I watched Citizen Kane the other day and I know it's supposed to be sort of a biography of William Randolph Hearst and some other guys, and partly autobiographical of Orson Welles himself. But another interpretation occured to me while watching, which I haven't seen elsewhere as of yet, so my theory could be full of it. Here it is
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As for the American thing...I would have to agree. I once had to write my own "film theory" for a class, and I came up with the "American Dream Theory"--that every film put out by Americans (and American cinema) ends up forcing us to look at what we believe about the American Dream. I even went as far as saying that, due to the fact that it is such a part of our ingrained cultural sensibilities, neither we nor the filmmakers can be wholly negative to it. Even a movie such as American Beauty has a nostalgia for the American Dream in such a way that, even while criticizing it, reminds us that we are living it more successfully than they. A movie like Citizen Kane does question our motives for power, etc...but in the end, don't we still feel a connection to him? Particularly in a "but...but...he was just a scared kid trying to get ahead!" kind of way. Perhaps I invest too much emotionally in my characters that I can feel bad for him, but I do. And I believe that part of that is based on the fact that he so successfully executes the American Dream materially, but does not develop it emotionally.
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Nope, the way he treated his wives completely ruined any chances of sympathy from me.
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