New Books Hitting Shelves This Week
Sunbringer
When Middren falls to the gods, your kind will be the first to die.
Gods are forbidden in the kingdom of Middren-but now they are stirring, whispering of war. Godkiller Kissen sacrificed herself to vanquish the fire god Hseth, who murdered her family and endangered her friends. But gods cannot be destroyed so easily, and Hseth’s power threatens to reform with even greater strength and a thirst for vengeance. As tensions rise throughout the land, the kingdom needs its Godkiller more than ever.
Still reeling from the loss of Kissen, young noble Inara and her little god of white lies, Skedi, have set out to discover more about the true nature of their bond. As the divide between gods and humans widens, Inara and Skedi will uncover secrets that could determine the fate of the war to come.
Meanwhile, Elogast, no longer a loyal knight of King Arren, has been tasked with killing the man he once called friend. The king vowed to eradicate all gods throughout the land, but has now entered into an unholy pact with the most dangerous of them all. And where his heart once beat, a god now burns. . .
A Touch of Chaos
The gods are at war, the Titans have been released, and Hades and Persephone must fight tooth and nail for their happy ending.
Persephone, Goddess of Spring, never guessed that a chance encounter with Hades, God of the Underworld, would change her life forever-but he did. Now embroiled in a fight for humanity and battles between the gods, Persephone and Hades have entered a world they never thought they would see. To end the chaos, Persephone must draw upon her darkness and embrace who she's become-goddess, wife, queen of the Underworld.
Once, Persephone made bargains to save those she loves. Now, she will go to war for them.
You Get What You Pay For
Dubbed a voice of her generation, poet and writer Morgan Parker has spent much of her adulthood in therapy, trying to square the resonance of her writing with the alienation she feels in nearly every aspect of life, from her lifelong singleness to a battle with depression. She traces this loneliness to an inability to feel truly safe with others and a historic hyperawareness stemming from the effects of slavery.
In a collection of essays as intimate as being in the room with Parker and her therapist, Parker examines America’s cultural history and relationship to Black Americans through the ages. She touches on such topics as the ubiquity of beauty standards that exclude Black women, the implications of Bill Cosby’s fall from grace in a culture predicated on acceptance through respectability, and the pitfalls of visibility as seen through the mischaracterizations of Serena Williams as alternately iconic and too ambitious.
Shakespeare's Sisters: How Women Wrote the Renaissance
In an innovative and engaging narrative of everyday life in Shakespeare’s England, Ramie Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-sixteenth century into the private lives of four women writers working at a time when women were legally the property of men. Some readers may have heard of Mary Sidney, accomplished poet and sister of the famous Sir Philip Sidney, but few will have heard of Aemilia Lanyer, the first woman in the seventeenth century to publish a book of original poetry, which offered a feminist take on the crucifixion, or Elizabeth Cary, who published the first original play by a woman, about the plight of the Jewish princess Mariam. Then there was Anne Clifford, a lifelong diarist who fought for decades against a patriarchy that tried to rob her of her land in one of England’s most infamous inheritance battles.
These women had husbands and children to care for and little support for their art, yet against all odds they defined themselves as writers, finding rooms of their own where doors had been shut for centuries. Targoff flings those doors open, revealing the treasures left by these extraordinary women; in the process, she helps us see the Renaissance in a fresh light, creating a richer understanding of history and offering a much-needed female perspective on life in Shakespeare’s day.
If You Can't Take the Heat: Tales of Food, Feminism, and Fury
When celebrity chef Mario Batali sent out an apology letter for the sexual harassment allegations made against him, he had the gall to include a recipe-for cinnamon rolls, of all things. Geraldine DeRuiter decided to make the recipe, and she happened to make food journalism history along with it. Her subsequent essay, with its scathing commentary about the pervasiveness of misogyny in the food world, would be read millions of times, lauded by industry luminaries from Martha Stewart to New York Times restaurant critic Pete Wells, and would land DeRuiter in the middle of a media firestorm. She found herself on the receiving end of dozens of threats when all she wanted to do was make something to eat (and, okay fine, maybe take down the patriarchy).
In If You Can’t Take the Heat, DeRuiter shares stories about her shockingly true, painfully funny (and sometimes just painful) adventures in gastronomy. We’ll learn how she finally got a grip on her debilitating anxiety by emergency meal-planning for the apocalypse. (“You are probably deeply worried that in times of desperation I would eat your pets. And yes, I absolutely would.”) Or how she learned to embrace her hanger. (“Because women can be a lot of things, but we can’t be angry. Or president, apparently.”) And how she inadvertently caused another international incident with a negative restaurant review. (She made it on to the homepage of The New York Times’s website! And she got more death threats!)
