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The rules, such as they are... )
Comments 9
The door was opened by a grumpy woman in curlers. Gene didn’t wait to be invited in, but pushed past her, leaving Sam to deal with the inevitable objections. Sam followed him through the house and out of the back door to where Gene was staring at the garden.
“Either there’s been some bloody big moles around or we’ve found what we came for,” he said, indicating several mounds of earth in the grass.
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And he got the jump on Litton! Hee.
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“Great silly fingers... Sam, my love, could you-?”
You stand on the mattress to reach the last button, over the mole on her neck that Dad called a ‘beauty spot’. She cups your face in thanks, eyes half-closed; she would find you even in the dark.
“Double-quick time, now. One, two-”
You are flown to the ground and into marching step, hard leather shoes chafing with the effort.
This is the beat that grown-ups move to. Together, you walk tall.
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Oh, it hurts. And it's lovely. Thank you.
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No, we don't. The closest we come is in 1.08, when we see Ruth bending down from Sammy's point of view. Or in 1.04, when we HEAR Sammy's coughs coming from a first-floor window and Ruth glances up at it. But no, the two actors never appeared together.* Which is strange, because we always imagine them together so effortlessly.
A lot of fics portray Ruth as unsympathetic or un-motherly in some way, so I really appreciate how your drabble shows us the undoubtedly loving side of this much-neglected character.
(And come to think of it, we don't really see young Sammy with Heather, either - in the sense that both actors are never identifiably in shot simultaneously.)
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“No!” Sam blurted, attracting the usual compliment of rolled eyes and a disapproving frown from Annie.
She wanted this assignment. To her it wasn’t demeaning to be dressed like a cheap tart in hopes of catching the cretin who’d been terrorizing the local prostitutes. It was a way to prove herself to the Guv.
He watched as Phyllis used an eyebrow pencil to give Annie a beauty mark, completing the transformation , and felt something rising in his blood, dark and possessive.
Sam’s assignment was to protect Annie from the rapist, but who was going to protect Annie from him?
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Gene’s look is tart and dangerous. There are words in it: “What the bloody hell do you think you’re doing?”
“Jealousy,” Sam thinks back at him. “How quaint.” He leans closer to Chris, close enough to see the mole at the base of his neck, close enough to make Chris gulp nervously.
“I bet he’s going to punch me when he gets back,” Sam whispers. “Double or nothing?”
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