So, today I came up with an idea for a novel. The idea itself isn't important or relevant; I come up with an idea everyday for a book, including one notable departure from fiction for a tabletop picture-heavy hardcover about potato chip culture in America. However, what I did with the idea (the one from today, not the potato chip book) is what's
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I believe there is a difference between a good story and a story I should write. All stories that I should write are good, or else I shouldn't write them, but there are stories that I should just leave to others who will write them better and put more of themselves in. This is because there is more to a story than the things you describe offering to sell. There are often deep themes exploring important aspects of the world or the human condition. I don't want to buy your themes; I know my own, or will discover them. I don't know whether it's possible to make my themes work with your plot. I don't know whether I would like to write the themes you would put in. I do know that I could come up with as much of an idea as you describe on my own, and that coming up with the idea would be less than one percent of the work on a novel of average length. It might be some single-digit percentage of the work on a short story. Only in the very shortest lengths, such as drabbles, are ideas so much of the work that I can imagine anyone paying for one.
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That's why in my pitch, I described the Mechanics of the story rather than the story itself. If the themes I listed appeal to the prospective buyer- speak to something they've been wanting to express but haven't found a way yet- then I think they'd be interested in buying my idea. Take me for example. I'm not artist, I'm just a computer programmer who likes to write as a hobby. I write fanfic, which is already using someone else's characters and world, and I've even accepted ideas from other writers; my current ongoing fanfic, "Retroactive," is based on an idea I got from someone else, and I'm having a blast with it.
So yes, I agree with you that an Artist would have no interest in this market. But the world of creators is much larger than the world of artists.
I appreciate the feedback, though. Overstepping the market and presenting this as something it's not could demonize the whole system.
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Here's a thought that might or might not be analogous: I sometimes draw, and I sometimes play Paint-by-Numbers puzzles (nonograms), and my reasons are completely different. It might be fun to challenge myself to write within the constraints of a premade plot, but I've never tried that.
The thing that I'm thinking about now, though, is that there's already a situation where one person comes up with the plot, themes and character dynamics and another does the writing, and in that situation, money changes hands the other way, from the Idea Person to the writer.
I'd be interested to see how it goes if you try this.
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I'd love to come up with a way to market the idea without such secrecy, but I just don't trust people enough. It could be that I'm overly paranoid, though.
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