At precisely three o'clock in the afternoon, on- what is to Arthur Eddington, at least- the next day, a stray grandfather clock appears in his study. Not to say that it simply blinks into existence with no fanfare whatsoever; it's accompanied by a strange, grinding noise that echoes faintly off the floorboards, and a glowing from behind the face
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Mostly though, it's due to the fact that his sister isn't around right now. Arthur understands, of course, that the work she is doing in Germany is important. Helping the rebuilding effort when there is too much work and not enough hands. But he's become accustomed to having someone prod him away from work every so often, making sure that he eats and takes breaks ever so often.
She always told him ten hour working session were no good for his health.
But none of that is really going through his head right now. He watches as the Master crosses out phrases here and there, in a moment eliminating hours worth of work. But Arthur is too fascinated with what he does write down really protest, mind trying to make sense of these new equations and quickly grasping at their meaning. It's certainly less complicated than what he had been working on, surprisingly so, but that doesn't make them any less brilliant.
Arthur is too absorbed in them to even move away from the touch. 'Luminosity as related to absolute magnitude?'
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'As measured against what you'd call a main sequence star- one from about 80 to .08 solar masses,' he agrees, outlining the process further on the paper. 'Giants and supergiants don't quite adhere so neatly to the equation.'
He could go on, of course, sketching out the mass-luminosity relationships for O stars and G2 stars, but best, he rather thinks, to let Arthur get on on his own from here. He's perfectly capable of it, the Master has no doubt, and no scientist gets any great pleasure from having the answers handed to him. The Master's just given him a bit of a boost, so to speak. Something to speed things up. The tip of the pencil taps against the paper, indicating one of the new expressions- rad. p in photosphere= 80sm + 106.
'That'll be named after you one day, you know.'
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He stares at the Master's new equation, making sense of it just as he did with the others. This one, at least, is somewhat easier to understand. But the Master's last comment makes him frown and look up, tearing his eyes away from the papers so that he can look at the Master, puzzlement obvious in his expression.
'There are better things to name it after, aren't there? Give it a more practical title.'
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'Oh, but people like to pay homage, don't they? Remember the clever ones, if only for their names. You live on, Arthur Eddington, you and your man Einstein.'
At that, the Master pushes himself off the desk with his hands, landing with a little hop that carries up through his frame as he bounces slightly on the spot. 'Anyway, easier for the layfolk to remember than some technobabble gobbledygook. But!' His tone takes a sudden turn for the upbeat. 'I believe I was here for tea, was I not? And you'll like my ship, I promise.'
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'I assume your ship has something to do with the grandfather clock on the wall?'
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'The grandfather clock on the wall is my ship. A TARDIS, is what she's called. A ship composed entirely of dimensional physics.'
Or, well, mostly. The mathematics that made a ship like the TARDIS possible didn't entirely translate into a language as limited as English, but the Master made due. He knew, if nothing else, how to use to language best to his advantage, even when describing concepts it didn't really encompass. He cocked an eyebrow back towards the desk and its litter of papers.
'Sure I can drag you away from your numbers for a while?'
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He had even been given a choice to turn back, if he so chose. Keep writing and working, as if nothing had ever happened.
But he wasn't going to back out. Couldn't, really. He was being offered too much, the chance to know so much more than he would if he simply stayed and work. Already, Arthur guessed that the Master was certainly a brilliant man. He wanted to find out the extend of that brilliance, see how much he could learn about the universe , all from this one chance.
'I'm sure it'll be more than worth my time.'
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The Master grins that glittering, Prime Minister grin, inclining his head graciously at Arthur.
'I promise you, it will be even more than that.'
A bit of enjoyable harassment, certainly, and a great deal of science. The harassment would be mostly for his enjoyment, he concedes- though Arthur, if he unlaces himself a little, might be able to have a good time of it as well- but the knowledge he has to offer... oh, he knows Arthur won't be able to resist that. A scientist, a seeker after the truth, and here the Master was giving him more than he could possibly with to know.
This is going to be brilliant.
