
Culture:
Italian (Milan), probably
Medium:
Rock crystal, silver gilt, rubies
Date:
second half 16th century
Culture:
Italian
Vase
Mounts by Morell of Paris
Date:
Late 16th century or early 17th (with later additions)
Ewer
Probably mounted by Charles Duron
Maker:
Follower of Annibale Fontana (1540-1587)
Ewer
Attributed to the workshop of Ferdinand Eusebio Miseroni (working 1656-84)
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RENAISSANCE ARTS & CRAFTS 16TH
Medici Workshop
Incised rock-crystal cup with two handles.
Palazzo Pitti,Museo degli Argenti, Florence, Italy
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RENAISSANCE VESSEL
Jug,engraved rock-crystal. Probably from Milan, mid-16th.
Palazzo Pitti,Museo degli Argenti, Florence, Italy
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RENAISSANCE ARTS & CRAFTS 15TH CENTURY
Medici Workshop
Rock-crystal cup with gilded manikin handles and tiny baskets of fruit around rim (mid 16th). Cup from Milan, gold ornaments from Florence. 19 x 25 cm
Palazzo Pitti,Museo degli Argenti, Florence, Italy
Medici Workshop
Rock-crystal cup with gilded manikin handles, Detail of a handle: Winged genius (mid 16th). Cup from Milan, gold ornaments from Florence.
Palazzo Pitti,Museo degli Argenti, Florence, Italy
----------------Украшения-----
Pendant with a pelican in her piety
Date:
first quarter 17th century
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-----------------Птицы--------
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Bird
1580
German (Nuremberg)
Basilisk-shaped Table Ornament
Workshop of The Saracchi, Milan
Date:
1575-80, mounts late 19th century
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Vessel In form of Fish
Date:
1570-1600
Vessel
late 16th century
Culture:
Italian (Milan) or German
Medium:
Crystal, silver- or brass-gilt
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Medici Workshop
Fish-shaped rock-crystal vessel (ca. 1570)
Palazzo Pitti,Museo degli Argenti, Florence, Italy
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Medici Workshop
Heron-shaped vessel of rock-crystal (ca. 1570). Rock-crystal,mount:gold,enamel,precious stones. Saracchi workshop,Milan.
Palazzo Pitti,Museo degli Argenti, Florence, Italy
RENAISSANCE ARTS & CRAFTS 16TH
Medici Workshop
Heron-shaped vessel of rock-crystal (ca. 1570). Rock-crystal,mount:gold,enamel,precious stones. Saracchi workshop,Milan.
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Продолжение: хрусталь в стиле ренессанс 19 века:
- в следующей части.
--------------Хрустальные черепа--------
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Rock crystal carving in the form of a human skull. Possibly Aztec or Mixtec, Mexico (ca. 14th-15th), or Spanish Colonial. Height 21 cm
Museum of Mankind, London, Great Britain
Их нашли в Мексике, датировали 14-15 веком, но позднее выяснилось, что там не знали такого метода обработки.
Rock crystal skull
Scientists at the British Museum studied traces of tool marks preserved in the highly polished surfaces of this crystal skull. These show that it was extensively worked using rotary cutting wheels, unknown in Mexico before the arrival of the Spanish in 1519. Furthermore, analysis of inclusions in the quartz crystal indicates that the large block of material was obtained in the nineteenth century from a source far beyond ancient Mexican trade links, probably Brazil or Madagascar.
http://www.metmuseum.org/chttp://www.lessing-photo.com/http://www.liveauctioneers.com/