is he in you?
I JUST
IF I TRY TO TYPE ABOUT THAT EPISODE IT WILL JUST END UP LIKE OH FUCK I'M DOING IT
AAAAAAAAAAAAAAAAAAHHHHHHHHHskfdjhhafgiohwep;FGU;eiupaeuuweyt0 ivwhtepwoftxukaysklsdlziksuAYPM9AIUGSOUYAWGSH{FDOb;wegivojfnAS"ruw8-9UAH[Etyua;fIXZ"K
OKAY THAT
THAT
THAT PUSHED SO MANY OF MY OH-GOD-TURN-ON BUTTONS YOU HAVE NO FUCKING IDEA OH MY GOD OH MY GOD
LET'S GO ABOUT THIS IN CHRONOLOGICAL ORDER
First off, though, what the hell @ Sylar!Nathan not remembering anything that Nathan!Sylar went through at the carnival. That seems like such bull to me, and kind of takes away from the impact of I THINK I'M IN TROUBLE, PETE unless some subconscious knowledge was making him panic. Yes. This is what I will choose to believe. :|
1. Nathan and Peter being all "OH GOD MOM" and the mouthing and the eirugyalskhfals so adorable in that ridiculously dysfunctional Petrelli way. I love how in Petrelli land, when you lose a week of your life, wake up in a carnival wagon, and find out your mother is responsible, the natural response is to just ROLL YOUR EYES AND GO: "TYPICAL." Also, Peter said identity crisis out loud. OUT LOUD. BONUS POINTS RIGHT THAR.
2. Peter being told by the Haitian René to GO ALONE TO THIS MYSTERIOUS BUILDING and then OF COURSE HE JUST TAKES NATHAN WITH HIM FFFFFFFFFFFFFF LIEK HARDY BOIS
3. NATHAN SEEING HIS OWN DEAD BODY. OH GOD. OH GOD. AND THEN HIS AND PETER'S REACTION and eoituyawklhtfalks I love shit like that. AND HIM LIKE. DOING THE OBJECT-TOUCHING ON IT AND HIM BEING ALL AFFECTED BY IT AAAAAAAA HOT. HOTHOTHOT. And of course Peter trying to stop him and just "I'M NOT SURE OF ANYTHING" and them marching out all sexily out oh god dufhklsadjglksdg
4. NATHAN EMOOOOOOOING AT THE PHOTOS. AND PETER ALL CHEERING HIM UP. WINNING BY A NOSE. REARRANGING HIS LEAVE. IT IS LIKE THEY ARE REFERRING TO PETRELLI FANFIC I LOVE IT. And Peter reassuring him and ksjfakls d'aaaaaaaaw.
Then.
HOSPITAL SCENE
MOTHERFUCKER YESSSSSSSSSSSSS
DO YOU KNOW WHO MY THREE FAVORITE CHARACTERS ARE?
NATHAN, SYLAR, AND MATT
DO YOU KNOW WHAT MY FAVORITE PAIRING IS?
NATHAN/PETER
DO YOU KNOW WHAT MY FAVORITE THEME OF ALL TIME IS?
IDENTITY CRISIS
THIS SCENE. WAS. PORN FOR ME.
OKAY UH
5. "BRING HIM CLOSER, PARKMAN." SYLAR EYEING NATHAN LIKE A PIECE OF MEAT. TALKING ABOUT WANTING HIS BODY. AND JUST. LIKE. TALKING TO HIM WITH THAT SEXY BREATHY ZQ VOICE FROM THAT BED HOOOOLLLLLY SHIT. AND ASKING HIM TO TAKE HIS HAND. AND THEN ORDERING HIM. AND NATHAN WALKING TOWARD HIM. AND DOING THE TELEKINESIS MOTION. AND WALKING TOWARD HIM. THIS JUST. IT WAS UNFUCKINGBELIEVABLE I WAS DYING. DYING
OF COURSE PETER AND MATT FREAKING OUT WAS AMAZING TOO. I DON'T THINK I CAN EVER NOT TYPE IN CAPS EVER AGAIN IN MY LIFE THAT WAS HOW FUCKING AMAZING THIS SCENE WAS. LIKE PETER WHISPERING THINGS ASIDE TO NATHAN AND THEN PETER JUST LAIHDALKDHALK "I'LL KILL YOU FIRST" IWURHKLAJH HOLY FUCK OH GOD THE TENSION AND I CAN'T SHUT UP EVER. AND MATT, BAAAAAAAAAWWW MATT. I TOTALLY BAAWWWED WHEN HE "KILLED" HIMSELF AND THE FACT THAT HE WANTS TO STOP SYLAR SO BADLY THAT HE'D RATHER DEAL WITH HIM IN HIS HEAD FOREVER THAN LET HIM GET ALL HIS POWERS BACK SKJHFALKSHFALK OH GOD MATT ILU
ALSO NATHAN(????). USING TELEKINESIS ON THOSE BLINDS SO LIKE. CASUALLY. FUCK. FUCK OH FUCK HOT. HOT.
