"The Venus of Azombeii" (1935) by Clark Ashton Smith up on Fantastic Worlds
"The Venus of Azombeii"
(c) 1931
byClark Ashton Smith
The statuette was not more than twelve inches in height, and represented a female figure that somehow reminded me of the Medicean Venus, despite many differences of feature and proportion. It was wrought of a black wood, almost as heavy as marble; and the unknown artist had certainly made the most of his material to suggest the admixture of a negroid strain with a type of beauty well-nigh classic in its perfection of line. It stood on a pedestal formed in imitation of a half-moon, with the cloven side of the hemisphere constituting the base. On studying it more closely, I found that the resemblance to the Venus de Medici was largely in the pose and in the curves of the hips and shoulders; but the right hand was more elevated than hers in its position, and seemed to caress the polished abdomen; and the face was fuller, with a smile of enigmatic voluptuousness about the heavy lips, and a sensuous droop to the deep eyelids, which were like the petals of some exotic flower when they fold beneath a sultry velvet evening. The workmanship was quite amazing and would not have been unworthy of the more archaic and primitive periods of Roman art.
My friend Marsden had brought the figurine with him on his return from Africa; and it stood always on his library table. It had fascinated me and had stirred my curiosity from the first; but Marsden was singularly reticent concerning it; and beyond telling me that it was of negro workmanship and represented the goddess of a little-known tribe on the upper Benuwe, in Adamawa, he had so far declined to gratify my inquisitiveness. But his very reserve, and something of significant import, even of emotional perturbation in his tone whenever we spoke of the statuette, had made me believe that a story hung thereon; and, knowing Marsden as I did, remembering his habitual reticence recurrently varied by outbursts of a well-nigh garrulous confidentiality, I felt sure that he would tell me the story in due time.
I had known Marsden ever since our school-days, for we had both been in the same year at Berkeley. He possessed few friends, and none, perhaps, who had been intimate with him as long as I. So no one was better fitted than I to perceive the inexplicable change that had come over him since his two years of traveling in Africa. This change was both physical and spiritual, and some of its features were of so subtle a character that one could hardly give them a name or seize upon them with any degree of clearness. Others, though, were all too plainly marked: the increase of Marsden's natural melancholia, turning now into fits of ferocious depression; and the woeful deterioration of his health, never too robust even in its prime, would have been noticeable to the merest acquaintance. I remembered him as being very tall and wiry, with a sallow complexion, black hair, and eyes of a clear azure blue; but since his return, he was far thinner than of old, and he stooped so much that he gave the impression of having actually lost in height; his features were shrunken and wrinkled, his skin had become corpse-like in its pallor, his hair was heavily sprinkled with gray, and his eyes had darkened in an unaccountable manner, as if they had somehow absorbed the mysteriously profound and sinister blue of tropic nights. In them, there burned a fire they had never before possessed - a macabre fire such as one would find in the eyes of a man consumed by some equatorial fever. Indeed; it often occurred to me that the readiest explanation of the change in Marsden was that he had been seized by some lethal sickness of the jungle, from which he had not yet fully recovered. But this he had always denied when I questioned him.
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What happened to Marsden in the jungles of Darkest Africa? Find out the shocking story on Fantastic Worlds!
(c) 1931
byClark Ashton Smith
The statuette was not more than twelve inches in height, and represented a female figure that somehow reminded me of the Medicean Venus, despite many differences of feature and proportion. It was wrought of a black wood, almost as heavy as marble; and the unknown artist had certainly made the most of his material to suggest the admixture of a negroid strain with a type of beauty well-nigh classic in its perfection of line. It stood on a pedestal formed in imitation of a half-moon, with the cloven side of the hemisphere constituting the base. On studying it more closely, I found that the resemblance to the Venus de Medici was largely in the pose and in the curves of the hips and shoulders; but the right hand was more elevated than hers in its position, and seemed to caress the polished abdomen; and the face was fuller, with a smile of enigmatic voluptuousness about the heavy lips, and a sensuous droop to the deep eyelids, which were like the petals of some exotic flower when they fold beneath a sultry velvet evening. The workmanship was quite amazing and would not have been unworthy of the more archaic and primitive periods of Roman art.
My friend Marsden had brought the figurine with him on his return from Africa; and it stood always on his library table. It had fascinated me and had stirred my curiosity from the first; but Marsden was singularly reticent concerning it; and beyond telling me that it was of negro workmanship and represented the goddess of a little-known tribe on the upper Benuwe, in Adamawa, he had so far declined to gratify my inquisitiveness. But his very reserve, and something of significant import, even of emotional perturbation in his tone whenever we spoke of the statuette, had made me believe that a story hung thereon; and, knowing Marsden as I did, remembering his habitual reticence recurrently varied by outbursts of a well-nigh garrulous confidentiality, I felt sure that he would tell me the story in due time.
I had known Marsden ever since our school-days, for we had both been in the same year at Berkeley. He possessed few friends, and none, perhaps, who had been intimate with him as long as I. So no one was better fitted than I to perceive the inexplicable change that had come over him since his two years of traveling in Africa. This change was both physical and spiritual, and some of its features were of so subtle a character that one could hardly give them a name or seize upon them with any degree of clearness. Others, though, were all too plainly marked: the increase of Marsden's natural melancholia, turning now into fits of ferocious depression; and the woeful deterioration of his health, never too robust even in its prime, would have been noticeable to the merest acquaintance. I remembered him as being very tall and wiry, with a sallow complexion, black hair, and eyes of a clear azure blue; but since his return, he was far thinner than of old, and he stooped so much that he gave the impression of having actually lost in height; his features were shrunken and wrinkled, his skin had become corpse-like in its pallor, his hair was heavily sprinkled with gray, and his eyes had darkened in an unaccountable manner, as if they had somehow absorbed the mysteriously profound and sinister blue of tropic nights. In them, there burned a fire they had never before possessed - a macabre fire such as one would find in the eyes of a man consumed by some equatorial fever. Indeed; it often occurred to me that the readiest explanation of the change in Marsden was that he had been seized by some lethal sickness of the jungle, from which he had not yet fully recovered. But this he had always denied when I questioned him.
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What happened to Marsden in the jungles of Darkest Africa? Find out the shocking story on Fantastic Worlds!