[Part 3] Spain/Prussia/South Italy [1b/1]
anonymous
March 16 2011, 16:36:16 UTC
Prussia laughs, gratingly and hoarse, destroying all focus on anywhere but the present, and he licks a long line up Romano’s neck.
“Hey pretty.” Is rasped into one ear in harshly-accented English, the type that people expect from bad Nazi movies, the type that Prussia loves to use.
“Romano.”Is moaned into the other, Spain’s normal voice catching on the ‘r’ and turning it into something obscene.
The contrast is … unexpected, and it makes Romano twist in an attempt to escape. Two different sets of hands catch at his hips, both pairs gripping his hips firmly, too firmly, when their hands shift, the places they leave behind ache. Fingers slide under his shirt and stroke along his skin, calluses, one set from agriculture and war, the other from war and more war, scrap against him.
One hand drifts away from his skin, coming up to cup the back of his head and tilt it forward, and then Spain invades his mouth, all soft lips and hot tongue. A different hand wraps around his chin and pulls him away, tugging his head almost painfully to the side, Prussia not so much kissing him as taking him.
Romano pulls away, feeling the hardness of Prussia’s dick against his back and seeing the tent in Spain’s shorts.
“So cute.” Is whispered into both his ears, harsh and sweet.
As one they lean forward and as one Romano’s eyes slide close, giving himself over to what he’s never had and what he’s always wanted.
Re: [Part 3] Spain/Prussia/South Italy [1b/1] NotOP is very very happy now
anonymous
March 16 2011, 17:19:38 UTC
Homygod I am dying of the incredible love! Your description of Spain and Romano's relationship was incredible and absolutely accurate in my opinion. It's rare to come across a good description of their platonic (well, not anymore) relationship like that, but you wrote it so well.
Then there was this line here: “Hey pretty.” Is rasped into one ear in harshly-accented English, the type that people expect from bad Nazi movies, the type that Prussia loves to use
I IMAGINED IT AND DIED. Anon's soul fluttered off to heaven because I too love that voice.
Hell, the entire last half of that made me nosebleed like a fountain. Go ahead, destroy my brain while I try to work, I love you anyway.
Re: [Part 3] Spain/Prussia/South Italy [1b/1]
anonymous
March 16 2011, 21:28:58 UTC
If one asked in the correctly roundabout manner, it is possible that Romano would admit that the only reason that there is a South Italy, that the only reason that Romano still exists as a separate identity from his brother, is thanks to Spain and the influence that he’s had on Romano. Spain etched himself onto Romano’s bones, and it’s the only thing that keeps him alive.
What an interesting theory. Very grounded in history as well (I checked). I like this characterization for the pairing and situation, and your description of the sight of Prussia and Spain intertwined was lovely.
Re: [Part 3] Spain/Prussia/South Italy [1b/1]
anonymous
March 16 2011, 23:16:16 UTC
So very much seconded. I really like this thought -- it says so much about the relationship between Romano and Spain, and between both Italies for that matter. (It also makes me wonder a bit about Prussia, too, because what in fact is still keeping him alive past his 'retirement' as a nation?)
A very well-crafted story, exactly the right length for what it's trying to convey. I'm highly impressed, writer!anon!
“Hey pretty.” Is rasped into one ear in harshly-accented English, the type that people expect from bad Nazi movies, the type that Prussia loves to use.
“Romano.”Is moaned into the other, Spain’s normal voice catching on the ‘r’ and turning it into something obscene.
The contrast is … unexpected, and it makes Romano twist in an attempt to escape. Two different sets of hands catch at his hips, both pairs gripping his hips firmly, too firmly, when their hands shift, the places they leave behind ache. Fingers slide under his shirt and stroke along his skin, calluses, one set from agriculture and war, the other from war and more war, scrap against him.
One hand drifts away from his skin, coming up to cup the back of his head and tilt it forward, and then Spain invades his mouth, all soft lips and hot tongue. A different hand wraps around his chin and pulls him away, tugging his head almost painfully to the side, Prussia not so much kissing him as taking him.
Romano pulls away, feeling the hardness of Prussia’s dick against his back and seeing the tent in Spain’s shorts.
“So cute.” Is whispered into both his ears, harsh and sweet.
As one they lean forward and as one Romano’s eyes slide close, giving himself over to what he’s never had and what he’s always wanted.
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Then there was this line here: “Hey pretty.” Is rasped into one ear in harshly-accented English, the type that people expect from bad Nazi movies, the type that Prussia loves to use
I IMAGINED IT AND DIED. Anon's soul fluttered off to heaven because I too love that voice.
Hell, the entire last half of that made me nosebleed like a fountain. Go ahead, destroy my brain while I try to work, I love you anyway.
Reply
What an interesting theory. Very grounded in history as well (I checked). I like this characterization for the pairing and situation, and your description of the sight of Prussia and Spain intertwined was lovely.
Reply
A very well-crafted story, exactly the right length for what it's trying to convey. I'm highly impressed, writer!anon!
Reply
The pictures you created with your imagination were so vivid and unique, it was a real pleasure to read.
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