The Honey WitchTwenty-one-year-old Marigold Claude has always preferred the company of the spirits of the meadow to any of the suitors who’ve tried to woo her. So when her grandmother whisks her away to the family cottage on the tiny Isle of Innisfree with an offer to train her as the next Honey Witch, she accepts immediately. But her newfound magic and independence come with a price: No one can fall in love with the Honey Witch.
When Lottie Burke, a notoriously grumpy skeptic who doesn’t believe in magic, shows up on her doorstep, Marigold can’t resist the challenge to prove to her that magic is real. But soon, Marigold begins to care for Lottie in ways she never expected. And when darker magic awakens and threatens to destroy her home, she must fight for much more than her new home-at the risk of losing her magic and her heart.
The Paradise ProblemAnna Green thought she was marrying Liam “West” Weston for access to subsidized family housing while at UCLA. She also thought she’d signed divorce papers when the graduation caps were tossed, and they both went on their merry ways.
Three years later, Anna is a starving artist living paycheck to paycheck while West is a Stanford professor. He may be one of four heirs to the Weston Foods conglomerate, but he has little interest in working for the heartless corporation his family built from the ground up. He is interested, however, in his one-hundred-million-dollar inheritance. There’s just one catch.
Due to an antiquated clause in his grandfather’s will, Liam won’t see a penny until he’s been happily married for five years. Just when Liam thinks he’s in the home stretch, pressure mounts from his family to see this mysterious spouse, and he has no choice but to turn to the one person he’s afraid to introduce to his one-percenter parents-his unpolished, not-so-ex-wife.
But in the presence of his family, Liam’s fears quickly shift from whether the feisty, foul-mouthed, paint-splattered Anna can play the part to whether the toxic world of wealth will corrupt someone as pure of heart as his surprisingly grounded and loyal wife. Liam will have to ask himself if the price tag on his flimsy cover story is worth losing true love that sprouted from a lie.
Oye“Yes, hi, Mari. It’s me. I’m over my tantrum now and calling you back . . . But first-you have to promise that you won’t tell Mom or Abue any of this. Okay? They’ll set the house on fire if they find out . . .”
Structured as a series of one-sided phone calls from our spunky, sarcastic narrator, Luciana, to her older sister, Mari, this wildly inventive debut “jump-starts your heart in the same way it piques your ear” (Xochitl Gonzalez). As the baby of her large Colombian American family, Luciana is usually relegated to the sidelines. But now she finds herself as the only voice of reason in the face of an unexpected crisis: A hurricane is heading straight for Miami, and her eccentric grandmother, Abue, is refusing to evacuate. Abue is so one-of-a-kind she’s basically in her own universe, and while she often drives Luciana nuts, they’re the only ones who truly understand each other. So when Abue, normally glamorous and full of life, receives a shocking medical diagnosis during the storm, Luciana’s world is upended.
When Among CrowsWe bear the sword, and we bear the pain of the sword.
Pain is Dymitr’s calling. His family is one in a long line of hunters who sacrifice their souls to slay monsters. Now he’s tasked with a deadly mission: find the legendary witch Baba Jaga. To reach her, Dymitr must ally with the ones he’s sworn to kill.
Pain is Ala’s inheritance. A fear-eating zmora with little left to lose, Ala awaits death from the curse she carries. When Dymitr offers her a cure in exchange for her help, she has no choice but to agree.
Together they must fight against time and the wrath of the Chicago underworld. But Dymitr’s secrets-and his true motives-may be the thing that actually destroys them.
My Darling Dreadful ThingSpirits are drawn to salt, be it blood or tears.
Roos Beckman has a spirit companion only she can see. Ruth-strange, corpse-like, and dead for centuries-is the light of Roos' life. That is, until the wealthy young widow Agnes Knoop visits one of Roos' backroom seances, and the two strike up a connection.
Soon, Roos is whisked away to the crumbling estate Agnes inherited upon the death of her husband, where an ill woman haunts the halls, strange smells drift through the air at night, and mysterious stone statues reside in the family chapel. Something dreadful festers in the manor, but still, the attraction between Roos and Agnes is undeniable.
Then, someone is murdered.
Poor, alone, and with a history of 'hysterics', Roos is the obvious culprit. With her sanity and innocence in question, she'll have to prove who-or what-is at fault or lose everything she holds dear.
Long After We Are Gone"Don't let the white man take the house."
These are the last words King Solomon says to his son before he dies. Now all four Solomon siblings must return to North Carolina to save the Kingdom, their ancestral home and 200 acres of land, from a development company, who has their sights set on turning the valuable waterfront property into a luxury resort.
While fighting to save the Kingdom, the siblings must also save themselves from the secrets they've been holding onto. Junior, the oldest son and married to his wife for eleven years, is secretly in love with another man. Second son Mance can't control his temper, which has landed him in prison more than once. CeCe, the oldest daughter and a lawyer in New York City, has embezzled thousands of dollars from her firm's clients. Youngest daughter Tokey wonders why she doesn't seem to fit into this family, which has left an aching hole in her heart that she tries to fill in harmful ways. As the Solomons come together to fight for the Kingdom, each of their façades begins to crumble and collide in unexpected ways.
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