Зеркала.17-19 век.Часть 1.
Зеркала.17-19 век
Зеркала в 17-18 веке стоили баснословные деньги и сами по себе были громадной ценностью и предметом престижа. Лишь постепенно, с развитием зеркальных мануфактур и заводов, они начнут превращаться просто в предмет обихода и украшения интерьера.
Les Femmes Savantes.Maker:Leslie, Charles Robert 1845
Mirror
Place of origin:London (probably, made)
Date:ca. 1707 (made)
Artist/Maker:Pelletier, René (possibly, maker)
Pelletier, Thomas (maker)
----------------------
Зеркало с рамой из серебра
Mirror, ca. 1710
Mirror, ca. 1710
Mirror, ca. 1710
Johann Valentin Gevers (German, ca. 1662-1737), silversmith; Johann Andreas Thelot (German, 1655-1734), silversmith
Germany (Augsburg)
Oak and pine veneered with tortoiseshell, silver, gilt silver, and green-stained ivory
----------------------
Зеркало с термометром и барометром.
Mirror, Thermometer, Barometer
Place of origin:London (probably, made)
Date:ca. 1720 (made)
Artist/Maker:Unknown
Materials and Techniques:Pine, with original oil gilding
Зеркала с часами, термометром и барометром.
The combination of mirror, bracket clock, thermometer and barometer is apparently unique. The date of the mirror is based on the approximate dating of the barometer to about 1720.
Ownership & Use
Date:ca. 1720 (made)
Artist/Maker:Unknown
The unusual shape of this mirror recurs with certain mirror plates on desk and bookcases of the mid-1740s. These were probably inspired by earlier forms
-----------------------------
------------------
Mirror giltwood composed of a central sun and an angel's head on the pediment. Mirrors of origin. Working Vintage French Regency.
------------------
Mirror
Place of origin:London (probably, painted)
Date:1710-1720 (made)
Artist/Maker:Monnoyer, Antoine (probably, painter (artist))
Materials and Techniques:Mirrored glass, painted in oils, with stained wood frame
----------------------------
Mirror
Place of origin:Genoa (made)
Date:1735-1740 (made)
Artist/Maker:Unknown
----------
---------------------------------
English. Second Quarter Of The Eighteenth Century.
---------------
Probably Wьrzburg. Circa 1735.
------------------------
A Very Fine and Palatial Italian Baroque 18th Century Gilt and Silver Parcel Gilt Carved Wood Figural Mirror, with figures of cherubs, scrolls and acanthus. Circa: Florence, 1790
--------------------------
-------------------------
A Palatial Museum Quality Italian 18th Century Florentine Rococo Gildwood Carved Mirror with Scrolls and All Original 24kt. Gilding. Circa: 1750
A Fine And Decorative Italian Gilt Wood Mirror Carved With Allegorical Figures Of The Continents And The Seasons.
1760
-----------------------
An Impressive Baroque Style Carved Giltwood Mirror. The rectangular mirror plate within an exuberant scrolling acanthus carved frame, with a scrolling fronded acanthus pedment.
Italian, Circa 1870
-----------------------------
A mirror in the collection of the Archbishop's Palace in Trento, Italy, which is thought to be Viennese and dating from the 1730s
---------------------------Thomas Chippendale, рококо и шинуазри------------------
----------------------------------
Mirror carved and painted gold. Italy 18th century
Thomas Chippendale
Technique : Carved
Main material : Gilt wood
Period of creation : 1760
Mirror
Place of origin:London (probably, made)
Date:1762-1765 (made)
Artist/Maker:chippendale (after, designer)
Materials and Techniques:Carved and gilded pine, mirror glass and brass
Pier Mirror
Artist : Thomas Chippendale
Constructed in hand carved wood, later gilded, of asymmetric rectangular form, in the chinoiserie manner, with an imbricated pagoda cresting housing a figure of a Chinese nobleman, the multi plated mercury glass frame adorned with flanking ho-ho birds, and extensive usage of ‘c' scrolls, cascades and icicles, palm fronds and rockwork, with the centre decorated with an oriental youth at leisure in a pavilion.
