Sunday I saw
Never After. It's cute and bouncy. Much of the music is fun; the orchestra was excellent. It pushed at my definition of 'fairy tale' -- I think it isn't quite one, to me, but instead belongs over in whatever one calls the space Gilbert and Sullivan operettas are in
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I was, of course, imagining Somnia running the kingdom while her sweetie was off adventuring.
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She's a Princess -- she has poise, and lots of it.
imagining Somnia running the kingdom while her sweetie was off adventuring
If the story had given even a little nod to her competence at anything but embroidery ... I would have loved to see her step up as a mediator for the siege, for example, and thus wind up with some responsibilities.
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Yeah. And I had to wrestle for a while about what casting a black woman in that role would do to the production before making that casting choice. And I've had several people say to me since then that they felt it didn't work... or, at least, that my directing failed to account properly for either Juror #8's gender or race. (shrug)
I dunno. As you say, racial casting is a tricky issue. Especially in a community that values a level of race-blindness that it doesn't actually possess.
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On an unrelated note, "hispanic" as a race always completely baffles me, as it seems to include people who ancestors come from Europe, Africa, and the Americas plus various combinations thereof.
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As it happens, for US government purposes, ethnicity and race are two different things, with a bunch of different racial categories and only two ethnic categories: "Hispanic/Latino" and "Not Hispanic/Latino".
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I think it's possible but difficult for a story to be both. I have quirky fairy tale aesthetics.
mistaken about Les reacting to falling in love with Somnia
Perhaps. Before she was fairy-zotted to be a lesbian, she was fairy-zotted to love only one person ever, and to have better things to do than sit around the house waiting for her true love find her. I think she still would have been hostile toward anyone making romantic overtures toward her, and pole-axed on finding the her one true love.
bothered by the conflation of lesbian with butch/"plucky"/liberated/feminist
Yeah, stacking those all up as if they were a package deal did not please me, either. (Petronella was a favorite on my childhood reading list, too, and definitely a running comparison with this.)
Nobody but Les has been rejecting femme princesses as yucky -- all the princes want one!
I didn't believe in her, or her and Les having anything to say to each otherAfter the wedding is always outside the scope of fairy ( ... )
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Shallow and political commentary don't always play well together, alas. Most of the modern fairy tales (or fairy tale based stories) that I've read have a lot more depth of character than classic fairy tales for much that reason. That said, why hand the kingdom back to Les at the end? What has she done to demonstrate suitability for the job? Or if she is elected by public acclaim as the hero, how about a nod to next year/generation, given that she won't be having kids and will probably get restless pinned to the castle governing. "I'll do it this year while you guys study up on government."
Could the dynamic of Robinson hitting on Les have worked if he were the second or third in command of the band, instead of the leader?
That was a good song. :)
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