(no subject)
Gakked from Phoenix Justice:
You can only use up to two sentences per song.
1. Lithium by Evanescence -- Arawn/Sion:
In his dreams, she was his, now and forever, the strange angel-Jedi that somehow managed to capture his heart and make him feel, for that one brief moment, a flash of the man he used to be, the idealistic youth that had gone on that suicide mission to Malachor V for no other reason than the fact that it was the right thing to do.
In his dreams, Darth Sion was the man he used to be, and that was enough.
2. The Howling by Within Temptation -- Malachor V:
She never thought she'd return to the place where she'd lost herself: where so many people had lost themselves, where orphans became bounty hunters, and fundamentally decent Jedi became destroyers of entire galaxies, and Republic soldiers became assassins of the Dark Side.
But she had to go back -- there was no explanation for it, other than the fact that she had to find Kreia, duel her, and help the galaxy wake up from this awful dream -- as it was meant to be, she thought grimly as she entered the Trayus Academy.
3. Journey to the Past by Aaliyah -- Arawn Sinn:
She never thought she'd return to the galaxy after years of exile, and have the experiences she'd had.
But she had -- and now she lay against Kreia's corpse, propping it up almost as if Kreia were sleeping, not...struck down at her hands -- even if it was a merciful release, Arawn didn't want to think of something that she could have possibly done --
"I'm glad to have been here with you, Kreia -- here...here at the end of all things."
4. Love Story by Taylor Swift -- Arawn/Atton:
There was no sane explanation for this: how could a former Jedi General and a former Sith assassin get along the way they did? But the two of them found a way -- and despite the fact that there were multiple people that opposed the idea -- Kreia, the crew members, traditional Jedi rules -- as long as they could hold on together, nothing else mattered.
5. Missing You by Big Dismal -- Arawn/Kreia:
It was then that the Ebon Hawk swooped in and rescued them. And on the wings of Revan's ship, Arawn and Kreia left behind the doomed world, for good -- though their relationship had not ended the way that both of them would have wanted, they had at least had the luxury of being together one last time: here, in a vision of hell, sharing last glimpses of a better future. A better future, at the end of all things.
6. Mummer's Dance by the Ceili Band -- Arawn/Sion:
He hadn't pinpointed the exact time when he'd fallen in love with her -- it was such a weak term, "love", overused by poets and hormone-addled teenagers that had no other synonyms to choose from: "passion", perhaps, or even "hatred". But to Sion, it was, bizarrely enough, the best way to describe how he felt about the angel-Jedi, to say "I am in love with Arawn Sinn, former General of Malachor V", what he really said was that he was sick, critically ill, even, and the disease was eating at him: in the end, the only way for him to get "better", so to speak, was if either he or she died.
And somehow, despite his desire to think otherwise, Sion had a niggling, overwhelming bad feeling about the duel -- a weaker word for a paralyzing feeling of premonition, a feeling that somehow, this was a duel from which he may not come back.
7. All About Us by t.A.t.U. -- The Ebon Hawk:
The crew wouldn't say they liked each other -- the opposite, in fact -- but they knew that the only way to get through this...nightmare was to stick together. That was what kept them from entirely killing each other when they had the time: arranging accidents, or poison, or anything else -- because they needed one another, and whatever happened to one of them affected all of them.
And that, at least, was reason enough.
8. Missing by Evanescence -- Visas/Brianna:
The Miraluka seemed to be staring into her soul, plucking secrets that were best left forgotten: her father's death, that unspoken feeling of scorn the other sisters felt towards her, even as they tried to speak to her with respect...
Brianna, terrified, quickly averted her glance; the less this...Dark Jedi knew about her, the better.
9. You're Gonna Go Far, Kid by The Offspring -- Arawn/Kreia:
"Was it all a lie, Kreia?"
There was no other way to explain this to the poor girl -- she'd only found out through Atris, Tobin, and Sion himself, the slimy, useless, pathetic little squabblers -- nothing that could cushion the pain, even slightly...in the end, the only way to respond was, "Yes. From the very beginning."
10. Dechire by Patrick Fiori, Notre Dame De Paris -- Arawn/Sion/Kreia:
The mission had become more complex than even Sion could have even thought it would become.
Even pursuing the Jedi was becoming less objective -- after all, it was his duty to hunt Jedi, was it not? -- and more...personal -- if it got worse, it could compromise everything that he and his master had fought for and suffered for -- everything they represented would ultimately come to nothing, and he couldn't have that.