The Manicurist's Daughter
Susan Lieu has long been searching for answers. About her family’s past and about her own future. Refugees from the Vietnam War, Susan’s family escaped to California in the 1980s after five failed attempts. Upon arrival, Susan’s mother was their savvy, charismatic North Star, setting up two successful nail salons and orchestrating every success-until Susan was eleven. That year, her mother died from a botched tummy tuck. After the funeral, no one was ever allowed to talk about her or what had happened.
For the next twenty years, Susan navigated a series of cascading questions alone-why did the most perfect person in her life want to change her body? Why would no one tell her about her mother’s life in Vietnam? And how did this surgeon, who preyed on Vietnamese immigrants, go on operating after her mother’s death? Sifting through depositions, tracking down the surgeon’s family, and enlisting the help of spirit channelers, Susan uncovers the painful truth of her mother, herself, and the impossible ideal of beauty.
Happily Never After
When Sophie Steinbeck finds out just before her nuptials that her fiancé has cheated yet again, she desperately wants to call it off. But because her future father-in-law is her dad’s cutthroat boss, she doesn’t want to be the one to do it. Her savior comes in the form of a professional objector, whose purpose is to show up at weddings and proclaim the words no couple (usually) wants to hear at their ceremony: “I object!”
During anti-wedding festivities that night, Sophie learns more about Max the Objector’s job. It makes perfect sense to her: he saves people from wasting their lives, from hurting each other. He’s a modern-day hero. And Sophie wants in.
The two love cynics start working together, going from wedding to wedding, and Sophie’s having more fun than she’s had in ages. She looks forward to every nerve-racking ceremony saving the lovesick souls of the betrothed masses. As Sophie and Max spend more time together, however, they realize that their physical chemistry is off the charts, leading them to dabble in a little hookup session or two-but it’s totally fine, because they definitely do not have feelings for each other. Love doesn’t exist, after all.
And then everything changes. A groom-to-be hires Sophie to object, but his fiancée is the woman who broke Max’s heart. As Max wrestles with whether he can be a party to his ex’s getting hurt, Sophie grapples with the sudden realization that she may have fallen hard for her partner in crime.
The Phoenix Bride
It is 1666, one year after plague has devastated England. Young widow Cecilia Thorowgood is a prisoner, trapped and isolated within her older sister’s cavernous London townhouse. At the mercy of a legion of doctors trying to cure her grief with their impatient scalpels, Cecilia shows no sign of improvement. Soon, her sister makes a decision born of desperation: She hires a new physician, someone known for more unusual methods. But he is a foreigner. A Jew. And despite his attempts to save Cecilia, he knows he cannot quell the storm of sorrow that rages inside her. There is no easy cure for melancholy.
David Mendes fled Portugal to seek a new life in London, where he could practice his faith openly and leave the past behind. Still reeling from the loss of his beloved friend and struggling with his religion and his past, David is free and safe in this foreign land but incapable of happiness. The security he has found in London threatens to disappear when he meets Cecilia, and he finds himself torn between his duty to medicine and the beating of his own heart. He is the only one who can see her pain; the glimmers of light she emits, even in her gloom, are enough to make him believe once more in love.
Facing seemingly insurmountable challenges, David and Cecilia must endure prejudice, heartbreak, and calamity before they can be together. The Great Fire is coming-and with the city in flames around them, love has never felt so impossible.
Pride and Joy
Joy Okafor is overwhelmed. Recently divorced, a life coach whose phone won’t stop ringing, and ever the dutiful Nigerian daughter, Joy has planned every aspect of her mother’s seventieth birthday weekend on her own.
As the Okafors slowly begin to arrive, Mama Mary goes to take a nap. But when the grandkids go to wake her, they find that she isn’t sleeping after all. Refusing to believe that her sister is gone-gone, Auntie Nancy declares that she has had a premonition that Mama Mary will rise again like Jesus Christ on Easter Sunday.
Desperate to believe that they’re about to witness a miracle, the family overhauls their birthday plans to welcome the Nigerian Canadian community, effectively spreading the word that Mama Mary is coming back. But skeptical Joy is struggling with the loss of her mother and not allowing herself to mourn just yet while going through the motions of planning a funeral that her aunt refuses to allow.
Sources: 1, 2, 3, 4, 5, 6, 7, 8, 9