New Books Hitting Shelves This Week
Sanctuary
It’s not easy serving Chernobog, the God of Destruction, Darkness and Death…especially during the holidays; and especially when you’re out of eggnog and one of your pesky, freeloading mythic creatures has eaten your last cookie.
Roman would like nothing more than to be left alone, but when a wounded boy stumbles into his yard and begs for sanctuary, Roman takes him in. Now elite mercenaries are camped out on his property, combat mages are dousing the house with fire, and strange priests are unleashing arcane magic. They thought Roman was easy pickings, just a hermit in the woods, but they chose the wrong dark priest to annoy. For while Roman might be patient, he is the Black Volhv, filled with the love of his terrible god. For his adversaries, it's a fight to the death, but for him, it's just another day in the neighborhood.
The Wedding People
It’s a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamed of coming for years-she hoped to shuck oysters and take sunset sails with her husband, only now she’s here without him, at rock bottom, and determined to have one last decadent splurge on herself. Meanwhile, the bride has accounted for every detail and every possible disaster the weekend might yield except for, well, Phoebe and Phoebe's plan-which makes it that much more surprising when the two women can’t stop confiding in each other.
Like Mother, Like Daughter
When Cleo, a student at NYU, arrives late for dinner at her childhood home in Brooklyn, she finds food burning in the oven and no sign of her mother, Kat. Then Cleo discovers her mom’s bloody shoe under the sofa. Something terrible has happened.
But what? The polar opposite of Cleo, whose “out of control” emotions and “unsafe” behavior have created a seemingly unbridgeable rift between mother and daughter, Kat is the essence of Park Slope perfection: a happily married, successful corporate lawyer. Or so Cleo thinks.
Kat has been lying. She’s not just a lawyer; she’s her firm’s fixer. She’s damn good at it, too. Growing up in a dangerous group home taught her how to think fast, stay calm under pressure, and recognize a real threat when she sees one. And in the days leading up her disappearance, Kat has become aware of multiple threats: demands for money from her unfaithful soon-to-be ex-husband; evidence that Cleo has slipped back into a relationship that’s far riskier than she understands; and menacing anonymous messages from her past-all of which she’s kept hidden from Cleo . . .
The Widow's Guide to Dead Bastards
In the midst of mourning her husband’s sudden death, writer Jessica Waite discovered shocking secrets that undermined everything she thought she knew about the man she’d loved and trusted. From uncovered affairs to drug use and a pornography addiction, Waite was overwhelmed reconciling this devastating information with her new reality as a widowed single mom. Then, to further complicate matters, strange, inexplicable coincidences forced her to consider whether her husband was reaching back from beyond the grave.
With her signature candor and unflinching honesty, Waite details her tumultuous love story and the pain of adjusting to the new normal she built for herself and her son. A riveting, difficult, and surprisingly beautiful story, The Widow’s Guide to Dead Bastards is also a lyrical exploration of grief, mental health, single parenthood, and betrayal that demonstrates that the most moving love stories aren’t perfect-they’re flawed and poignantly real.
Between Friends & Lovers
To thousands of Instagram followers Josephine Boateng is the dazzling Dr. Jojo, and her opinions on health and self-love matter. Her message: be smart, be significant, and do not put up with foolish men.
Off-camera, Jo’s story is more complicated. She's grappling with depression and the pressures of her career, and her love life is nonexistent thanks to a longtime unrequited crush on her best friend, romcom heartthrob Ezra Adelman. But when Ezra shows up to his thirtieth birthday party with her childhood bully on his arm, Jo realizes enough is enough. It’s time to take her own advice and prioritize herself.
No one is more shocked than Malcolm Waters when his debut novel turns him into a literary darling, the type who gets invited to a swanky penthouse party to discuss film opportunities. Rubbing elbows with the elite of entertainment will be great for his career-except he's terrible with people, and even worse at networking.
Just when Malcolm is ready to throw in the towel, he’s rescued by none other than Dr. Jojo. He’s been following her on social media for years, and she’s even more impressive in real life. And to his bewilderment, the feeling is mutual.
But Jo, Ezra, and Malcolm exist in a world where the line between private and public is as blurred as the line between friendship and love. The question is, can they risk defining those lines to create something real?
Slow Dance
Back in high school, everybody thought Shiloh and Cary would end up together . . . everybody but Shiloh and Cary.
They were just friends.Best friends. Allies. They spent entire summers sitting on Shiloh’s porch steps, dreaming about the future. They were both going to get out of north Omaha-Shiloh would go to go to college and become an actress, and Cary would join the Navy. They promised each other that their friendship would never change.
Well, Shiloh did go to college, and Cary did join the Navy. And yet, somehow, everything changed.
Now Shiloh’s thirty-three, and it’s been fourteen years since she talked to Cary. She’s been married and divorced. She has two kids. And she’s back living in the same house she grew up in. Her life is nothing like she planned.
When she’s invited to an old friend’s wedding, all Shiloh can think about is whether Cary will be there-and whether she hopes he will be. Would Cary even want to talk to her? After everything?
The answer is yes. And yes. And yes.
The Fiancé Dilemma
Josie Moore has given the opposite sex-and love-plenty of chances. Four exactly, if you count all her failed engagements, and five if you include her no-longer-absentee father. Nonetheless, when the influential man decides to announce his retirement with a splashy magazine piece and Josie learns that her romantic history isn’t great PR for the family, she jumps at the chance to offer a solution.
Matthew Flanagan is in the mud. Literally. Not only has he been fired from his job, but after taking a wrong turn on his way to Green Oak, North Carolina, his car is stuck. So, he grabs a duffel bag with his essentials and goes in search of a place to crash until he gets his life (and vehicle) back on track. But instead, he stumbles upon his best friend’s sister, Josie, greeting him as her fiancé.
What starts as a big misunderstanding quickly turns into a fake engagement, with Matthew playing the role of the doting fiancé as he and Josie are swept into a PR whirlwind. The ring on Josie’s finger makes her stomach turn, but she knows this is only temporary. They have rules in place, and one of them is that no matter what, there will be no exchange of “I dos.” But that’s easier said than done, as lines soon start to blur, and the rest of the small town comes to believe the fifth fiancé is truly The One.
One Year Ago in Spain
Claire Walker has always had her life in perfect order, including her high-powered job at one of Manhattan’s top corporate law firms. Yet the one thing she cannot seem to find is a perfect love to complete it, until fate pushes Matías de León into her path. Matías is a Spanish artist who is everything that Claire is not: free-spirited and creative, chaos to her order. She falls for him, hard-and he for her.
A year later, however, Claire begins to question everything about their relationship. How can they possibly work long-term when they’re so different? Might it be best to end it before they are both in too deep?
Then tragedy strikes while Matías is visiting family, leaving him gravely wounded in a Madrid hospital. And when Claire drops everything to race to his side, she finds she is the only one who can see and talk to Matías’s soul, detached from his comatose body. But that soul has no memories of his year in New York, of her, or of their relationship. Claire soon realizes that in order to lure Matías back to his body, she will have to convince him to fall in love with her all over again. But can lightning strike twice? Can the same magic that brought them together once do so again?
Sources: 1, 2, 3, 4, 5, 6, 7, 8