[OOC: V, feel free to stick that scene we talked about with Sinclayah here, I'm getting the feeling that this might be one of those weeks where I never see you. Everyone else is welcome too, natch.][Jack was just about to do something or other with his communicator--in fact, he accidentally hit the button to start the feed before he was ready, and
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You'll never get to see who it is if I can't get the door because you're all standing right there. Scoot.[And after a few more moments, presumably of dog-arranging, he opened the door with Jasmine cradled between his bad arm and his body, her paws hanging daintily over his bandaged right hand ( ... )
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Well, don't they look excited t'see me. [He pauses.] Did you know that hedge maze outside moves just like the mansion? I was tryin' t'get out t'see you and it was like it didn't want me to. [A long, annoyed sigh.] This goddamn mansion's got it out for me, alright. [He pauses again.] ...You look like hell, son.
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There was an event. I guess I slept through the announcement, but...Elaine's door was blocked, I couldn't reach Johnny. I thought...I thought the mansion didn't bring you back.
I feel like hell.
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I wouldn't put it past this place t'keep the dead dead, but looks like it made good on its promise t'keep me around. [He smiles at Jack again.] Here I am. Don't keep worryin' about it, son.
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[Too late. But maybe Sinclair won't notice. He didn't notice his own mirror for ages. Jack resolutely keeps his eyes away from the message, but he's so clearly uncomfortable and avoiding something that it only serves to make it more conspicuous.
Other interesting things: the second small bed that usually occupies the inner half of the room is missing, though Jack's bed is still closer to the door, as if something should be there.
He sits down, shoulders slumped like a condemned man, and stares into his brandy without drinking.]
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[He snaps at the dogs following, and the five snap into place, sitting patiently.]
Let's get you cleaned up, son. Don't make me start pullin' you around.
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It's not just that. [He jerks his head at the mirror.]
Cindy's gone.
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He stops moving for a second and claps a hand on Jack's shoulder again, and for the first time he's not smiling. His voice is quieter.] I know she was important t'you, son, but you're goin' t'have t'accept that there's nothin' you could've done t'stop her. [His voice goes even lower.] I won't let you drop down this slippery slope you're treadin' on.
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What slope? I'll be fine.
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[He pauses.] How long's the mirror been like that?
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I don't know. I haven't been back here except to let the dogs out and feed them. It was like this when I came in about...half an hour ago.
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You're goin' t'want t'make sure you only use mirrors when needed, then. If you're gettin' messages you're bein' watched by the other you. [His voice darkens.] Or someone else's. Might be Lamb's, again. That's who was watchin' me.
[A long pause.]
What d'you need, son?
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[A pause while he splashes water over his face and into his hair.]
I don't guess I need anything.
[Naturally, he is thinking of physical needs, things crucial to his survival, and he isn't suffering from lack of food (though he lacks the desire to eat it, at the moment) or shelter (though he can't seem to sleep).]
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[He sighs.] Well, I suppose that makes some sense, if he's a flip'a your personality. [A pause.] Can't imagine what mine'd be like.
Now, d'you mean you don't need anythin' as a whole, or anythin' as, ah... [He sounds slightly amused.] As in clothes and food and a roof over your head?
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[And then he pauses, realizing that many of the ways he could finish that sentence would sound like insults: he'd probably be nice (but Sinclair is nice, Jack thinks, just...not exactly in the same way as most nice people), or maybe honest. He just decides not to finish the sentence.
He sticks his head out the door, face dripping.]
What else would I need?
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