....................................AHHHHHHHHHHHHHHHH
GUYS I HAVE WAITED THE ENTIRE GODDAMN SERIES SINCE THE PARALLELS BETWEEN NATHAN AND SYLAR IN S1 FOR THEM TO ACTUALLY INTERACT. AND THEN IN THE SPACE OF A FEW EPISODES THEY SUDDENLY BECOME THE SAME IDENTITY CRISIS RIDDLED PERSON SOMEHOW AND I GET THINGS LIKE THIS
AND THIS
..........OKAY ONWARDS
6. GRAND CANYON. ...lol I typoed that as canonyon Makes me think of Winchesters, FFFFFF. BUT YEAH UH. I hope to god that really is Nathan atm and like him freaking out and LOL PETER SO CUTE WITH HIS HEAD-RUBBING AND "WHAT?" And SPARKLY HAND-GRABBING FFFF. And the tension between them and sdkjhfkasd Peter being all "GRRGRR SYLAR" AT HIM. And. It makes me squee and baw at the same time. DDDD:
7. End scene. Oh god. This was fucking heartbreaking, if that is indeed Nathan, which I want to believe like burning. Along with the fact that this. is. exactly. WHAT. I. WANT, just... Nathan being so defeated and crushed, and mourning himself, but also matter-of-fact about his situation, and then Peter saying HE DOESN'T CARE WHAT NATHAN IS; HE'S STILL NATHAN GODDAMMIT (WHICH IS THE SUPPLEMENT TURN-ON TO IDENTITY CRISIS FOR ME) and Nathan responding by basically calling Peter on his fear with quiet anger and begging him for reassurance at the same time. Just. My heart. Oh god.
And then Nathan basically saying that it doesn't matter who the rest of the world thinks he is if he can't be Nathan to Peter. BAAAAAAAAAAAAAAAAAAAWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWW AM I READING TOO MUCH INTO THIS OR JUST. I'M ALLOWED TO BE INDULGENT OKAY FUCK OH GOD
And that is why Erin is doomed to never finish her already-late script assignment. And to also never have a boyfriend.
Also? I am going to make so many icons that I will possibly crash my hard drive.
IF I TRY TO TYPE ABOUT THAT EPISODE IT WILL JUST END UP LIKE OH FUCK I'M DOING IT
AAAAAAAAAAAAAAAAAAHHHHHHHHHskfdjhhafgiohwep;FGU;eiupaeuuweyt0 ivwhtepwoftxukaysklsdlziksuAYPM9AIUGSOUYAWGSH{FDOb;wegivojfnAS"ruw8-9UAH[Etyua;fIXZ"K
OKAY THAT
THAT
THAT PUSHED SO MANY OF MY OH-GOD-TURN-ON BUTTONS YOU HAVE NO FUCKING IDEA OH MY GOD OH MY GOD
LET'S GO ABOUT THIS IN CHRONOLOGICAL ORDER
First off, though, what the hell @ Sylar!Nathan not remembering anything that Nathan!Sylar went through at the carnival. That seems like such bull to me, and kind of takes away from the impact of I THINK I'M IN TROUBLE, PETE unless some subconscious knowledge was making him panic. Yes. This is what I will choose to believe. :|
1. Nathan and Peter being all "OH GOD MOM" and the mouthing and the eirugyalskhfals so adorable in that ridiculously dysfunctional Petrelli way. I love how in Petrelli land, when you lose a week of your life, wake up in a carnival wagon, and find out your mother is responsible, the natural response is to just ROLL YOUR EYES AND GO: "TYPICAL." Also, Peter said identity crisis out loud. OUT LOUD. BONUS POINTS RIGHT THAR.
2. Peter being told by the Haitian René to GO ALONE TO THIS MYSTERIOUS BUILDING and then OF COURSE HE JUST TAKES NATHAN WITH HIM FFFFFFFFFFFFFF LIEK HARDY BOIS
3. NATHAN SEEING HIS OWN DEAD BODY. OH GOD. OH GOD. AND THEN HIS AND PETER'S REACTION and eoituyawklhtfalks I love shit like that. AND HIM LIKE. DOING THE OBJECT-TOUCHING ON IT AND HIM BEING ALL AFFECTED BY IT AAAAAAAA HOT. HOTHOTHOT. And of course Peter trying to stop him and just "I'M NOT SURE OF ANYTHING" and them marching out all sexily out oh god dufhklsadjglksdg
4. NATHAN EMOOOOOOOING AT THE PHOTOS. AND PETER ALL CHEERING HIM UP. WINNING BY A NOSE. REARRANGING HIS LEAVE. IT IS LIKE THEY ARE REFERRING TO PETRELLI FANFIC I LOVE IT. And Peter reassuring him and ksjfakls d'aaaaaaaaw.
