Feb 11, 2008 02:05
I was a money-girl when
we met and when we were more
I picked fruit:
peaches
with crinkled atmospheres, persimmons
skinned in tart slivers.
I gave you apples and
you ate of them,
and you said they tasted good.
These days I stand
holding heavy
in tired hands
what has been dredged up
from depths I cannot quantify,
out from the insides of the sea.
Fish wrapped tight in
white wax paper,
things that once darted and
leapt
and eased low in the black waters that
most humans will never see.
Things look differently
dead:
the eyes begin to glass
like failed marbles
filming over in
pockets of wild grass.
The iridescent tessellation of scales
flash
a thimble of mercury
in the dark,
the last surge of
a mighty lighthouse,
the final traces of life
trapped in the body
and
let go.
I don’t know if anyone else sees these things
or cares to.
I suppose
to most people,
more or less,
a fish is a fish.
But I say, they did not see it
swim.
And when you know
what it was
supposed to be --
you’ll remember
the sapphire-flecked oranges, the muscadines’
sticky thick skin,
and pushing upstream
as we did
near-barefoot wading through the creek as
minnows scattered
and the sun hazed the silt with
endless flecks of mica.
We were in love
and the days are passing.
I notice and cannot blame that
everyone likes
looking at nice things:
Brazilian tigerfish, a batik of ink spots
and bubble-gum meat.
The glistening scallops like raw biscuits in the case.
But whether we end up going home
with
something,
or nothing,
we will only want what we’re used to,
the known recipe
we could guess at,
the texture our mouths recall and
the rewarding certainty
of choosing
what we already know we will love.