England, Circa 1860
-----------------------------------------------
Chippendale Director Style Pier Glasses
: Gilt wood
Period of creation : 19th century
---------------------
Mirror
Place of origin:London (probably, made)
Date:1750-1760 (made)
Artist/Maker:Johnson, Thomas (after, designer)
Materials and Techniques:Carved and gilded wood
---------------------------------
English Chippendale Giltwood Mantel Mirror. Styled after the innovative Rococo designs of the legendary English cabinetmaker Thomas Chippendale, the intricate tripartite frame is crafted of lustrous giltwood, and is decorated with gracefully executed elements such as flourishing foliage, scrolls and flowers, and two ferocious birds guarding the bottom corners. Circa 1875
-----------------------
Chinese Chippendale Style Giltwood Mirror 19 век
---------------------------------------------------------------
Mirror
Place of origin:London (probably, made)
Date:ca. 1760 (made)
Artist/Maker:Unknown
Materials and Techniques:Carved pine, japanned (painted with layers of pigmented varnish) and
------------------------------------------
85,000 €
Italian 18th Century Venetian Palazzo Gildwood Carved Figural Mirror, the main arched marginal plates within reeded borders and surmounted by mirrored cresting headed by foliage and scrolls decorated overall with busts and masks within foliate and C-scroll rocaille borders and raised on outswept feet. Circa: Venice, 1790
---------------
Giltwood Mirror. The shaped divided plates are within a leaf-wrapped and rockwork-carved frame centred by a C-scroll cresting and an apron. The apron is centred by confronting C-scrolls issuing a cabochon and rockwork, the lower plate flanked by Gothic cluster columns.
English, Nineteenth Century.
---------------------------------------------
A Fine and Ornate Rococo Style Giltwood Mirror, the shaped mirror plate within a conforming floral and foliate carved frame centered above by a child's mask.
Italian, Circa 1890.
---------------------------------------
Pair of Carved Giltwood Mirrors in the Rococo Style. Each mirror having a rectangular mirror plate bordered by pierced scrolling foliage and rockwork. The frame is surmounted by an acanthus spray and opposed C-scroll apron.
French, Circa 1890.
English. Last Quarter Of The Eighteenth Century
Overmantel mirror
Place of origin:London (probably, made)
Date:ca. 1774 (made)
Artist/Maker:Unknown
FINE PAIR OF GILTWOOD NEOCLASSICAL MIRRORS IN THE MANNER OF J.C. LILLIE
Danish. Circa 1780.
AN EXTRAORDINARY CARVED BOXWOOD MIRROR
Probably Irish. Second Quarter of the 19th Century.
---------------------Венецианские-----------
A MASSIVE AND HIGHLY IMPORTANT LATE BAROQUE ENGRAVED GLASS MIRROR
Venice. Circa 1730.
---
A SET OF FOUR ENGRAVED GLASS MIRRORS
Possibly Venetian. Early Twentieth Century.
---------------------------
Venetian mirror pediment
Signature - Mark - Stamp : No
Technique : Carved
Main material : Wood
Secondary material : Mother-of-pearl
Period of creation : 18th century
---------------------------------------
An important octagonal Venitian mirror decorated with polychrome glass flowers, whirls and foliage, in the shades of turquoise and pink. The mirror itself is decorated with flower patterns.
19th century
Country of creation : Italy
==============
English. Circa 1820.
---------------
Mirror
Place of origin:England (made)
Date:ca. 1800 (made)
Artist/Maker:Unknown
Materials and Techniques:Gilded pine, with convex glass
==============
----------------------------
AN EXTRAORDINARY BLACK LACQUER AND POLYCHROME OVAL MIRROR
Probably English. Second Quarter of the 19th Century.
A MOST UNUSUAL GILTWOOD OVERMANTEL MIRROR ATTRIBUTED TO JAMES DEL VECCHIO
Dublin. Circa 1810.
---------------------------------
----------------------
A MASSIVE PAIR OF REGENCY GILTWOOD & GREY PAINTED CONVEX MIRRORS
1810
Tiger Hunt Mirror
---
Mirror
Place of origin:Hamburg (city) (possibly, made)
Date:ca. 1860 (made)
Artist/Maker:Rampendahl, H. F. C. (possibly, designer and maker)
Materials and Techniques:Two varieties of deer antlers, boar tusks and goat horns on a base of carved wood
Chimneypiece and overmantel
Place of origin:London (probably, carved)
Date:ca. 1750 (made)
Artist/Maker:Unknown
Materials and Techniques:Pinewood, marble and mirror glass
Здесь только малая часть типов зеркал- нет консольных, туалетных, мало ампира и 9 века,таак что продолжение следует.
Пока еще по теме:
Туалетные столики и зеркала-ТУТ
Зеркальная мебель-ТУТ
PS. Только сейчас заметила- на первой картинке художник перепутал все эпохи- мужчина в камзоле начала 18 века, а у дам прически с локонами и платья 30-х годов 19 века, зеркало само -18 век.
