Maia's not one of the English breed of travellers. She would not ever wear socks with sandals, for example, nor wander into a warzone and ask the leader of the guerilla soldiers where the nearest cafe was. She's more low-key than that. Her travelling outfit is the same as her normal--black on black, red lips and a smirk--and her bag for the journey
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"You said we'd have an unusual method of transport. I won't wind up smelling of sulphur all day after, will I? People will stare."
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'People will stare anyway, with that throwback from the nineties on your back. I suppose it can't be helped. Grab onto me.'
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Maia shuts her eyes, and black smoke curls around them both. It's harder, with a human, but not impossible; none of these fancy portals the angels get, no. With her, it's a wish and a prayer...to some extent. The smoke rises higher and higher, before plunging down, and they're travelling almost underground. It's dark and dreary, with occasional cries of pain and the roar of battles--Hell's greatest hits, in a sense. Maia's become desensitized to it. It's at odds with the quiet beach on which she stops, just in Portree.
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Octavian will stay grounded.
He wonders what the faces remind Maia of.
The gardens do entreat his attention, more in its design than in its presentation of nature. He contemplates the work that has gone into creating and preserving this bounty, and the potential uses to which it can have been put (the brochure tells him: A walled kitchen garden and glass-houses would have provided the Castle with freshly grown produce. Octavian loves the brochure ( ... )
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It is not yet known how she would feel if Octavian was one of her faces
Maia is admiring the statue of the otter--good luck seeing any real ones when you're hanging about with a demon--when she hears his question. She wouldn't have thought the future emperor of Rome would go into that sort of thing, but she considers his slightly sweet inquiry.
'It's too quiet for me. Big, sure, but what's space when you have a whole city to explore?' Were you expecting her to say she wants quiet? Maia feeds off energy. It's what she lives for, literally. 'Plus, there's too many animals--and it's too green for me. Give me urban decay any day. What about you?'
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He turns to her, head tilted, eyes sharp and clear. "If this isn't your sort of place either, then let's go someplace that is."
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Maia flips her hair back, and stands, holding out her hand as a deliberate test to see if he takes it or if he prefers her waist instead. 'But sure, let's go find the horses.'
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The days are full of sightseeing of a companionable and largely silent sort, Octavian going all analytical over architecture and city planning. Nights are different. They have an en-suite bathroom everywhere they stay, so there's privacy; usually by the time he gets out of the shower, she's already gone or ready to be gone for the night. Because Maia, being a demon, doesn't need to sleep.
One night, though, when he emerges (damp and rumpled in pajama bottoms, rubbing at his curly mop of hair with a thin hotel towel), she's sitting on her bed, reading some glossy magazine or other.
He doesn't say anything. He sits on his own bed and continues to dry his hair.
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Has she got slightly more demonic over the days? Maybe, maybe not. She's staying in tonight because there might be a bit of earth angel energy down below--that means demons, that means a fight, and she does have a responsibility not to die this week.
Is it out of the blue? Not really. Maia has been out, and she has been looking at couples. It makes her think.
'So when you kissed me, what was that all about?' She doesn't look up.
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Maia has looked up now, unable to resist, and her mouth is almost petulantly pursed as if she's anticipating a 'No chance'. It wouldn't be the first time, but anything's easier than this edgy atmosphere. Still, wouldn't it be--no, Maia, hear his answer first, she reminds herself.
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