Re: Gender wars?petroniaJune 10 2009, 04:14:45 UTC
(wrote a response earlier but browser died)
Anime/manga fandom, which has a musical component Western counterparts (Marvel comics, Star Trek etc.) don't have - soundtracks, "in character" albums by voice actresses, J-pop/J-rock tie-ins. Fair amount of overlap with Asian pop fandom in general. IME kids heavily into the scene listen to little else.
Korea's pretty homogeneous ethnically. There's class consciousness but I don't know how it plays out w/r/t youth culture, other than the assumption that "good kids" ought to be studying or playing classical violin or whatever. It's also a highly wired society. A lot of K-popstars are diaspora, so Korean forays into hip-hop/R&B have been (from a North American taste perspective) more convincing for longer than similar efforts by Japan/Taiwan/China; there was a lag of maybe five years where Korean bboys could rap, Japanese couldn't, and it hadn't even occurred to Chinese to try.
I don't know much about NAmerican hip-hop culture either. XD; I think most K-pop feuds don't (intentionally, anyway) start at the artist level - they start at the fan level, or given the wacko incestuousness of the Asian music industry, at the label level.
Anime/manga fandom, which has a musical component Western counterparts (Marvel comics, Star Trek etc.) don't have - soundtracks, "in character" albums by voice actresses, J-pop/J-rock tie-ins. Fair amount of overlap with Asian pop fandom in general. IME kids heavily into the scene listen to little else.
Korea's pretty homogeneous ethnically. There's class consciousness but I don't know how it plays out w/r/t youth culture, other than the assumption that "good kids" ought to be studying or playing classical violin or whatever. It's also a highly wired society. A lot of K-popstars are diaspora, so Korean forays into hip-hop/R&B have been (from a North American taste perspective) more convincing for longer than similar efforts by Japan/Taiwan/China; there was a lag of maybe five years where Korean bboys could rap, Japanese couldn't, and it hadn't even occurred to Chinese to try.
I don't know much about NAmerican hip-hop culture either. XD; I think most K-pop feuds don't (intentionally, anyway) start at the artist level - they start at the fan level, or given the wacko incestuousness of the Asian music industry, at the label level.
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(Since I don't speak a word of Korean we're pretty much on the same footing methinks.)
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