(no subject)
Despite terrible reviews, Elizabethtown is incredibly thoughtful and ambitious in execution. Though the major flaw is in the actors lacking chemistry (although Susan Sarandon did sparkle, I love her so; I blame Kirsten McSaggyBoobs Dunst since she is a talentless troll), Cameron Crowe's skill of musical narrative was everpresent and it just struck me so hard.
I've been having a very lackluster relationship with music and it's strange how difficult it was for me to recognize that. Music has saved me so many times for so many years; music has helped me not give a shit about what haughty popular kids in high school thought; music has made my friends / my art / my life. But music, for a large part, also meant a very particular person who meant a very particular deal to me at some point in the last four years; and I think this is the part that has silenced everything else with its departure. I'm not sure what this means yet, but I know I'm closer to finding out...
(please comment on the site, if you have comments at all).
I've been having a very lackluster relationship with music and it's strange how difficult it was for me to recognize that. Music has saved me so many times for so many years; music has helped me not give a shit about what haughty popular kids in high school thought; music has made my friends / my art / my life. But music, for a large part, also meant a very particular person who meant a very particular deal to me at some point in the last four years; and I think this is the part that has silenced everything else with its departure. I'm not sure what this means yet, but I know I'm closer to finding out...
(please comment on the site, if you have comments at all).