Earlier today, one of my Twitter correspondents mentioned that
he much liked my conceptual descriptions of wearable computers
called jiminies. I did
a couple
of
short items in PC Techniques describing a technology I
first wrote about in 1983, when I was trying to finish a novel
called The Lotus Machine. I got the idea for jiminies in
the late 1970s, with elements of the technology dating back to my
Clarion in 1973. (
I
wrote a little about that back in November.) A jiminy was a
computer that you pinned to your lapel, or wore as a pair of
earrings, or wore in the frames of your glasses. Jiminies talked,
they listened, and for the most part they understood. I remember
the first time I ever saw an Amazon Echo in action. Cripes! It's a
jiminy!
1983 was pre-mobile. Jiminies communicated with one another via
modulated infrared light. Since almost everybody had one, they were
almost always connected to an ad-hoc jiminy network that could pass
data from one to another using a technology I surmised would be
like UUCP, which I had access to at Xerox starting in 1981. I never
imagined that a jiminy would have its own display, because they
were supposed to be small and inobtrusive. Besides, our screens
were 80 X 24 text back then, and if you'd told me we'd have full
color flat screens soon, I'd have thought you were crazy. So like
everything else (except the big bulky Alto machine in the corner of
our lab) jiminies were textual devices. It was spoken text, but
still text.
I never finished The Lotus Machine. I was trying to
draw a believable character in Corum Vavrik, and I just don't think
I was emotionally mature enough to put across the nuances I
planned. Corum was originally a rock musician using a technology
that played music directly into your brain through a headband that
worked like an EEG in reverse. Then he became a ghost hacker, where
"ghost" was a term for an AI running inside a jiminy. Finally he
went over to the other side, and became a cybercrime investigator.
Something was killing everyone he ever cared about, and as the
story opens, he's pretty sure he knows what: a rogue AI he created
and called the Lotus Machine.
The story takes place in 2047, with most of the action in
Chicago and southern Illinois. I realized something startling as I
flipped through the old Word Perfect document files: I predicted
selfies. Take a look. Yes, it's a little dumb. I was 31, and as my
mom used to say, I was young for my age. But damn, I predicted
selfies. That's gotta be worth something.
From The Lotus Machine by
Jeff Duntemann (November 1983)
Against the deep Illinois night the air over the silver ellipse
on the dashboard pulsed sharply once in cream-colored light and
rippled to clarity. Corum's younger face looked out from the frozen
moment into the car's interior with a disturbing manic intensity,
raising a freeform gel goblet of white wine, other arm swung back,
hand splayed against a wood frieze carved into Mondrianesque
patterns. His crown was bare even then, but the fringe at ear level
grew to shoulder length, mahogany brown, thick in cohesive
waves.
"Please stop tormenting yourself," Ragpicker said.
"Shut up. Give me a full face on each person at the table."
"Ok." One by one, Ragpicker displayed each person sharing the
booth with Corum that night. Three faces in tolerable light; one
profile badly seen in shadow. When people congregated, their
jiminies cooperated to record the scenes, silently trading images
through infrared eyes, helping one another obtain the best views of
vain owners.
A slender man with waist-length black hair. "Dunphy. Dead ten
years now." Steel grey hair and broken nose. "Lambrakis. Dead too,
was it four, five years?"
"Five."
A lightly built Japanese with large, burning eyes. "Feanor.
Damn! Him too."
The profile...little to go by but thick lips and small, upturned
nose. "I'm pretty sure that was Cinoq-the nose is right. How sure
are we that that's Cinoq?"
"Ninety percent. You began sleeping with him some months later.
Of course, if he had had a jiminy..."
"Damned radical atavist. I often wonder how he could stand us."
The car leaned into a curve. Corum's fingers tightened on the
armrest. "He died that year. Gangfight. Who else heard us?"
"In that environment, no one. It was four A.M. and nearly empty,
and the fugues were playing especially loud. At your request."
Corum stared out at the night, watched a small cluster of houses
vanish to one side, tiny lights here and there in distant windows.
"An awful lot of my friends have died young. Everybody from the
Gargoyle, the whole Edison Park crowd-where's Golda now? Any
evidence?"
"Not a trace. No body. Just gone." The ghost paused, Corum knew,
for effect only. It was part of Ragpicker's conversational
template. So predictably unpredictable. "She hated it all, all but
the Deep Music."
"It's not music." Not the way he had played it, nor Feanor, nor
the talentless dabblers like Lambrakis. Golda wanted to reach into
the midbrain with the quiet melodies of the New England folk
instruments she made herself from bare wood. It didn't
work-couldn't, not in a medium that spoke directly to the
subconscious. Rock could be felt, but true music had to be listened
to.
She loved me, Corum thought. So what did I do?
Sleep with men. Sleep with teenage girls.
"She took drugs," Ragpicker reminded. "You hated drugs."
"Shut up. Dead, like everybody else. All but me. And why
me?"
"It isn't you!"
"It is. We've got to find the Lotus Machine, Rags."
Silence.
"We're going to start looking."
Silence.
"Ragpicker!"
The ghost said nothing. Corum reached up to his lapel, felt the
warm black coffin shape pinned there, with two faceted garnet eyes.
A ghost, a hacked ghost, hacked by the best ghosthack who
ever lived, hacked so that it could not assist in any search for
what Corum most wished to forget.
"I hacked you a good hack, old spook. But it's time to own up.
I'll find the Lotus Machine myself. And someday I'll unhack you.
Promise"