((adult content throughout.))
After a bit of wandering through the city and with some additional help from locals, Katsumoto and Tony had finally located a
clothier shop and procured more suitable attire for the former chef, courtesy of Jordan College funds. It was clothing that wouldn't have looked out of place in the era Katsumoto came from, but
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One of the porters had been able to provide a portable writing desk, an ideal height for Katsumoto's purpose, and it was positioned so Tony could sit across from him. The inkstone had been carefully prepared, most of the stiffness worked out of each ink brush, and several characters written on a sheet of parchment to test the quality of each item. Katsumoto had attained an elegant hand through a lifetime of dedication to the art, but in spite of this there remained, in his own opinion, areas he could still improve upon.
The door was left open, while Katsumoto sat in seiza and continued writing.
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Tony tapped gently on the door frame and poked his head into the room. It was easy enough locating the kitchens and putting away the food. He'd found a bowl and picked out half of the strawberries and a paring knife to take back to Katsumoto's room.
"I brought back some strawberries," he said, seating himself crosslegged on the floor across from Katsumoto.
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Yasu rolled off the bed like an over-sized house cat and went to greet Rose Lee at the door, as Katsumoto glanced up to likewise acknowledge Tony. "Thank you," he said, setting the ink brush aside and trading the parchment he'd been writing on for a blank sheet. "Do you remember what you were taught before?"
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Katsumoto stood and moved to Tony's left, smoothing his hakama and holding the hilt of his wakizashi as he sank back into seiza beside him. His katana had been set atop the dresser earlier.
"It will be complicated," he said, dipping a brush into the ink. "And you will only find out what it means once you can write it correctly." He held the brush much like a pencil in his right hand, and drew the character very slowly so Tony would be able to follow each stroke: 裸. He repeated it a second and third time, re-inking the brush as needed, then offered it to Tony.
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"I'll do my best," Tony said, accepting the brush. His first stroke was clumsy and too long, he grimaced and finished drawing the character, trying to remain mindful of the order Katsumoto had showed him.
"You make it look so easy."
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The first attempt wasn't bad, even if it was incorrect. Learning how to achieve several line thicknesses in one fluid stroke would probably go a long way toward helping Tony, and Katsumoto made a note to show him how to next time.
"It will become easier, with practise," he said, taking the brush and re-inking it, then gave it back to Tony. "Grip loosely... but not too loose. Keep the strokes smooth." He reached in front of Tony and took his hand, guiding it for him through a few more repetitions.
"Now again." He let go and picked up the bowl of strawberries and knife.
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"Hadaka," he replied, trying not to smile. "Do you know this word?"
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"Ninaru," he explained, then wrote them next to one of the better looking characters Tony had done. "Hadakaninaru. Try writing this."
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"Like that?"
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He underlined one of the full sets of characters. "Hadakaninaru. To... undress."
Gently lifting Tony's own ink brush away and setting it aside, Katsumoto looked at him, no longer trying to keep the mirth from his expression or voice. "Would you like to?"
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