"INCEPTION" (2010) Review
”INCEPTION” (2010) Review
It still amazes me at how director/writer Christopher Nolan’s films manage to generate a great deal of emotion from filmgoers and critics. This has certainly been the case for his latest work, the science-fiction drama called ”INCEPTION”.
Inspired by the experiences of lucid dreaming and dream incubation, ”INCEPTION” told the story of Dom Cobb, a dream “extractor” who enters the dreams of others in order to obtain information that is otherwise inaccessible. After failing to extract corporate secrets from a Japanese businessman named Saito, Cobb is hired by the latter to perform the act of ”inception” - the secret implant of an idea into a target’s mind - on the son of Saito’s terminally ill corporate rival, one Robert Fischer. Saito’s object is to convince Fischer to break up his father’s corporate empire in order to prevent it from becoming a monopoly and threatening the businessman’s own corporation. If Cobb manages to succeed, Saito promises to use his influence to clear the younger man of murdering his wife, so that he can reunite with his children.
Cobb assembles a team to achieve Saito’s objectives. They are:
*Arthur, the Point Man - who is also Cobb’s partner, and responsible for researching the team’s target
*Ariadne, the Architect - a graduate student who is recruited to construct worlds in which dreams take place
*Eames, the Forger - has the ability to take the form of others in order to manipulate the dreamer
*Yusuf, the Chemist - who formulates the drugs needed to sustain the team members’ dream states
*Saito, the Client/Observer - who decides to become part of the team
Despite assembling a skillful crew, Cobb encounters a few difficulties. One, Arthur had failed to discover that their mark, Fischer, had been trained in lucid dreaming and creating mental defenses. His mind manages to manifest armed personnel, which attacks the team in downtown Los Angeles, after they kidnap him in Yusuf’s dream. This leads to disaster for Saito, who is wounded during a gun battle. Due to Saito’s wounds, the rest of the team discovers that Cobb had failed to inform them that they could end up in limbo if they die in a dream state, due to the drugs given to them by Yusuf. Worst of all, Cobb has to deal with the manifestation of his dead wife, Mal (the Shade), whose presence in the dreams could end up threatening the assignment.
There had been a good deal of hype surrounding ”INCEPTION” before it hit the theaters in mid July. Surprisingly, I had been unaware of it. I merely wanted to see it due to Nolan’s role as director and writer, and from what I had seen in the movie trailer. I had no idea on how I would react to the film, considering my reactions to 2006’s ”THE PRESTIGE” and 2008’s ”THE DARK KNIGHT”. Do not get me wrong. I enjoyed both movies very much. But it took me a while to understand the plot to ”THE PRESTIGE” and I have never liked the last 30 minutes of ”THE DARK KNIGHT”.
In the end, I not only understood ”INCEPTION”, I enjoyed it. Hell, I more than enjoyed it. I loved it. It is one of the most original movies I have seen in years. I found it very rare to see a movie that used unusual visuals to convey a main character’s emotional story. Through the use of dreams, the team manages to allow Robert Fischer to face his demons regarding his father and to finally put them aside, so that he can learn to be his own man. But more importantly, the Fischer assignment finally allows Cobb to face his own demons and guilt over his wife’s suicide.
The concepts of lucid dreaming and dream incubation are nothing new in movies or television. Both topics have been used in movies like ”THE MATRIX” and television series like "BABYLON FIVE", ”BUFFY THE VAMPIRE SLAYER” and ”STAR TREK VOYAGER”. With the amazing special effects supervised by Chris Corbould and Wally Pfister’s beautiful photography, Nolan managed to take these concepts to another level. And he did it without resorting to 3-D photography (thank you God!) or slow motion action (with the exception of one scene). The special effects were especially put to good use in scenes that featured a fight scene between Arthur and an unnamed man inside a high-priced hotel corridor, Cobb and Ariadne’s dream experiences on Parisian streets; and the Limbo world first created by Cobb and Mal.
Nolan had gathered an impressive group of actors and actresses for his cast. Veteran actors Michael Caine, Postlethwaite and Tom Berenger portrayed father figures (literally or otherwise) for at least two of the major characters and gave solid performances - especially Berenger, who portrayed Robert Fischer’s godfather and business associate. Dileep Rao, last seen in the 2009 blockbuster ”AVATAR”, had the good fortune to be cast in a larger role as Yusef, the Chemist. His character provided sedatives for the team to use in order to easily go into dream state. And I must say that I enjoyed Rao’s sly, yet humorous performance very much.
