Okay, so someone writes
a pretty fun article comparing the sex potential of Avatar and Sherlock Holmes. I, as the idiot I am, read the comments.
FUCK I HATE PEOPLE.
I particularly hate this one:
(
Cut comment and resulting rant so as to not needlessly bum out my flist. )
I'm sure Oscar Wilde is shocked by these thoughts.
Judging from anecdotal evidence mostly derived from TV shows I do believe producers did - and in some cases, still do - try to make male relationships less close, because they are afraid of slash interpretations (or, I'd theorize, because they are afraid of their advertisers' reactions to these interpretations), but I think that is a clear sign of internalized homophobia. In other words, if the media - and a larger quantity of the (male) viewership - were more accepting of storylines featuring gay people, and especially gay men, it would be far easier to show close male platonic friendships without having to "prove" that it is not something sexual.
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I'm ridiculously amused by saying "Arthur Conan Doyle would roll in his grave."
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I mean, I know it's annoying to be seen as a couple when you're not - I had a close guy friend in my teens, and our other friends kept insisting that we WERE in love, we just didn't KNOW it yet (apart from one girl who was convinced he was gay, which in retrospect makes a helluva lot more sense, though he wasn't). I got massively annoyed with that, but it would never have occurred to me to stop cuddling the guy when we met or writing him letters when we didn't.
And of course, then we get people like the Heroes actors, who defuse rumours by cuddling everyone. But I guess that's what these assholes would call "juvenile". (So it's slashers' fault that macho men ( ... )
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Yeah, I think it got a lot better over the last ten years. Rumour persists that during Deep Space Nine, the station's doctor Bashir and retired spy/assassin/tailor Garak were deliberately kept apart during later seasons because there was lots of subtext (intentionally, from the actors' side), but now you have things like your Psych example, or House, where it seems to be very deliberate subtext as well. Still, you also have the counter example (most recent one I encountered was a denial for True Blood, concerning one of the main vampires and his sire, which I found just plain odd - first because it was obviously also deliberate subtext, secondly, because said main vampire is constantly hinted to be bisexaul, and thirdly because the creator is gay. No idea what that mess was about.).
I mean, I know it's annoying to be seen as a couple when you're not - I had a close guy friend in my teens, and our other friends kept insisting that we WERE in love, we just didn't KNOW ( ... )
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His masculinity doesn't seem to suffer the least bit from him fondling all his coworkers, no. :-) Though he does make a very pretty (if square-jawed) girl.
That was in the Celluloid Closet, wasn't it?
It was. I love that film, especially all the bits about old-film subtext. Like how the writers of Rebel Without a Cause were all, "Oh, we didn't think of that, but of course Plato is gay."
Of course, he played the "bad guy" and fluent sexuality has always been more acceptable for them than for leading men. I suspect that's what all the fuss with Holmes and Watson is actually about.
That's very true. Which now makes me wonder what would have happened if they'd put in a gay Moriarty or lesbian Irene Adler... *mind is distracted by lesbian Irene Adler and promptly forgets the discussion topic*
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