Utopian ideals aside--the final point I'd like to make about Tamayo, and about painting in general, is that once you get used to it, it's the relationships between colors and forms that make them beautiful, rather than the colors and forms themselves. Radical contrast breeds excitement, complex harmony, and a beauty that is rich, deep and all-inclusive. Kitsch is about avoidance--it edits out any awkwardness, any reference to death and decay, to comfort the mind's fears. But great art puts in the death; great art accepts everything. And unconditional acceptance is a prerequisite for enduring peace.
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Purple prose aside, the point remains the same--Art is not Art if it skirts the dissonance; it's commercialised pablum for the masses. And who are the masses? Not you, not me, not anybody. Societies without mass media do not have kitsch. It's aesthetic junk food. It bloats the body and blunts the soul, channelling individual creativity onto an interstate leading nowhere.
Well, so what? It's just art. Art is a luxury anyway; it has little to do with a happy life.
No, at the risk of getting didactic--art mirrors life, which mirrors art. If, as a culture, our art becomes impoverished, avoidant, saccharine and twee, we absorb a false and dangerously destructive message about the nature of happiness. A close friend of mine told me that her boyfriend recently said, "I keep expecting our relationship to settle down and be peaceful." She told him, "You've known me for six years and it's never been that way. Do you really think I'll change?" Peaceful does not, and will never, equal sweet, uneventful and bland.
Too many people think that strife and conflict have no place in a peaceful world--that if problems arise in a relationship, for example, then you are with the wrong person and must drop it and start over. Or, conversely, that if you grew up in a seriously dysfunctional, abusive family, and are so emotionally damaged that you'll never live in a Thomas Kinkade house even in fantasy, that the best you can hope for is to sweep your dreams under the rug, deny the pain, avoid intimacy, and live a half-life on the fringes of light and laughter.
The reason that kitsch is a tragic lie is that it represents the opposite of peace. It constructs a cruel, inarguable, ironclad judgment by what it omits--and it omits almost everything. Healing is grounded in acceptance of everything. Once placed in perspective, once looked at fully and loved, the sand in the paint is what makes it beautiful.
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