I have been aware of Tom Hardy since his two-episode appearance in the HBO miniseries, ”BAND OF BROTHERS”. But his portrayal of Eames the Forger is probably the first role in which he truly impressed me. Like Rao, he projected a sly sense of humor, mingled with a sharp wit and a hint of arrogance. And dear God! That man has a voice to die for. Cillian Murphy’s role as the Mark, Robert Fischer, seemed like a far cry from his villainous Dr. Jonathan Crane aka the Scarecrow in Nolan’s two BATMAN movies. Yet, the actor did an excellent job in his subtle portrayal of a man disappointed by what he deemed as his father’s lack of love toward him and his own insecurities that he may be unable to live up to his father’s shadow or expectations of him. Marion Cotillard proved to be quite an enigma in her portrayal of Mal, Cobb’s late wife. In some scenes, she projected a quiet, self-assurance as her character tried to manipulate her husband into accepting his dreams of her as reality. In others, she projected the melancholy of a woman teetering on the edge of suicide. And there were moments when Cotilllard conveyed a sense of subtle menace, whenever someone threatened Cobb’s memories of her. It was a very effective performance.
Another complex performance came from Ken Watanabe, who portrayed Cobb’s client, Saito. Judging from Watanabe’s portrayal of Saito, one would have felt certain that he would end up as the movie’s villain. Yet, thanks to Nolan’s script and Watanabe’s performance, Saito proved to be a complex individual that developed an interesting relationship with Cobb. The latter formed another interesting relationship with the team’s Architect, a college graduate named Ariadne. And Ellen Page did an excellent job in portraying Ariadne’s sense of wonder at her introduction of the world of lucid dreaming. More importantly, Page was effective in portraying what I believe was the movie’s emotional center - the one person who was able to help Cobb deal with his demons regarding Mal. Joseph Gordon-Levitt’s role as Arthur, Cobb’s main partner, should finally set him on the road to stardom. He gave a wonderful performance as the team’s pragmatic Point Man, whose job was to provide background information on Fischer. He was cool, sardonic, dashing and surprisingly a pretty solid action man. His fight in the dream state hotel corridor might prove to be the talk of moviegoers and critics for months to come.
But the one man who held this movie together, other than Nolan, turned out to be leading man Leonardo DiCaprio. I could, in many words, praise his performance as Dom Cobb, the team’s leader and extractor/inceptor. I could describe the emotional complexity of his portrayal of a man who remained torn by his wife’s death and his longing to reunite with his children and his efforts to keep his demons in check and prevent them from affecting his jobs. I could also praise DiCaprio for handling the movie’s action sequences like a born-again Bruce Willis. But why bother? All one has to do is watch the actor upon the movie screen. Personally, I believe that he may have given one of the better performances of his career, so far. In short, DiCaprio was phenomenal.
I tried to think of something to complain about ”INCEPTION” and only ended up with one. It seemed to me that two-thirds into the movie, its pacing began to drag. Which seemed odd, considering while the movie focused upon scenes featuring Eames’ dream - the snow fortress - I found myself squirming in my seat in an attempt to stay awake. Some of the action sequences seemed to go on a little too long by this point. Fortunately, the movie moved on to its final scenes, starting in the Limbo City dream sequence and my attention became revived.
There have been many discussions and debates over the movie’s final scene - namely Cobb’s reunion with his children and the last shot featuring the spinning top. Many claim the last shot was an indicator that the entire movie had been a dream and that Cobb remained stuck in a dream state. Others believe the spinning top - Mal’s totem - was nothing more than a red herring. As far as they were concerned, Cobb had genuinely reunited with his kids. Personally, I have no idea if the entire movie was a dream or not. A part of me feels it should not matter. What mattered to me was that Cobb finally learned to let go of Mal . . . and put his guilt over her death behind him. And by turning his back on Mal’s spinning top, I believe he had finally achieved this.
As far as movies go, the summer of 2010 has not been a memorable one for me. But it has not been a complete bust. I have seen a good number of entertaining movies. Yet, only a handful has truly impressed me. As far as I am concerned, the one movie that seemed to rise ahead of the others is Christopher Nolan’s new opus - ”INCEPTION”.