Secreted in a common room, among the Friend's wing, Zuko -- slept poorly, as those in pain are wont to do. His head ached where River had kicked him and his flesh still crawled with the weaving of Semirhage's working of the One Power
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There are two doors. One is locked. The other opens to a bathroom, with white plastered walls. It has another skylight; in that sky, it's raining hard. (The third door, the one that leads out of this suite, is no door at all. It's a framed painting of a mountain stream surrounded by flowers, hanging on the wall by the fire.)
Eventually, there's the sound of a lock clicking open. The second door opens, and Lan steps through.
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And that means Zuko doesn't quite remember everything that happened.
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He's tall and broad-shouldered, with a harsh and weathered face and a liquid way of moving that suggests he's very, very good with the katana-like sword that hangs at his hip. Dark hair, greying at the temples, hangs to his shoulders, held back by the leather band aroudn his forehead. His deep voice is impassive, and so is his face.
Zuko may well have seen him in the bar; if so, odds are excellent that he saw Lan lurking in a shadowy corner, nursing a drink or a pipe and watching the room with that same lack of expression.
"And yours?"
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Zuko is a lithe boy, not looking his best. But we knew that.
"PErhaps you might take me home now? Your companion seemed inclined to ignore my wishes. Maybe you will be more reasonable," he suggests, looking at the male with pale eyes.
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There's no irritation in the correction; he's only providing information.
"She is the healer, not me. And the Aes Sedai." Implication: what she says goes, at least so far as 'Li' is concerned.
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"I don't know what an Aes Sedai is," he notes mildly. "Perhaps you might explain what it is?" Beyond meddling busybody, anyway.
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Not, alas, according to Lan.
At least that he will ever admit.
"They are a sisterhood. Of women who serve the Light and oppose the Dark One, and have certain powers. Including healing."
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Right.
"So might I leave?"
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"I see you two are of a like mind," he says.
Like in lack of wits, at least.
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"When Nynaeve Sedai says you may go," he says, leaning back against the wall in a lazy-looking slouch, "then you may, and do as you like. Go home, stay here, get yourself knotted up in pain again if you want. Although I don't recommend it. No sense in undoing hard work."
That's not the only reason he doesn't recommend it.
"Until then, you're under her care. And mine."
Care, guard, whatever.
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And that's that.
Still, he doesn't sound very thrilled about it all.
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That's Lan's job.
Not that he was the one who knocked Zuko out, this time, but he's pretty sure River could make a case with Security. He would on her behalf, if needed.
"Why are you so resistant to it, boy?"
There's no derision in the word boy. On the contrary, the question is conversational. One might get the sense that it's a habitual turn of speech to use terms like that instead of names, and one would be right.
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He can't give a good answer to Lan's question. He merely looks back at the painting and says, "Why should you care? IT's my choice. Let me make it."
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"If you have a good reason to hold onto your pain, maybe you can convince Nynaeve Sedai. With no such reason, all it will do is hinder you in your life, and whatever duty you may have."
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Not anymore, anyway.
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