Later
that morning.DBY is bustling with activity today, from the shoot in full-swing in studio B to the plumbers called in to fix the downstairs restroom. There's a few girls in wardrobe fiddling with wigs, and Johnny has been running back and forth from his office to the studio, stopping to make the girls giggle with compliments only Johnny can
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She's just fucking glowing today.
He shakes his head a little, looks at her again, but she's still doing it, and he can't help but smile a little at it, and the idea of her glowing because of him sends warm, twisting signals to bits of his body that have no business being signalled at the moment, dammit.
She remembers herself after a moment, apparently, and straightens up and disappears into the editing room. Normally Mark would be in there, splicing and whatnot, but Bill happens to know, from his excellent front-desk vantage-point, that Mark left for lunch about ten minutes ago, and that room is now empty.
Except for Keira.
I'm not a ( ... )
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She pops it into her mouth as she rounds the desk, humming the last song to play in her car on the way here. She turns and walks backwards for a few steps, balling the wrapper and shooting it at the wastebasket at the other end of the room. Three-pointer! She cheers wordlessly, arms up and mouth sticking with fudge, and twirls around in time to walk into Bill, who's sporting what looks suspiciously like a full-fledged grin on his face. Certainly looks like it from this close up.
"HMM!" she exclaims then swallows and grins sheepishly, her arms (tiggling pleasantly) going around his neck. "Hello, you."
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She shoves playfully at his shoulder and opens her mouth to retort. He doesn't resist the impulse to stop her with his lips, and she tastes like chocolate, cooperative chocolate, even if she is snickering slightly into his mouth.
He gooses her, chuckles back at her indignant, if muffled, shrill of protest. "It's not nice to laugh at the bloke kissing you, quaen," he murmurs against her lips. Her hands are busy gripping one of his shoulders and the back of his neck. "You're liable to damage my fragile self-esteem. Kissing's serious business, you know."
She makes an indeterminate sound, really too muffled to make any sort of sense with his tongue in her mouth. Bill does the polite thing, and removes it. "Don't talk with your mouth full," he chides.
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And because he's smart enough to expect it without talking back, she kisses him--hard--smiling, still, at the groan rumbling in his throat. She squirms closer, his hands fisted in her shirt, and bites at his chin not quite gently.
"Why hadn't we done this before? We're really behind. We have to shag every night for weeks now. At least."
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She mmm's into his neck, her hands stroking downward from his chest to curl around his belt and jerk him forward, hard. His half-hard on doesn't require much encouragement to become a full hard on, especially not whilst pressed up against Keira's warm and squirming body.
Not going to shag in here, he thinks, but the thought is distant, and far less important than her mouth moving lazily up his neck and her breasts pressed softly against his chest. His hands ignore his good intentions and stray downward across the denim of her skirt. To his delight, he discovers that though her skirt is long, it's slit up both sides to mid thigh, and working his hands under it is rather easier than he'd expected. He strokes his thumbs across smooth, naked skin, and then ( ... )
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The harder tug at her knickers (and yeah, that had been on purpose, though not quite in-character for her; she's glad to gesture didn't go unnoticed or worse, mocked) makes her breath stutter against his ear.
"Maybe tomorrow," she breathes out in an unsteady and not at all sultry smile against the wet angle of his jaw, "I'll outdo myself and go for neither." The fingers curled around his belt slip in further, lingering a little at the warmth of soft hairs against her knuckle before squeezing past further.
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His fingers twist into her knickers and jerk her closer, and she purrs against his lips, and hooks a thigh over his hip.
This isn't a good idea, of course. In spite of that, he's turning her, angling her back so that she's pressed against a desk, which cants her hips slightly upward. She braces herself with one hand behind her and he slides the hand not occupied with her knickers (sliding downward, slipping into the leg to feel the silky hair curling against his fingertips) up under her shirt (no bra, does the girl even bloody own one?) to palm her breast.
"Can I..." he growls (oh, this is a bad idea, but fuck, he doesn't care), "quaen..."
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She nods wordlessly, clenching her jaw for a brief moment of screaming arousal when the rougher tips of his fingers graze her sex under the damp silk of her knickers. Her kisses her, almost too hard and just right, and she pushes herself up so she's sitting against the edge of the desk. Her leg curls in to bring him closer still when the new position allows him to slide fingertips through her folds, without pushing in.
She fumbles at his shirt ineffectually, one-handed, fingers both too slack and tense to be dextrous.
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There's a fumbling shift of limbs during which Bill slides his hand around her thigh and dips between them again, and Keira uses both hands to undo the buckle of Bill's trousers and push them down, just enough. She has to prop a hand behind herself again for balance, and the other goes to his hip, keeping him close but just far enough to get in, panted:
"Bill. We need a condom. Shite."
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The over-sensitive inside of her arm is rubbing up against his--the muscles and bones shifting under his skin with every twitch of his fingers inside her--and she just closes her eyes for a moment to feel it, the seemingly innocuous touch of crooks of elbows made absurdly erotic by the situation, by the way his thumb circles her clit almost knowingly by now. She can't bite back a loud moan when Bill's hand, once she frees the condom out of it, slides up her front to palm her breast.
Her mouth slacks against his for a heartbeat and she just lets him kiss her, deep and wet. Her legs tighten around him, drawing him closer. "Bill..."
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