Then.
HOSPITAL SCENE
MOTHERFUCKER YESSSSSSSSSSSSS
DO YOU KNOW WHO MY THREE FAVORITE CHARACTERS ARE?
NATHAN, SYLAR, AND MATT
DO YOU KNOW WHAT MY FAVORITE PAIRING IS?
NATHAN/PETER
DO YOU KNOW WHAT MY FAVORITE THEME OF ALL TIME IS?
IDENTITY CRISIS
THIS SCENE. WAS. PORN FOR ME.
OKAY UH
5. "BRING HIM CLOSER, PARKMAN." SYLAR EYEING NATHAN LIKE A PIECE OF MEAT. TALKING ABOUT WANTING HIS BODY. AND JUST. LIKE. TALKING TO HIM WITH THAT SEXY BREATHY ZQ VOICE FROM THAT BED HOOOOLLLLLY SHIT. AND ASKING HIM TO TAKE HIS HAND. AND THEN ORDERING HIM. AND NATHAN WALKING TOWARD HIM. AND DOING THE TELEKINESIS MOTION. AND WALKING TOWARD HIM. THIS JUST. IT WAS UNFUCKINGBELIEVABLE I WAS DYING. DYING
OF COURSE PETER AND MATT FREAKING OUT WAS AMAZING TOO. I DON'T THINK I CAN EVER NOT TYPE IN CAPS EVER AGAIN IN MY LIFE THAT WAS HOW FUCKING AMAZING THIS SCENE WAS. LIKE PETER WHISPERING THINGS ASIDE TO NATHAN AND THEN PETER JUST LAIHDALKDHALK "I'LL KILL YOU FIRST" IWURHKLAJH HOLY FUCK OH GOD THE TENSION AND I CAN'T SHUT UP EVER. AND MATT, BAAAAAAAAAWWW MATT. I TOTALLY BAAWWWED WHEN HE "KILLED" HIMSELF AND THE FACT THAT HE WANTS TO STOP SYLAR SO BADLY THAT HE'D RATHER DEAL WITH HIM IN HIS HEAD FOREVER THAN LET HIM GET ALL HIS POWERS BACK SKJHFALKSHFALK OH GOD MATT ILU
ALSO NATHAN(????). USING TELEKINESIS ON THOSE BLINDS SO LIKE. CASUALLY. FUCK. FUCK OH FUCK HOT. HOT.
....................................AHHHHHHHHHHHHHHHH
GUYS I HAVE WAITED THE ENTIRE GODDAMN SERIES SINCE THE PARALLELS BETWEEN NATHAN AND SYLAR IN S1 FOR THEM TO ACTUALLY INTERACT. AND THEN IN THE SPACE OF A FEW EPISODES THEY SUDDENLY BECOME THE SAME IDENTITY CRISIS RIDDLED PERSON SOMEHOW AND I GET THINGS LIKE THIS
AND THIS
..........OKAY ONWARDS
6. GRAND CANYON. ...lol I typoed that as canonyon Makes me think of Winchesters, FFFFFF. BUT YEAH UH. I hope to god that really is Nathan atm and like him freaking out and LOL PETER SO CUTE WITH HIS HEAD-RUBBING AND "WHAT?" And SPARKLY HAND-GRABBING FFFF. And the tension between them and sdkjhfkasd Peter being all "GRRGRR SYLAR" AT HIM. And. It makes me squee and baw at the same time. DDDD:
7. End scene. Oh god. This was fucking heartbreaking, if that is indeed Nathan, which I want to believe like burning. Along with the fact that this. is. exactly. WHAT. I. WANT, just... Nathan being so defeated and crushed, and mourning himself, but also matter-of-fact about his situation, and then Peter saying HE DOESN'T CARE WHAT NATHAN IS; HE'S STILL NATHAN GODDAMMIT (WHICH IS THE SUPPLEMENT TURN-ON TO IDENTITY CRISIS FOR ME) and Nathan responding by basically calling Peter on his fear with quiet anger and begging him for reassurance at the same time. Just. My heart. Oh god.
And then Nathan basically saying that it doesn't matter who the rest of the world thinks he is if he can't be Nathan to Peter. BAAAAAAAAAAAAAAAAAAAWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWW AM I READING TOO MUCH INTO THIS OR JUST. I'M ALLOWED TO BE INDULGENT OKAY FUCK OH GOD
And that is why Erin is doomed to never finish her already-late script assignment. And to also never have a boyfriend.
Also? I am going to make so many icons that I will possibly crash my hard drive.