We're in full swing with production on
The Life and Adventures of Nicholas Nickleby, the largest show our theatre has ever produced. If you've been reading
labricoleuse for a while, you know that it's a huge deal around here--we've gotten a big NEA grant for all the work we're doing above and beyond the show itself under the auspices of
the Dickens Initiative
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This show has so many hats that i'm assuming they all will need to be ultra-durable to stand up to handling by multiple performers and/or wardrobe or run crew members, hence the Fosshape structural choice. Though i hope the hats will get careful treatment, i want them sturdy enough they can withstand being chucked around by undergrads backstage through quick-changes and stay lovely!
Mulling and fabric and trimming will get detailed in a forthcoming Part Two!
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I wish we still wore bonnets. My hair is useless, fashion should let me wear a giant and firmly anchored hat!
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I stitched the pieces in overlapped seams with a wide zigzag. The Fosshape will bond to itself but i like to stabilize seams with stitching in addition to that. The stitching gets fairly fused into the Fosshape then and it's super sturdy, whereas IME sometimes a join that is just bonded from heat and pressure will pop under strain.
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Just need a regular mailing address.
The Thermoman of Dazian
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I had read about fosshape and was tempted to buy some, but was not sure about its uses in millinery. I will try to get some samples and that video although being in Spain I don't know if they will want to ship out.
In any case, thanks a lot. You're the best!
Cristina
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