Who: Eden and you. (open)
What: Sad creeper girl is sad.
Where: In the city /or/ Eden's
place of solace.
When: Night
Warnings: Je suis au désespoir.
There is an empty place in her arms where Sapphira should be. It is cold at night without her daughter, and as the awareness of that fundamental lack penetrates her consciousness, the nightmares
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Although this place, the river that she has always wandered to in search of solace, has been conjured up from her memories of home, the Hill, the black dirt beneath her feet is not the same. There are no millenniums of blood seeped in the soil, there is no crooked house perched amongst the shadows, no Mother, no creatures beneath ground. That lack continues to pierce at Eden, reminding her that she is cold and she is alone.
Even as she becomes aware of the sound of footsteps behind her, she knows she is alone. What is a Morrison alone and far from the Hill? Nothing, only wasted flesh and wasted power, blood to be drained. Eden stares at herself in the warped reflection the clear mountain water returns to her, her eyes black pocks in face, her mouth a twisted line with her tears. She feels as if she is looking at that sorrow from somewhere just above herself, disconnected to the grief, but still entangled with it.
It is disconcerting, the sense of not quite recognizing her own reflection. She closes her eyes, shoulders hunching in around her as she lowers her chin down into chest.
She is alone. A small world with only Eden and the gelid slice of the river. Where is Sapphira...
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Hesitantly, she reaches out, stopping short a few inches before actually touching the figure's shoulder. Her constant abuse at the hands of her demon boss had only increased her natural courtesy for the personal space of others, and she knew first hand that startling somebody who was already upset could end quite badly.
Excuse me...? she tries again, brown eyes full of concern.
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Even still, even though she has not been touched, Eden gathers herself away from that hand. She looks up through the nest of dark hair that has fallen across her face, her cheeks are wet and her eyes are dark, but there is something feral and wounded there. Do not touch me. Do not.
She stares at the other girl. She does not have her own portal with her, but the device that Yako carries picks up well enough for the both of them. The first thought to fully settle into her mind in clarity is,
Who are you.
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My name is Yako. It's soft, and her hand drops back to her side. Her shoulders are loose; everything about her pose screams that she means no harm. I...didn't mean to walk in on you, but is there anything I can do to help? It isn't fair, she thinks, that most of them are alone in all the ways that count, despite facing the same displacement and cohabiting with each other.
Being strangers from different worlds seems like an insurmountable barrier at first glance, but Yako knows far too much about crying alone in the dark to stand by and let someone else do it without even trying to help.
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So she closes it off. She does not need help, as there is nothing wrong. Nothing wrong at all. (Only emptiness, and the facade crumbles: too much emptiness, Sapphira is not here and all her sacrifices and loneliness are as meaningless as she is without her daughter here.)
If this strange dream world allowed sounds in the nighttime, Eden would have wailed with the force of it, her expression crumbling from blank mask to despairing child. She is in this beautiful dreamworld with all these wonderful things, and some creature other than herself was raising her daughter.
Her thoughts refuse to focus into anything more concrete than, Where is Sapphira. With the thought comes a clear image of a young girl, a toddler with dark hair and dark eyes.
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It's not fair.
There's nothing fair about being ripped away from a little girl this woman obviously loves so much it's breaking her heart, about the shadows in Ladon's eyes, about people being rent from their friends and lives, about possibly never seeing her mother (an image of a smiling, lovely woman with dark hair and eyes) again after having to deal with losing her father (dark hair, warm eyes and a cheerful, easy grin, then a flash of a corpse, brutally slashed), it's not fair, not fair....
It's not fair.
And silently, the tears break free and slip down her cheeks.
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They are both as entitled to their tears as the other and there is no reason why they should not run their course. Eden cries until her throat hurts too much to sustain it any longer, until she is able to sit and breathe without her mouth trembling.
Her eyes begin to sting dryly from all the salt to pass their lids and she goes forward onto her knees at the edge of the stream, unmindful of whether or not she gets dirt on her skirts. She fills the cup of her hands with water and slowly washes the sorrow from her face. She remains there, with her head hanging forward, she wonders if she should call the other girl to come and wash her face, but cannot quite convince herself to move yet.
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When she finally calms down, her jaw is throbbing with the dull ache that comes from clenching it too hard for too long. Her tears are beginning to dry, leaving behind an itch on her cheeks and a sick, spent feeling in the back of her throat.
Meekly, she moves forwards and drops to her knees beside the woman, copying her movements and washing the remaining streaks of salt from her face. She feels almost tired after letting out all of her pent up frustration and sorrow. She really does try her best to grin and bear, but when Yako breaks, it's like knocking down the floodgates entirely.
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Eden brushes mud from her calves absentmindedly anyway, thinking idly about her daughter laughing in a warm bath. She is out of tears by this point, and the thoughts only stoke the chill of exhaustion inside of her.
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For about an hour I thought this place might be some strange form of Hell, she admits, reluctantly breaking the silence between them. But then I realized that was silly. I have an inkling of what Hell is like, and it doesn't match up. In a way, this place is much, much worse, because it tries to accommodate you. To make you feel like you belong. That it's a nice place to live your life. But it's not nearly good enough compared to everything it steals you from, and that's unforgivable.
She's not entirely sure why she's spilling these thoughts to this stranger--thoughts she always pushed back and pasted a smile over. But the words feel right and she can't bring herself to regret them.
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Hell is what you make of it. Her mind's voice is much more measured now, less desperate and despairing. If they had brought me here three years ago, I would have never wanted to leave.
Perfect honesty. She might have missed her brothers and her father, but there would have been no nightmares, there would have been no Sapphira to return. Freedom from her mother and her sisters was worth a little loss. She knows no one would have blamed her for it, mother might even have replaced with a new daughter, or forced Helah to take Eden's place.
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Looking at the mirror hurts, but it helps. A little bit, anyways. It's a bit like carving a name into her own arm repeatedly so as not to forget it, but it works.
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