[NULL] sie ist der hellste Stern von allen
PLAYER:
Name: Eilidh
Personal Journal: loisneach
Contact Info: AIM: loisneachbalgair | Email: elegance.wasted@hotmail.com
CHARACTER:
Name: Angelica Einstellsehn
Source: DOGS: Bullets & Carnage
Aaprtment: 511
Personality: She is aware of her insanity, her madness, in a vague, idle manner - it is a byproduct of her genius, in her mind, a price she paid long ago without hesitation. This surprising clarity, however, does not stretch far enough for Einstellsehn to accept she is delusional - far from it. As far as Einstellsehn is concerned, she is mother of none and mother of many, her children are her dogs, and this new world order is turning her into a goddess. Her ability to control turns her into a goddess. She gives life to her children, the ones she has kidnapped and brought to her for experimentation, the ones who only survive the spinal transplant to turn them into war machines two times out of three. And as she gives it, she could, potentially, take it away. The underground is her domain, her realm, the children her subjects.
First and foremost, is Einstellsehn’s genius - that which is unavoidable and inescapable. She is exceptionally intelligent, capable, and skilled, a talented doctor and scientist. Problems are dealt with quickly and exactly - nothing is allowed to come up against her order or her ideals, and so nothing does. She does not let it. Coming with this is a certain inherent pride - arrogance - in herself and what she does. She is faultless. Her experiments may be flawed. May be weak. This does not reflect on her, but when she moulds them into what she wants, her rate of success will. Her way is the Right Way and so she adheres to it. It is the order of the world, her world, and she is unwavering in it.
And so, she is a determined, able individual. She will ruthlessly pursue what she has to, her logic cold and unyielding and custom built just for her. Her world revolves around herself, even if she believes her children are a part of that. In a way, they are. They are her pawns, her pieces in the game she’s playing. She loves them dearly, true enough - it does grieve her briefly when she loses one - but she believes those too weak to keep up are not worth it anyway. Her real children, her babies, the ones she loves and cherishes, are the strong ones. The ones who fight. Who thrive. Who sync up with the Spine, with the dog she puts inside them.
She treats them like it, too, coddling them, cuddling them, full of smiles and sweet words and laughter. A laughter that only grows when she orders them to fight, to kill, sees them losing limbs and growing them back - pride, in her children, and in her, the one who made them. This is, in fact, how she generally presents herself - sweet smiles and a voice often warbling on the brink of warm laughter.
As a goddess, she is benevolent, full of caring and love.
As a woman, she is mad and cruel.
Biggest Fear: Einstellsehn is a woman largely without fears - what fears can the divine possess, really? However, deep-seated, some things are difficult to shift. A fanatical obsession with her work and her way leaves a sharp fear of failing or losing things, losing her grip on it all, injured pride or battered ego. She has a childish dislike of insects which never really went away, and would hate to lose her children - the strong ones, the good ones. Also, dirt and lack of cleanliness, unless bloodletting, unnerves her deeply.
History: Einstellsehn’s early history - most if not all of it, in fact - is shrouded in mystery. Canon tells us nothing, in fact. Her childhood was unlikely to have been without incident, however, and was likely unpleasant. An idyllic childhood would not sculpt a woman like Einstellsehn. At some point in her scientific career, she discovered the Cerberus Spine, and that has since been the crux of her work. She is honing this delicate procedure to create her dogs of war, the children she experiments on (and so we see her in Chapter 25). The scientist works above Frühling currently, perfecting her specimens.
Name: Eilidh
Personal Journal: loisneach
Contact Info: AIM: loisneachbalgair | Email: elegance.wasted@hotmail.com
CHARACTER:
Name: Angelica Einstellsehn
Source: DOGS: Bullets & Carnage
Aaprtment: 511
Personality: She is aware of her insanity, her madness, in a vague, idle manner - it is a byproduct of her genius, in her mind, a price she paid long ago without hesitation. This surprising clarity, however, does not stretch far enough for Einstellsehn to accept she is delusional - far from it. As far as Einstellsehn is concerned, she is mother of none and mother of many, her children are her dogs, and this new world order is turning her into a goddess. Her ability to control turns her into a goddess. She gives life to her children, the ones she has kidnapped and brought to her for experimentation, the ones who only survive the spinal transplant to turn them into war machines two times out of three. And as she gives it, she could, potentially, take it away. The underground is her domain, her realm, the children her subjects.
First and foremost, is Einstellsehn’s genius - that which is unavoidable and inescapable. She is exceptionally intelligent, capable, and skilled, a talented doctor and scientist. Problems are dealt with quickly and exactly - nothing is allowed to come up against her order or her ideals, and so nothing does. She does not let it. Coming with this is a certain inherent pride - arrogance - in herself and what she does. She is faultless. Her experiments may be flawed. May be weak. This does not reflect on her, but when she moulds them into what she wants, her rate of success will. Her way is the Right Way and so she adheres to it. It is the order of the world, her world, and she is unwavering in it.
And so, she is a determined, able individual. She will ruthlessly pursue what she has to, her logic cold and unyielding and custom built just for her. Her world revolves around herself, even if she believes her children are a part of that. In a way, they are. They are her pawns, her pieces in the game she’s playing. She loves them dearly, true enough - it does grieve her briefly when she loses one - but she believes those too weak to keep up are not worth it anyway. Her real children, her babies, the ones she loves and cherishes, are the strong ones. The ones who fight. Who thrive. Who sync up with the Spine, with the dog she puts inside them.
She treats them like it, too, coddling them, cuddling them, full of smiles and sweet words and laughter. A laughter that only grows when she orders them to fight, to kill, sees them losing limbs and growing them back - pride, in her children, and in her, the one who made them. This is, in fact, how she generally presents herself - sweet smiles and a voice often warbling on the brink of warm laughter.
As a goddess, she is benevolent, full of caring and love.
As a woman, she is mad and cruel.
Biggest Fear: Einstellsehn is a woman largely without fears - what fears can the divine possess, really? However, deep-seated, some things are difficult to shift. A fanatical obsession with her work and her way leaves a sharp fear of failing or losing things, losing her grip on it all, injured pride or battered ego. She has a childish dislike of insects which never really went away, and would hate to lose her children - the strong ones, the good ones. Also, dirt and lack of cleanliness, unless bloodletting, unnerves her deeply.
History: Einstellsehn’s early history - most if not all of it, in fact - is shrouded in mystery. Canon tells us nothing, in fact. Her childhood was unlikely to have been without incident, however, and was likely unpleasant. An idyllic childhood would not sculpt a woman like Einstellsehn. At some point in her scientific career, she discovered the Cerberus Spine, and that has since been the crux of her work. She is honing this delicate procedure to create her dogs of war, the children she experiments on (and so we see her in Chapter 25). The scientist works above Frühling currently, perfecting her specimens.