I've rhapsodized in the past about how thankful i am to work at a professional theatre in residence on the campus of a major university, particularly one that functions in part as a teaching lab for production graduate programs, because safety standards and training are so high. Despite having a CV approximately 10x longer than my arm, PlayMakers/UNC-CH is the first employer i've worked for which had a comprehensive respirator fit-testing program for costume craftspeople[1].
Many theatres and independent production shops and freelance artisans don't have any idea how to implement such a thing or have the resources to do so. We're lucky because the university already has an Environmental Health and Safety department set up to do this kind of training for folks over in the science labs, medical school, and various facilities maintenance areas which work with airborne toxins far more frequently than we do, so for me and my students to piggyback onto the school's existing training and testing setup is not a huge deal.
So, here's something pretty exciting for everyone who wants to learn about respirator fit testing and training but doesn't know how to begin: on November 29th at 1pm,
Lab Safety Supply is hosting a free 45-minute webinar about it! They already have a
handy online fact sheet, but this presentation will allow you to interact with and ask questions of LSS's safety experts as well.
Register for the webinar here. Honestly, this is a resource i wish i had access to or had known about fifteen or twenty years ago, and if our theatre and department didn't have the respirator training in place which it currently does, i'd be requiring all my students to register for the webinar and we'd all watch it and participate on the 29th. Hence, passing on the info here. If your company doesn't have a training and fit testing program, or if you freelance and want to educate yourself in this realm, or if it's been a few years since you were trained/fit tested and you need a refresher, check it out!
[1] This is not to say that prior employers of mine were intentionally grossly negligent or anything, rather that the arts industries were largely ignored by OSHA up until perhaps the last decade or so, when they really began to sit up and notice thanks to the efforts of watchdog organizations like
ACTS. Even theatres which had training programs for their scenic painters and carps and such, often did not include costume production folks out of an assumption that our work was limited to cut-and-sew processes. But, from dyestuffs to shoe sprays, we know this is not true.