I am remiss; I have not one copy of Ralph Ellison’s Invisible Man.
This may seem like a non-issue, another risible fact of my bookishness (of my tendency to use obfuscating words like “risible” when I might just as easily write comic, hilarious, laughable, or even goofy), but Invisible Man holds a sacred place in my mind, embodied by strong
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Do you check back to see if people have responded?
Have I missed the discussion boat?
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you comment on a friend's blog. that's how i found you.
i replied to your post mostly because i think that you and i overlap in certain ways. two years ago, at age 34, i bailed (halway through my diss) on a ph.d in english (with streaks of analytic phil). now, i'm finishing up two screenplays (think linklater, kaufman, w. allen, and hitchcock) and two novels. my dream, however, is to write for 'veronica mars', or whatever joss whedon and the terrific jane espenson happen to be working on.
my vision may bring me to los angeles (a long way from waltham, but not so far from williamsburg). if i do, i'll drop you a note. maybe over some knob creek we can discuss stanley cavell and how one goes about bringing playful intellect to the screen.
- br
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What kind of novels are you writing? I don't mean to make you constrict your ideas into a genre definition, but how would you describe your writing? I wonder, especially since you speak of Joss Whedon and "Veronica Mars". I think of those shows (including "Buffy..." and "Angel") as serial fairytales, done with skill but in a manner that is much more playful and cartoonish than anything I would attempt writing. Anyway, I'm fairly young (23) and brand new to Los Angeles, but if you make it out here I'd be glad to meet up with you sometime. As to the Knob Creek, though, (like uberdionysus) I don't drink at all ( ... )
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