Saw this three days ago. What I remember most is that Sarah Michelle Gellar came through as an actress. She was required to be all flustered when the handsome brooding boy asked her out for a date, and she was required to ache convincingly when demon fighting interfered with her love life. In fact, I thought the conflict was written rather clumsily
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i think the characters do start off quite schematic -- and i've actually always argued that it's a help that SMG is quite a wooden actress -- bcz a lot of the emotional rub is within and against imposed roles (normal or supernatural), and a very smart way of signalling this is for the characters to be moodily aware of the genre conventions they seem to be unable not to mimic
(not for a while yet, but they start to call themselves the scoobies, after the gang of kids in scoobydoo who every week unmask another disgrunted employer pretending to be a ghost at a haunted funfair: "are we in a play?" is a classic absurdist device for looking at free will versus destiny
(i assume whedon gets it from comics rather than ionesco: the tension between the artist-author and character in comics and cartoons has -- for some format-related reason -- long been more overtly meta-conflicted than in other art-forms)
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