Gently urging Arthur towards the TARDIS with another faint touch of a hand on his back, the Master opens the door of the grandfather clock, stepping inside. Unlike the Doctor's TARDIS, a mess of coral and bits of this and that, wires tangled everywhere in confusion, Lolita's console room is beautiful, sleek and black as if carven from ebony. The scale is immense, vaulted like a cathedral, and the whole thing is lit from some unknown source, as well as with a green glow from the time rotor in the centre. The Master caresses the nearest wall fondly.
'Magnificent, isn't she?'
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The proportions are huge, indeed magnificent, and with a scale that reminds Arthur of the Grand Hall in the University. Except this is bigger, grander, and entirely unbelievable because it's the inside of a grandfather clock. He doesn't have to walk around to check it's size, this is bigger than the house itself, and besides that he doesn't think he could really make himself look away. Not that he wants to, not really.
Slowly, almost warily, Arthur takes a step inside. He's still looking around, trying to take in the sheer size and impossibility of this place. It's probably something that should make him back away, deny the Masters offer and return to his study. But it just makes him all the more curious, the more willing to stay and explore.
'Is this the whole of it, of your ship?'
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At Arthur's words, he exhales a scornful little chuff of breath. 'The whole of it? Hardly. A TARDIS's interior is infinitely large, Mr. Eddington. We're standing in an entirely different dimension that that which exists outside.'
The Master strolls to the console, running delicate fingers caressingly along it. 'Keep walking,' he says musingly, 'and you'd never stop.'
((OOC: I say, have you got an AIM?))
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But he doesn't reach an end. He doesn't reach a wall, or any sort of stopping point, and finally Arthur forces himself to cease taking steps forward and instead turn to the Master.
'It doesn't seem possible, any of it. But here I am, standing in the inside of a grandfather clock....'
[I'm Scarecrowfan on AIM]
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'Well, you know what they say about improbable impossibilities. Anyway, she's hardly an actual grandfather clock. Device called a chameleon circuit, allows the ship to change its appearance when necessary; camouflage, you know.'
The Master arches an eyebrow at Arthur, an expression that's somehow provocative. 'Tea? Nothing like superheated tannins to fire up the brain cells, after all, and perhaps I can do a little more explaining.'
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'Tea sounds wonderful, actually. Thank you.'
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But Eddington looks like a green countryside and fresh air sort of bloke, and the Master thinks he knows something perfect. 'This way,' he finishes his sentence, 'If you would.'
That's another gently urging hand on his back- lower back, this time, not quite so decent- and the two of them set off into a corridor. In contrast to the console room, this corridor looks plucked straight out of an old manor house; walls panelled in rich wood, the floor under their feet carpeted in faded crimson. There are any number of twists and turns that they take, but eventually they reach a door that the Master brushes through imperiously.
On the other side is a sunny afternoon in a grove of trees. Any sunny Sol 3 afternoon you like, with a warm breeze and the sound of birds singing. The landscape stretches out before them, beautiful, but utterly uninhabited. There are no squirrels or badgers or insects, or any of the things one would usually expect to see outside on an afternoon such as this. Even the birdsong is false, not that anyone could be able to tell, save for the conspicuous absence of any birds.
Under the nearest trees there sits a wrought iron table and two chairs, painted a cheery white. The table is laden with a tea service; tea, scones and jam and clotted cream, cucumber sandwiches, ginger biscuits, the lot. The Master silently thanks Lolita for obliging him.
He grins over at Arthur. 'Care to take a seat?'
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His mouth actually falls open slightly at the sight of the room, and Arthur can't help but stare for a few moments at the sheer size of the place. It still takes his mind some time to register it, the fact that this is a room inside a ship and not really the outside. He seems embarrassed when he turns to the Master, giving him a slight nod.
'It's a very impressive display.' He begins walking towards the tea set, even then looking around in wonder.
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The man's embarrassment is quite charming, a faint flush colouring his cheeks, and the Master takes that in with a pleased little quirk of the lips, sitting down at the table himself, and pouring them both a cup of tea. Into his own cup, he drops several sugar cubes- strong and sweet is how he likes it this time 'round, before lifting an eyebrow at the other man. 'Milk, sugar?'
Ever the gracious host, after all. The Master knows how to do polite; he did get himself elected Prime Minister, after all.
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