"KNIGHT AND DAY" (2010) Review
"KNIGHT AND DAY" (2010) Review
Once again, Tom Cruise has put himself out on a limb by appearing in a movie, recently released this summer. The movie in question turned out to be a romantic comedy thriller called ”KNIGHT AND DAY”. Co-starring Cameron Diaz, the movie was directed by James Mangold.
Surprisingly, seventy to eighty percent of ”KNIGHT AND DAY” was told from Diaz’s point-of-view. She portrayed an auto mechanic named June Havens who found herself swept into the adventures of an eccentric man claiming to be a former CIA agent named Roy Miller. Miller also claimed that he was trying to prevent a corrupt CIA colleague named Fitzgerald from finding a brilliant young inventor named Simon Feck and his new invention, a perpetual energy battery called the Zephyr, and selling both to a Spanish weapons dealer named Antonio. Unfortunately, his former director believes he is a rogue agent that has gone mentally off the grid.
I might as well be frank. ”KNIGHT AND DAY” did not strike me as an exceptional action film. The movie featured a series of minor scenes in which a drugged and semi-conscious June found herself being moved from one location to another by Miller. And since these scenes were shown from her point-of-view, I suspect this gave Mangold and screenwriter Patrick O’Neill the opportunity to move their characters around without any real detail. Personally, it seemed like a lazy way to progress the plot along. I was also confused over how Peter Sarsgaard’s character, Agent Fitzgerald, managed to arrange for other CIA agents to appear on the Wichita-Boston flight at the beginning of the movie as the entire crew and group of passengers. Nor did I understand why he bothered to keep June on that flight after Miller tried to ensure that she would miss it. Also, Mangold’s direction failed to infuse the movie with any special energy that could have made it memorable. Despite the somewhat eccentric plot, ”KNIGHT AND DAY” moved and felt like a typical action film.
But the movie also had its virtues. It featured some beautiful photography of Boston, Jamaica (which served as the Azores, off the coast of Portugal), Austria and Spain; thanks to cinematographer Phedon Papamichael. The movie also featured one hell of a plane crash, supervised by Chris Brenczewski. O’Neill wrote a solid plot that I could easily understand - something that has been lacking in a good number of action films (comedy or otherwise) recently. ”KNIGHT AND DAY” also provided some first-rate action sequences. My favorites included Miller’s fight against his former CIA colleagues aboard the Wichita-Boston flight; the gunfight on one of Boston’s highways; and Miller’s fight against a young German assassin named Danny, aboard a train bound for Salzburg, Austria. Humor proved to be another one of the movie’s virtues. Not only did cast members such as Cruise, Diaz, Paul Dano and Marc Blucas provide some excellent comic performances, O’Neill’s script provided them with plenty of material to work with. At least two scenes struck me as particularly funny - Miller’s ”with me, you survive” speech; June’s encounter with Feck and Danny, the assassin, aboard the train; and her encounter with the arms dealer, Antonio. But my favorite scene turned out to be the encounter between Miller, June and her ex-boyfriend, Rodney inside a Boston diner. I really found that scene hilarious.
There were no bad performances in ”KNIGHT AND DAY”. But I must admit that not all of them struck me as impressive. Both Viola Davis and Jordi Mollà gave solid, yet humorless performances as the CIA Director and Antonio, the arms dealer. Peter Sarsgaard, who portrayed Agent Fitzgerald, seemed amusing at times. Otherwise, he came off as distant and slightly stiff. And Maggie Grace provided mild humor as Diaz's younger sister. But the movie had its share of good performances. Dale Dye and Celia Weston provided plenty of laughs as Miller’s parents, who believed that their son was dead. Paul Dano proved that he also have a talent for comedy in his goofy and funny portrayal of Feck, the brilliant young scientist that created the Zephyr battery. But of the entire supporting cast, my favorite performance came from Marc Blucas, who portrayed June’s ex-boyfriend and a Boston fireman. Thanks to his two-season stint on television’s ”BUFFY THE VAMPIRE SLAYER”, I have always been aware of the actor’s talent for off-beat humor. But Mangold’s direction and O’Neill’s script provided him with a role that truly exploited his comedic talents. Blucas portrayed Rodney not only as a compassionate and duty-bound man, but also a self-absorbed and shallow jerk. And he managed to achieve this balance with great subtlety and skill.
But what really made ”KNIGHT AND DAY” work for me were the two leads, Tom Cruise and Cameron Diaz. They had worked together before in the 2001 movie, ”VANILLA SKY” and it was easy to see that they both had a very good screen chemistry. Once again, Cruise proved his talent for both comedy and action as the slightly eccentric Roy Miller, whose idea of keeping his new companion safe was too keep her in a drugged state, as he carted her around the eastern United States and Europe. The actor also effectively conveyed his character’s self-assured nature without allowing it to be tainted by any signs of cockiness. This would not have been the case with a younger Cruise. What I liked about Cameron Diaz’s portrayal of June Havens was that she did an excellent job of conveying her character’s progression throughout the movie. Her June started as a reserved woman just recovering from the end of a trying relationship, progressed to the confused and frightened innocent caught up in intrigue and betrayal; and finally developed into a more confident woman who was self-assured about her love for Miller and what she needed to do to keep him safe.
”KNIGHT AND DAY” is not the best movie I have seen this summer. It certainly did not knock my socks off. But thanks to James Mangold’s direction, a solid script by Patrick O’Neill and an excellent screen team in the form of Tom Cruise and Cameron Diaz. It is not a perfect film, but it is certainly better than I had originally assumed.