[OOC: For heroes who've heard of the wicked witch of the west woods, for lost damsels and innocent young things... for those wood nymphs she's feuding with... make yourself at home.] In the Dark and Dangerous Woods outside of the city, there is a Dark and Dangerous Path that leads off into the west wood
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Seconds before the man had touched the carriage, however, the doors were unceremoniously flung wide open from the inside. A chestnut-haired man poked his head out in curiosity, then leapt down and struck a (very ridiculously Disney) pose. His attire suggested nobility, if not royalty--a fur-lined cape rested over his shoulders, fastened to a velvet doublet that sported puffy sleeves and was dyed a deep maroon. His boots squashed into the damp, leaf-strewn forest floor as he took a stately step forward and surveyed the area. For those who would know him, it was King Charles the XXII, King of the Kingdom-Next-Door, brother to the King of Ravin.
But in other words, CLU had fallen off the ship.
"Gervais! Where are we? Why did we stop?"
The driver, Gervais, after having finished bowing an excessive amount of times at his King, produced a huge map from his belt and held it out in front of himself. "Sire, apologies!" Fumble, fumble, fumble. "It seems--it seems--" More fumbling with the map, as the driver rotated it several times and then squinted very hard at it. "It seems we may... be lost!"
Charles touched a leather-gloved hand against his jaw, thoughtful. Then his blue eyes brightened. "No fear, servant! Look, over yonder!" He pointed a leather-gloved finger. "There is a cottage there, we shall ask for directions!"
And so with confident strides, Charles headed towards the witch's cottage, his driver stumbling--map in both hands--behind him.
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When the king and Gervais approached, they would find a happy little cottage, over-run with tempting, juicy grape vines, with a happy little vegetable plot and nettles and thorns growing in a most innocent and plantlike way along the borders of the forest. The only sign that things might be amiss was the number of brooms, lying still as brooms do, buckets of water abandoned near them.
Rathlina was waiting outside, with a peasant hood over her head. She asked, in a feeble and quavering voice:
"Hark and welcome, handsome Lord
To the comforts this humble hut affords
What princely task or dukely chore
Leads you to Rathlina's door?"
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A good portion of it went completely ignored by Charles, and the bits that were acknowledged were brushed off with a obviously-not-paying-attention 'mhm' or a 'What are you babbling about Gervais the cottage looks pleasant, be silent.'
The two came to a stop near Rathlina, and for a few moments, both of them silently attempted to pick out her face from beneath the hood. Then Charles took a step forward and rested one hand against the pommel of his sword, while Gervais lingered back and peered over Charles' shoulder at her, uncertainty visible in every inch of his body.
"Ahh! Greetings peasant, and thank you!" The return in pleasantries came with a cocky, I-think-I'm-charming smile. Charles straightened, and his gloved hand moved to rest against his chest, the maroon fabric beneath it embroidered gold with a family emblem. "I am the humble King Charles XXII--but you already, no doubt, knew this." Then a pause, an exaggerated eyebrow lift. His hand fluttered in front of him, as if to encourage her to perform some action. "Alas, old woman, there is no need to be shy! You may bow to me."
Another grin split his face, but before he could continue any further with that, Gervais cleared his throat behind him, then piped up in a voice that nearly squeaked. "We have travelled off the path, it seems, and need to find our way." Then, added almost as an afterthought: "My lady."
Charles nodded at this, and then his hand lifted, fingers snapped. Gervais, despite his obvious misgivings about getting any closer to Rathlina, stumbled forward and unfurled the map. Charles snatched it from him without even a glance in his direction, and pointed at it. "Would you happen to know the way to the city?"
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Hmph. She'd had some hope about this pompous king; the crones and hags local 501 manual said that three minor offenses to a seemingly innocent old lady-- or one grievous offense-- meant he was fair game for the cursing. But as usual, the servant knew the rules himself and was spoiling all the fun.
"It's been so long since I've been to town, good sirs, so long," she creaked, raising her suspiciously broom-shaped walking stick to trace a shaking and somewhat circuitous path over the map.
"Over the hill and over the dell,
Across the old bridge where the troll used to dwell
The path to the west by the great oak tree
And soon to the kingdom you will be."
It would get them there. It would cost them another half a day of travelling to go her way, and it rhymed, so there was that little comfort. But she wasn't going to risk having those awful good-fairies stick their noses back in her business.
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"Excellent!" Charles exclaimed happily, once Rathlina had pointed out the way. He quickly rolled the map back up and shoved it into Gervais' hands; with it returned to his possession, the servant hopped back a few feet away from Rathlina, then clasped the parchment to his body like a child would a teddy bear--as if it would protect him from her.
"You have been most helpful, peasant!" Charles said, as Gervais nodded emphatically behind him. "But may I ask one more favor, before we set out to the Kingdom." His head turned from side to side, checking for something, then Charles leaned forward to whisper, "Would you happen to know where a witch is to be found?" His voice lowered even further, so much so that his servant behind him leaned forward as well to try and hear. "It seems I may be in need of one, at present!"
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"I have lived in these woods a very long time
What sort of a witch are you trying to find?" she said, because sometimes you simply had to rhyme. Just a little.
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Then, once his servant had finally gone, Charles straightened.
"There are different types, you say? Very well. I nee--" Oops. Charles paused, then rephrased it. "I know of someone, a friend of a friend, who happens to be of royal blood--extremely handsome, much like I am--who has a pressing need for a witch's curse. Or brew. Or whatever unnatural nonsense witches usually get up to."
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"Any old potion? Or a particular potion?" she asked, setting her broomling-stick down to fluff out its bristles and get back to work. Suddenly, she was all business. "What do you need it to do?"
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Then, down to business: "This other person, who is most definitely not me, needs the potion to put another person--who may or may not be royalty--out of commission." And here both his hands lift to do a massive air-quote when he says 'commission', hoping she'd get his meaning.
"Do you have such a potion? I will pay handsomely for it." And to emphasize his point, Charles pulls out a small, ornately decorated coin purse and shakes it. The heavy sound of coins jingling inside it would be enough to hint at the great amount.
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She sighed. "And the last decent warlock we had in these parts has gone all native in the village. No, from me it's a sleeping draught or a living house. Fresh out of poisons of all kinds. But you know, a little foxglove goes a long way. Eh? Eh?"
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"Perhaps a sleeping draught, then? How long does that last?"
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Odd creatures, these witches. And odder still the company that they kept.
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She wrapped up with a stirring Powell-us Donovan Calvin Ascenion HIGGLETY PIGGLETY BOOM-! and the cauldron erupted in a skull-shaped cloud of green smoke.
That kind of show is how you know you got the good potion.
"Heeeere," she said with a cackle, ladling some into a vial. "This will make them sleep! Sleep like the dead!"
All the homonculi turned to look at her.
"But just sleep," she grumbled, and they cheerfully went back to work. She held out one hand for the coins, bottle clasped in her other hand.
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