An interesting
article about public art and the Fourth Plinth by Michaela Crimmin in today's paper. I thought I'd quote this bit though:The Angel of the North is a good example of the tensions surrounding public art. For the inhabitants of Gateshead, it has become a symbol: of obduracy or defiance, perhaps, or maybe even of something darker. It certainly has a tragic air. The question is: does the work's adoption by the community make complaints about its artistic merit irrelevant?
To my mind, the Angel has always had the look of a Dr Who villain. I mean that as a compliment. The new Dr Who - at times stunningly bold, at times mawkishly sentimental, at times, still, made from cardboard - seems to sum up the national mood as well as anything. It is not high drama. But it is not half bad.