“Velouria” from Bossanova (1990)
Because Pixies were such frugal songwriters, it’s easy to miss their experimental bent. They used unconventional tactics frequently but subtly. Even the weird stuff slavishly serves the song.
“Velouria” is both Bossanova‘s strongest track and a great example of Pixies’ disciplined adventurism. It features a theramin, the early electronic instrument whose warble brings spookiness to countless early science-fiction movies. Most bands would spotlight the shit out of a theramin guest appearance. Like a violin or a bagpipe, it’s not the kind of instrument that you can easily hide.
But true to Pixies form, “Velouria” doesn’t ballyhoo the theramin. It’s not even the first thing you notice about the song - that would be Joey Santiago’s shimmering riff, the triumphant chorus, or even its lyrics (an ode to an unshaven Northwestern hippie girl … who might be a time traveler). The theramin hovers around the margins throughout, providing counterpoint to Francis’s vocals and sustaining Bossanova‘s sci-fi vibe.
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