You can only use up to two sentences per song.
1. Lithium by Evanescence -- Arawn/Sion:
In his dreams, she was his, now and forever, the strange angel-Jedi that somehow managed to capture his heart and make him feel, for that one brief moment, a flash of the man he used to be, the idealistic youth that had gone on that suicide mission to Malachor V for no other reason than the fact that it was the right thing to do.
In his dreams, Darth Sion was the man he used to be, and that was enough.
2. The Howling by Within Temptation -- Malachor V:
She never thought she'd return to the place where she'd lost herself: where so many people had lost themselves, where orphans became bounty hunters, and fundamentally decent Jedi became destroyers of entire galaxies, and Republic soldiers became assassins of the Dark Side.
But she had to go back -- there was no explanation for it, other than the fact that she had to find Kreia, duel her, and help the galaxy wake up from this awful dream -- as it was meant to be, she thought grimly as she entered the Trayus Academy.
3. Journey to the Past by Aaliyah -- Arawn Sinn:
She never thought she'd return to the galaxy after years of exile, and have the experiences she'd had.
But she had -- and now she lay against Kreia's corpse, propping it up almost as if Kreia were sleeping, not...struck down at her hands -- even if it was a merciful release, Arawn didn't want to think of something that she could have possibly done --
"I'm glad to have been here with you, Kreia -- here...here at the end of all things."
4. Love Story by Taylor Swift -- Arawn/Atton:
There was no sane explanation for this: how could a former Jedi General and a former Sith assassin get along the way they did? But the two of them found a way -- and despite the fact that there were multiple people that opposed the idea -- Kreia, the crew members, traditional Jedi rules -- as long as they could hold on together, nothing else mattered.
5. Missing You by Big Dismal -- Arawn/Kreia:
It was then that the Ebon Hawk swooped in and rescued them. And on the wings of Revan's ship, Arawn and Kreia left behind the doomed world, for good -- though their relationship had not ended the way that both of them would have wanted, they had at least had the luxury of being together one last time: here, in a vision of hell, sharing last glimpses of a better future. A better future, at the end of all things.
6. Mummer's Dance by the Ceili Band -- Arawn/Sion:
He hadn't pinpointed the exact time when he'd fallen in love with her -- it was such a weak term, "love", overused by poets and hormone-addled teenagers that had no other synonyms to choose from: "passion", perhaps, or even "hatred". But to Sion, it was, bizarrely enough, the best way to describe how he felt about the angel-Jedi, to say "I am in love with Arawn Sinn, former General of Malachor V", what he really said was that he was sick, critically ill, even, and the disease was eating at him: in the end, the only way for him to get "better", so to speak, was if either he or she died.
And somehow, despite his desire to think otherwise, Sion had a niggling, overwhelming bad feeling about the duel -- a weaker word for a paralyzing feeling of premonition, a feeling that somehow, this was a duel from which he may not come back.
7. All About Us by t.A.t.U. -- The Ebon Hawk:
The crew wouldn't say they liked each other -- the opposite, in fact -- but they knew that the only way to get through this...nightmare was to stick together. That was what kept them from entirely killing each other when they had the time: arranging accidents, or poison, or anything else -- because they needed one another, and whatever happened to one of them affected all of them.
And that, at least, was reason enough.
8. Missing by Evanescence -- Visas/Brianna:
The Miraluka seemed to be staring into her soul, plucking secrets that were best left forgotten: her father's death, that unspoken feeling of scorn the other sisters felt towards her, even as they tried to speak to her with respect...
Brianna, terrified, quickly averted her glance; the less this...Dark Jedi knew about her, the better.
9. You're Gonna Go Far, Kid by The Offspring -- Arawn/Kreia:
"Was it all a lie, Kreia?"
There was no other way to explain this to the poor girl -- she'd only found out through Atris, Tobin, and Sion himself, the slimy, useless, pathetic little squabblers -- nothing that could cushion the pain, even slightly...in the end, the only way to respond was, "Yes. From the very beginning."
10. Dechire by Patrick Fiori, Notre Dame De Paris -- Arawn/Sion/Kreia:
The mission had become more complex than even Sion could have even thought it would become.
Even pursuing the Jedi was becoming less objective -- after all, it was his duty to hunt Jedi, was it not? -- and more...personal -- if it got worse, it could compromise everything that he and his master had fought for and suffered for -- everything they represented would ultimately come to nothing, and he couldn't have that.