Trying to drum up interest in Mark's UK rockwrite anthology (which needs to happen,
Kickstarter here, quick, only 3 days left) by reengaging controversies from last year's Freaky Trigger thread on the Overground/Underground conference. Posted comments on Paul Morley (
here,
here, and
here), whose work I'm now just starting to explore. Excerpts from
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the answer is this piece! this is a totemic piece for me AND for tom (indeed it was my enthusing abt it on rockcritics.com that caused tom to contact me and tell me about freaky trigger and ilx)
does PM ever get closer, in terms of setting out a "genuine critique" -- i suspect not, i think he continues (to this day) to circle something, responding to where he's pulled (back and forth across whatever it is) and step back and out and explore what he's describing/loving/hating?
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(thanks for the reminder, I'm not sure I would've had my act together to get my donation in without it)
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