When I'm reading, there are some swear words (like the 'c' word) which kick my eyes off right the page. On blog posts, if I see that word (or even the less-offensive 'f' word), I stop reading right there. If the 'c' word's in a book or movie, or it feels like every other line of dialogue contains an 'f-ing', there's a better than 50/50 chance of
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If Jon shouted "F* you!" at me, I'd be damn well shocked. It would get my attention like you can't believe, precisely because it's just not how he talks or treats people. That's a two word sentence that would sum up a lot more effectively a whole lot of characterization about the situation we were in, than a paragraph or two could. That's not telling. That's showing.
Compare that to some other members of my local writing group, and I might not even notice that there was anything special about that interaction.
Can vulgarity be overdone? Absolutely. Just as we can abuse adverbs, or adjectives, or run on sentences. It can also be done in a careless fashion that doesn't add anything because the author doesn't take the time to consider what vulgarity means in the situation or in the context of the characters involved.
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Jon was silent, and for a moment, perhaps a heartbeat, two at the most, I thought his jaw was trembling. Then I heard a word I hadn't known he could spell, let alone pronounce so clearly. The fact that he hadn't meant it literally was no consolation.
"Oh, Jon," I said, beginning to weep, "I am so sorry for that last remark."
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Yes, there are times when less is more,
when hitting the nail on the head,
however brutally,
is what really matters.
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I agree , that's a nice turn of phrase, but aside from any showing/telling issues, it would also leave an awful lot of words for the reader to choose from ;)
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It would, of course, depend very much on context.
BTW, I'm having one of those
"If the Hays office would only let me..." moments here.
:)
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but leaving that word to the reader's discretion
not only frees the author from any risk of offending anyone,
it's also a very engaging device in itself,
like a Bob Newhart phone gag.
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but those two words work so effectively
only because it's Jon saying them.
If Jon were a character in a story,
you'd have to set that moment up really well,
but it would probably be worth the trouble.
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It might be the kind of characterization that would take several books to pull off that same weight. But it would work.
There's going to be characterization going on to make it effective. The author has to consciously be thinking about it, or you can't produce that kind of effect. Use, or lack of use, of that kind of language says something about the character of the person using it. There are times when I'm perfectly fine with eliding the vulgarity. But there's also times when it is far more effective to actually *show* the character using profanity.
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Now be fair, Ed. Some of the men in the group are just as bad.
JUST KIDDING! :)
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