==========================
---------------------------
Thanks to
http://www.carltonhobbs.com/
http://www.artfinding.com/
http://collections.vam.ac.uk/
Зеркала в 17-18 веке стоили баснословные деньги и сами по себе были громадной ценностью и предметом престижа. Лишь постепенно, с развитием зеркальных мануфактур и заводов, они начнут превращаться просто в предмет обихода и украшения интерьера.
Les Femmes Savantes.Maker:Leslie, Charles Robert 1845
Mirror
Place of origin:London (probably, made)
Date:ca. 1707 (made)
Artist/Maker:Pelletier, René (possibly, maker)
Pelletier, Thomas (maker)
----------------------
Зеркало с рамой из серебра
Mirror, ca. 1710
Mirror, ca. 1710
Mirror, ca. 1710
Johann Valentin Gevers (German, ca. 1662-1737), silversmith; Johann Andreas Thelot (German, 1655-1734), silversmith
Germany (Augsburg)
Oak and pine veneered with tortoiseshell, silver, gilt silver, and green-stained ivory
----------------------
Зеркало с термометром и барометром.
Mirror, Thermometer, Barometer
Place of origin:London (probably, made)
Date:ca. 1720 (made)
Artist/Maker:Unknown
Materials and Techniques:Pine, with original oil gilding
Зеркала с часами, термометром и барометром.
The combination of mirror, bracket clock, thermometer and barometer is apparently unique. The date of the mirror is based on the approximate dating of the barometer to about 1720.
Ownership & Use
Date:ca. 1720 (made)
Artist/Maker:Unknown
The unusual shape of this mirror recurs with certain mirror plates on desk and bookcases of the mid-1740s. These were probably inspired by earlier forms
-----------------------------
------------------
Mirror giltwood composed of a central sun and an angel's head on the pediment. Mirrors of origin. Working Vintage French Regency.
------------------
Mirror
Place of origin:London (probably, painted)
Date:1710-1720 (made)
Artist/Maker:Monnoyer, Antoine (probably, painter (artist))
Materials and Techniques:Mirrored glass, painted in oils, with stained wood frame
----------------------------
Mirror
Place of origin:Genoa (made)
Date:1735-1740 (made)
Artist/Maker:Unknown
----------
---------------------------------
English. Second Quarter Of The Eighteenth Century.
---------------
Probably Wьrzburg. Circa 1735.
------------------------
A Very Fine and Palatial Italian Baroque 18th Century Gilt and Silver Parcel Gilt Carved Wood Figural Mirror, with figures of cherubs, scrolls and acanthus. Circa: Florence, 1790
--------------------------
-------------------------
A Palatial Museum Quality Italian 18th Century Florentine Rococo Gildwood Carved Mirror with Scrolls and All Original 24kt. Gilding. Circa: 1750
A Fine And Decorative Italian Gilt Wood Mirror Carved With Allegorical Figures Of The Continents And The Seasons.
1760
-----------------------
An Impressive Baroque Style Carved Giltwood Mirror. The rectangular mirror plate within an exuberant scrolling acanthus carved frame, with a scrolling fronded acanthus pedment.
Italian, Circa 1870
-----------------------------
A mirror in the collection of the Archbishop's Palace in Trento, Italy, which is thought to be Viennese and dating from the 1730s
---------------------------Thomas Chippendale, рококо и шинуазри------------------
----------------------------------
Mirror carved and painted gold. Italy 18th century
Thomas Chippendale
Technique : Carved
Main material : Gilt wood
Period of creation : 1760
Mirror
Place of origin:London (probably, made)
Date:1762-1765 (made)
Artist/Maker:chippendale (after, designer)
Materials and Techniques:Carved and gilded pine, mirror glass and brass
Pier Mirror
Artist : Thomas Chippendale
Constructed in hand carved wood, later gilded, of asymmetric rectangular form, in the chinoiserie manner, with an imbricated pagoda cresting housing a figure of a Chinese nobleman, the multi plated mercury glass frame adorned with flanking ho-ho birds, and extensive usage of ‘c' scrolls, cascades and icicles, palm fronds and rockwork, with the centre decorated with an oriental youth at leisure in a pavilion.
