It's dark. It's possible to tell this because it's not pitch black. No, there is the occasional flourescent light on- security lights, of course. Nothing seems secure about this place, though. That light keeps blinking off occasionally, for instance, and it looks like one of the glass doors down the hall is shattered onto the floor
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Her fingers move across the walls as she walks and walks, and she remembers that a woman died down here, and that Claire herself became a killer, too, in this place. The Company is nothing but a massacre, a real monster, living and breathing, and even though Claire has been here before she walks on pins and needles. "Where are you?" she breathes, though she says it to no one.
In her dreams, he's usually here, too, just out of sight, a shadow on her peripheral the way he had been at Homecoming.
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"Aren't I always here?" Sylar asks. His voice is right next to the ear, and he's nowhere in sight.
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The voice in her ear is tangible, too, a paradox: soft and salient and weighted and jagged. It doesn't scare her, doesn't startle her into running. You can't be afraid of the monsters that you've already face, can't be scared when you know that you're never going to die. But the bottom of her stomach does drop out in sick anticipation, and Claire whirls on the heel of her foot to find the space behind her empty. She moves across the floorboards, her heels slapping hard and confidently in the stillness.
Come out, she thinks, in the darkest parts of her own conscious. Come out and, quieter, where are we? She wishes she would have thought to pick up the glass on the
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Te blinds are gone, and the kitchen is different. A framed picture of Claire, smiling obliviously in her cheerleading outfit, sits on the kitchen counter. There's a jug of iced tea still beading condensation, a cell phone broken into three pieces on the floor.
There's the sound of glass shattering towards the front door.
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Light peeks around the edges of the front door, as if it's threatening to open. It could expose this all to the harsh light of day. Is that really what Claire's looking for?
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"I didn't want it this way, you know." The voice invades the house, and the door starts pushing in. Maybe the light is nuclear, it certainly shines like an explosion. The ticking speeds up.
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But she's not doing it again, not if she doesn't have to, and not if it means letting him win. That door wants to open so badly, then she's going to open it. Her shoes don't make any noise against the flooring of the foyer as she steps over her mother and reaches for a familiar knob, a door she opened for years and years and years. Her home. A safe haven. She yanks it open.
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There's the smell of breakfast down the hall. "Claire?" It's Peter's voice, coming from that direction. "You awake already?"
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He continues setting the table, pulling out a chair for her before sitting in one himself. "You want orange juice?"
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"Sure," she says, reaching forward to push the glass in his direct. Claire glances around the table again, looks up at her uncle's face with the same sort of open vulnerability she favors with him, her eyes a naked flame. "What's going on? Where's everyone else?"
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He gives her an apologetic smile, then stares awkwardly down at the table. "Eggs?" he asks, carefully, as he grabs a plate.
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Nodding, Claire agrees, says, "Eggs'll be great. With hot sauce if you have some." She pours him some juice and sets it at the setting next to hers and then looks up at him again. "Why couldn't they visit?" She's not even sure what's going on, but it seems imperative to ask.
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He pours syrup on his pancakes and looks back up to Claire. "Maybe he's right. Maybe I shouldn't be hiding here like this, but if I don't take care of the place, who will?" He slices up his pancakes with expert skill and takes a couple of bites. "Sorry, didn't mean to make this breakfast such a downer. But you still want me here, right? I can be your uncle again, can't I?"
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