(no subject)
I don't know if this is obligatory any more or not. It really doesn't matter because I wouldn't be writing in it or reading in it if I didn't want to I suppose, but who knows.
I'm really good at giving my self alot of stress. I mean granted it's all brought upon myself, one example, my apartment, I'm pretty sure I cant afford to live here, but I've never been the best at thinking things ahead.
Until about a week ago I was doing three shows, Biloxi Blues closed but still for some reason Tartuffe is enough to drive my head into a fucking wall.
Biloxi however was one of the best experiences or my life. I never had more fun with a show and never learned as much either. I feel comfortable with my self afterwards, I think there comes a point for all artists early on when they sort of establish them selves as being willing to manage the responsibility of art, I mean if they care enough to take it on and work with it, and I don't really know how it went but I know I haven't cared more about anything else I have done and I gave my whole heart to it. I think that's important for people to go through.
Brent told me I should bring in shows I wanna do for next year and he can read them and suggest them, so far I got.
The Mercy Seat - Neil Labute
Faustus - David Mamet
The Real Thing - Tom Stoppard
The Nerd - Larry Shu
and what I want them to do, Closer - Patrick Marber
If any one has suggestions you think I could do let me know.
School blows.
I'm really good at giving my self alot of stress. I mean granted it's all brought upon myself, one example, my apartment, I'm pretty sure I cant afford to live here, but I've never been the best at thinking things ahead.
Until about a week ago I was doing three shows, Biloxi Blues closed but still for some reason Tartuffe is enough to drive my head into a fucking wall.
Biloxi however was one of the best experiences or my life. I never had more fun with a show and never learned as much either. I feel comfortable with my self afterwards, I think there comes a point for all artists early on when they sort of establish them selves as being willing to manage the responsibility of art, I mean if they care enough to take it on and work with it, and I don't really know how it went but I know I haven't cared more about anything else I have done and I gave my whole heart to it. I think that's important for people to go through.
Brent told me I should bring in shows I wanna do for next year and he can read them and suggest them, so far I got.
The Mercy Seat - Neil Labute
Faustus - David Mamet
The Real Thing - Tom Stoppard
The Nerd - Larry Shu
and what I want them to do, Closer - Patrick Marber
If any one has suggestions you think I could do let me know.
School blows.