At least now I know why the writing's been going so poorly lately; I was totally jumping the gun on the latest plot development. (
Red herrings, how I hate you.) It's nice of my subconscious to stop me before I'd gone too far down the wrong path, but it really could just send a freakin' memo.
The other problem is that I've been so focused on what the antagonist knows / is up to that I lost sight of what my main character knows -- and doesn't know. It's good to consider what's going on off-stage, but not to the exclusion of what's under the spotlight.
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