A mist swirls in the middle of the Sorting Room. Out of this mist steps a young woman in long woolen skirts, her copper hair held back from her face with a butterfly clasp. She looks uncertain, though not disoriented or distraught, and she answers aloud the questions posed to her. A Dictaquill takes down the answers so that persons who arrive at
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"You, ah, you can read minds?" he asked. "I've, well, I've known many people and, and, and, you know, races, but I've never, uh, never come across a telepath."
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Ever the enginner, he had to add, "What, ah, what is your world like? Geographically, I mean." Socially it was all the same to him--his company engineered the planets, not the inhabitants.
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"My world we call Darkover," she said. "I know not why it is named so, save that the skies are often clouded; poets term ours 'the bloody sun', from the color of the sky, reddish or even violet in cast. The poets are fond of rhapsodising on the four moons as well," she added. "Shall I enumerate them for you? Liriel, the violet moon; Kyrrdis, which we call 'peacock-blue' though whatever animal or gem is meant by 'peacock' must have been lost to us long ago; Idriel, green with forest; and Mormallor, the smallest moon, a pearl of a moon ( ... )
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"Four moons?" Some of the gas giants he'd worked on had had more than that, but never in such a variety of colors. "That must, ah, must be a very complicated orbit to, to manage. I know it took, really it took ages to fine-tune Neptune's moons..." Slartibartfast probably would have gone off on some tangent, but by some miracle his attention returned to the conversation at hand. "And they've, you know, got forests? We've never, ah, never made a moon capable of, you know, of sustaining life. Do any of them have any fjords?"
Yep. Slartibartfast was indeed in planetery geek-mode. And of course he had to ask about the fjords.
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"Ah, so, so no one's ever seen them? Pity." A habitable moon would probably be too much to ask.
"A fjord is, well, it's a kind of, of bay, you know, along a coastline...they're terribly difficult to, to make, with all the, you know, the little detailed fiddly bits. I, well, I made the ones in a place called Norway, here on Earth, and I always, you know, always like to hear about them in other places. Very, ah, very important to coastline ecology, fjords."
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Yes, Renata was actually genuinely interested. (Gods help her.)
"Planetary ecology is certainly of interest to us, in matrix circle work," she said. "It is important not to disrupt the ecology -- to throw it out of balance -- when we manipulate the soil, or the energy field of the planet. What of these fjords is essential?"
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"Well, you see, fjords are made by, you know, by glaciation--the glacier moves very slowly and, and carves out the fjord. They're, ah, they're very deep, narrow inlets, you see? In terms of, you know, of animal life, they--especially in very cold waters, like, you know, like those around Norway--they shelter oceanic life-forms when there are, ah, storms. The open ocean--I mean, at least here--is very, really is very rough and stormy. Fjords are usually much calmer, and have their own very delicate ecosystems--some have, well, they've got plants that don't grow anywhere else, things like that. Of course, I would, you know, I'd have to see the fjords on your world, to tell you much about, ah, about them specifically."
He'd do it, to. He'd go on about them as long as he was let.
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