Here's a book situation I'd like some input on from those of you in the know...
A year or so ago, I picked up the first volume of Mary Gentle's The Book of Ash (published in two four volumes in U.S. paperback). It had ended up on my list on the basis of its being mentioned by someone (don't remember who) in an LJ conversation about something (don'
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I was, however, very pleased I stuck with it (urged on by Mely). Even if I'd never read anything else by Mary Gentle, I can't fault her ambition. She takes what looks like a fairly simple alternate universe (in which a woman could become a mercenary captain in the 1500s), and warps it, and twists it, and turns it into something else entirely. What it ends up as, I can't tell you. *grin*
That said, I think the sequence is a bit too long -- the last volume, in particular, drags a bit. But the story she's telling, the slow revelation of what's actually going on -- man, it's more than enough to make it worth the investment. It's a mind-fucker of the best sort.
You should also read Golden Witchbreed and Ancient Light; they're more (if earlier) examples of Gentle doing subversive things with the genre.
Just MHO: YBMV, as the Buffistas say.
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The series was published as one huge novel in the UK, which I think is the right way to look at it, and although it contains more medieval warfare than I have ever cared to read about, I thought it was worth going through those sections for the HSQ and mindfucks of the plot. I was especially pleased when the framing sequence proved critical rather than arbitrary. I think books two and three were my favorite of the four.
I'm also fond of Golden Witchbreed and Ancient Light (the latter is a minority opinion), although I would call Ash, Rats & Gargoyles, and The Architecture of Desire her most accomplished work so far. I was really disappointed not to see 1610, Or A Sundial in a Grave in the Wiscon dealers' room, because it hasn't been published in the US yet and I haven't been able to convince myself to spring for international shipping.
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I didn't catch this the first time through; in case it wasn't clear from comments, The Book of Ash is four volumes, not two.
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Has horses, rats, human breeding programs, and robots, all in the same book by someone who isn't C.J. Cherryh.
The ending makes my head hurt. It's everthing cofax said it is, but it still makes my head hurt.
The grit and horror of warfare are brillantly displayed. So if you're a fan of gently done Authur romances, this is probably not your cuppa.
Even with the warfighting and the ending aside, it is *very* dense. Not Tolkien dense, but towards that end of the scale. And it only gets more dense towards the end.
Mely rec'ed it. You should always listen to Mely when she talks about books.
-hossgal
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Of course, if I'd remembered that Mely was the reason I'd gotten it in the first place, I wouldn't have needed to ask. My only defense is that so MANY things are on my list because of Mely that I can no longer be expected to keep track. Heh.
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Stick with it. The book only gets better and better, as as Mely said: the framing structure is critical. And don't let anybody spoil you about the plot twists!!!
(Or the jokes. Page 820. Bwahahahaha...)
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I read all of _Ash_, compulsively, and then looked at it when I was done and said, "You know, I didn't actually *enjoy* that."
Partly it was the gritty, but mostly when I thought about the framing story I refused to believe it: I just can't accept the main narrative as an academic translation. And the framing device does, as others have said, demand that you take it seriously.
This probably says more about me as a reader than about _Ash_. If the framing story hasn't bothered you so far, you're probably good to go with the rest.
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Anyway. I certainly appear to be in the minority when it comes to _Ash_. (It's interesting to me how purist I've become about, umm, integrity of narrative devices, if that makes sense.)
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This interests me because it's almost exactly my own reaction to the first volume, but for different reasons.
Thanks for commenting, and especially for explaining that your reaction had to do with the frame story; the framing device isn't putting me off (at least not yet), so based on your thoughts and others', I'm going to keep on with it.
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