Citing Orwell to the effect that the mixing of incompatible metaphors is “
a sure sign that the writer is not interested in what he is saying”, is a hackneyed excuse for failing to think independently. Mixed metaphors are as venerable as Plato, whose dialectic gently draws forth and leads up the soul sunk in the barbaric slough of the Orphic myth, in the
Republic 7.533d. Likewise, in
Timaeus 81c-d, when the root of the triangles that form the elements of living creatures grows slack owing to their having fought many fights during long periods, they are no longer able to divide the entering triangles of the food and assimilate them to themselves, but are themselves easily divided by those which enter from without. Most notably, criticasters have
agonized over Hamlet echoing the proverbial Greek usage of “thalassa kakon” in proposing “to take arms against a sea of troubles”. Thus Alexander Pope proposed amending “sea” to “siege”, whereas William Warburton advocated the reading “assail of troubles”. For my part, upon being confronted with such noisome cavils, I repeat the immortal battle cry of
Sir Boyle Roche: “Mr Speaker, I smell a rat; I see him forming in the air and darkening the sky; but I’ll nip him in the bud.”