Hello, flist. I am home ill, flu-ish, headachey and not a little bit over-anxious. (Case in point: I thought I would make use of the time by at least popping out and sending some parcels. Mission aborted when yours truly was too pathetic to find somewhere to park, and came home having smudged the parcels' labels in the rain, but not actually sent
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Yeah, you do need to stick with it for a while until it becomes awesome. (Also much less like an X-Files knock-off.) FWIW, I think the turning point is episode fourteen, "Ability," which is massively important and also very good. From what I remember, the really necessary ones of S1 are episodes 6, 7, 10, 11, 14, 15, 17, 19, and 20, but it's entirely possible I'm missing something or have mixed up in which episodes things occurred. (I...kind of watched all of S1 in a week last summer.) Also, this is a show where the least little thing is liable to come back in a big way two or three years later, so if you find yourself really liking it once you get to the awesome in S2, you'll probably want to go back and look at the ones you skipped.
Also, in re: optimistic sci-fi: I think Fringe is actually quite optimistic in its main plot, especially after this season. And the episodes quickly start ending on very hopeful notes. Despite the pain and woe everyone experiences, there seems to be a genuine underlying belief in ( ... )
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BtVS and Angel are both guilty of that. *glares* I like to know what's actually going on in a scene, directors! How can I be excited if I don't know who's punching whom? (On a similar note, see any scene which has both Buffy and Angel in. They will speak in such low, heartfelt tones as to be completely inaudible. So maddening!)
I hope you feel better soon - try to relax rather than feeling guilty about being at home.
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