Very seldom do I get to consciously consider the importance of the senses in performance practices and how neglected has the exploration and use of the senses been in this field. I realize that it is probably only in recent times that the use of the senses has been forgotten and avoided. In theatre, for instance, the senses used to be part of
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We live in a world hungry for sensorial experience, but instead people turn to technology and consumption to satiate this need. I'm not sure what is so seductive about this way of living.
From SGI Quarterly: "The best consumers are itchy narcissists who hop, skip and jump from one fleeting desire to the next, never deeply satisfied, but always in the process of satisfying themselves. Our entire socioeconomic system is designed to spew out this type of "ideal citizen" who is, unfortunately, so often depressed. Contentment is the single greatest threat to greed economics.
It didn't surprise me that an African nation, namely Nigeria, was found recently to be the world's "happiest country." The study of "happy societies" is awakening us to the importance of social connectedness, spiritual depth, simplicity, modesty of expectations, gratitude, patience, touch, music, movement, play, "downtime" and a certain amount of doing without."
Food for thought.
-Laura
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“It is time for artists to be visionaries again. We need to make artwork about the world we'd like to live in rather than deconstructing the one we inhabit.
If we envision it, it will happen. Our thoughts and beliefs are incredibly powerful. They create our reality. […] Let's start writing the stories to inspire a new generation to create the world we'd like to live in.”
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