Writing links
The Boston Globe has an interesting take on revising your work: that it's largely a product of 20th-century culture (the Modernists) and technology (typewriters), and we might be seeing another shift as computers make on-the-fly editing possible.
Interview on writing with Elmore Leonard. Of particular interest to me is the part of the interview in which he discusses writing for money:
You’ve said that you’ve approached writing both with a desire to write and to make as much money doing it as you could. Do you think that kind of honest, unpretentious attitude toward writing has helped you be a better, more productive writer?
Oh, definitely. All writers are in it for the money. What other reason is there?
But what about the notion of the starving artist, not selling out?
Samuel Johnson once said that anyone who would not write for money is a fool. You know? From the horse’s mouth, that’s why we’re doing it, but still attempting to do it as well as we can and not sacrificing our voice. I’m not going to write like some guy who’s making a lot more money than I am just because he is.
Frankly, it’s not that important. The story is the important thing and then go for the money.
Are there any perils to writing with money in mind?
I’m not writing with money in mind. I’m making the writing as good as I can.
I like his honesty, and the fact that he pushes back against the interviewer's apparent assumption that writing for money = being a hack. I mean, doctors don't do it just for the money -- at least, the better ones don't -- but they still want to get paid!
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comments.
Interview on writing with Elmore Leonard. Of particular interest to me is the part of the interview in which he discusses writing for money:
You’ve said that you’ve approached writing both with a desire to write and to make as much money doing it as you could. Do you think that kind of honest, unpretentious attitude toward writing has helped you be a better, more productive writer?
Oh, definitely. All writers are in it for the money. What other reason is there?
But what about the notion of the starving artist, not selling out?
Samuel Johnson once said that anyone who would not write for money is a fool. You know? From the horse’s mouth, that’s why we’re doing it, but still attempting to do it as well as we can and not sacrificing our voice. I’m not going to write like some guy who’s making a lot more money than I am just because he is.
Frankly, it’s not that important. The story is the important thing and then go for the money.
Are there any perils to writing with money in mind?
I’m not writing with money in mind. I’m making the writing as good as I can.
I like his honesty, and the fact that he pushes back against the interviewer's apparent assumption that writing for money = being a hack. I mean, doctors don't do it just for the money -- at least, the better ones don't -- but they still want to get paid!
This entry is also posted at http://layla.dreamwidth.org/225549.html with
comments.