England, Circa 1860
-----------------------------------------------
Chippendale Director Style Pier Glasses
: Gilt wood
Period of creation : 19th century
---------------------
Mirror
Place of origin:London (probably, made)
Date:1750-1760 (made)
Artist/Maker:Johnson, Thomas (after, designer)
Materials and Techniques:Carved and gilded wood
---------------------------------
English Chippendale Giltwood Mantel Mirror. Styled after the innovative Rococo designs of the legendary English cabinetmaker Thomas Chippendale, the intricate tripartite frame is crafted of lustrous giltwood, and is decorated with gracefully executed elements such as flourishing foliage, scrolls and flowers, and two ferocious birds guarding the bottom corners. Circa 1875
-----------------------
Chinese Chippendale Style Giltwood Mirror 19 век
---------------------------------------------------------------
Mirror
Place of origin:London (probably, made)
Date:ca. 1760 (made)
Artist/Maker:Unknown
Materials and Techniques:Carved pine, japanned (painted with layers of pigmented varnish) and
------------------------------------------
85,000 €
Italian 18th Century Venetian Palazzo Gildwood Carved Figural Mirror, the main arched marginal plates within reeded borders and surmounted by mirrored cresting headed by foliage and scrolls decorated overall with busts and masks within foliate and C-scroll rocaille borders and raised on outswept feet. Circa: Venice, 1790
---------------
Giltwood Mirror. The shaped divided plates are within a leaf-wrapped and rockwork-carved frame centred by a C-scroll cresting and an apron. The apron is centred by confronting C-scrolls issuing a cabochon and rockwork, the lower plate flanked by Gothic cluster columns.
English, Nineteenth Century.
---------------------------------------------
A Fine and Ornate Rococo Style Giltwood Mirror, the shaped mirror plate within a conforming floral and foliate carved frame centered above by a child's mask.
Italian, Circa 1890.
---------------------------------------
Pair of Carved Giltwood Mirrors in the Rococo Style. Each mirror having a rectangular mirror plate bordered by pierced scrolling foliage and rockwork. The frame is surmounted by an acanthus spray and opposed C-scroll apron.
French, Circa 1890.
English. Last Quarter Of The Eighteenth Century
Overmantel mirror
Place of origin:London (probably, made)
Date:ca. 1774 (made)
Artist/Maker:Unknown
FINE PAIR OF GILTWOOD NEOCLASSICAL MIRRORS IN THE MANNER OF J.C. LILLIE
Danish. Circa 1780.
AN EXTRAORDINARY CARVED BOXWOOD MIRROR
Probably Irish. Second Quarter of the 19th Century.
---------------------Венецианские-----------
A MASSIVE AND HIGHLY IMPORTANT LATE BAROQUE ENGRAVED GLASS MIRROR
Venice. Circa 1730.
---
A SET OF FOUR ENGRAVED GLASS MIRRORS
Possibly Venetian. Early Twentieth Century.
---------------------------
Venetian mirror pediment
Signature - Mark - Stamp : No
Technique : Carved
Main material : Wood
Secondary material : Mother-of-pearl
Period of creation : 18th century
---------------------------------------
An important octagonal Venitian mirror decorated with polychrome glass flowers, whirls and foliage, in the shades of turquoise and pink. The mirror itself is decorated with flower patterns.
19th century
Country of creation : Italy
==============
English. Circa 1820.
---------------
Mirror
Place of origin:England (made)
Date:ca. 1800 (made)
Artist/Maker:Unknown
Materials and Techniques:Gilded pine, with convex glass
==============
----------------------------
AN EXTRAORDINARY BLACK LACQUER AND POLYCHROME OVAL MIRROR
Probably English. Second Quarter of the 19th Century.
A MOST UNUSUAL GILTWOOD OVERMANTEL MIRROR ATTRIBUTED TO JAMES DEL VECCHIO
Dublin. Circa 1810.
---------------------------------
----------------------
A MASSIVE PAIR OF REGENCY GILTWOOD & GREY PAINTED CONVEX MIRRORS
1810
Tiger Hunt Mirror
---
Mirror
Place of origin:Hamburg (city) (possibly, made)
Date:ca. 1860 (made)
Artist/Maker:Rampendahl, H. F. C. (possibly, designer and maker)
Materials and Techniques:Two varieties of deer antlers, boar tusks and goat horns on a base of carved wood
Chimneypiece and overmantel
Place of origin:London (probably, carved)
Date:ca. 1750 (made)
Artist/Maker:Unknown
Materials and Techniques:Pinewood, marble and mirror glass
Здесь только малая часть типов зеркал- нет консольных, туалетных, мало ампира и 9 века,таак что продолжение следует.
Пока еще по теме:
Туалетные столики и зеркала-ТУТ
Зеркальная мебель-ТУТ
PS. Только сейчас заметила- на первой картинке художник перепутал все эпохи- мужчина в камзоле начала 18 века, а у дам прически с локонами и платья 30-х годов 19 века, зеркало само -18 век.
==========================
---------------------------
Thanks to
http://www.carltonhobbs.com/
http://www.artfinding.com/
http://collections.vam.ac.uk/